Nanny McPhee (2006)
Runtime: 1 hr 49 mins
Theatrical Release: 2005
Box Office: $47,124,400
Synopsis: Emma Thompson, whose first screenplay won the 1995 Oscar® for Sense and Sensibility, returns to screenwriting with Nanny McPhee, a motion picture adaptation of the "Nurse Matilda" books by Christianna Brand. Thompson, the only person to have won Oscars® for both acting and writing, also... Emma Thompson, whose first screenplay won the 1995 Oscar® for Sense and Sensibility, returns to screenwriting with Nanny McPhee, a motion picture adaptation of the "Nurse Matilda" books by Christianna Brand. Thompson, the only person to have won Oscars® for both acting and writing, also plays the title role in Nanny McPhee, opposite Colin Firth, Kelly Macdonald and-in her first role for the big screen in two decades-Angela Lansbury. In this dark and witty fable, Thompson portrays a person of unsettling appearance and magical powers who enters the household of the recently widowed Mr. Brown (Firth) and attempts to tame his seven exceedingly ill-behaved children. The children, led by the oldest boy Simon (Love Actually's Thomas Sangster), have managed to drive away 17 previous nannies and are certain that they will have no trouble with this one. But as Nanny McPhee takes control, they begin to notice that their vile behavior now leads swiftly and magically to rather startling consequences. Her influence also extends to the family's deeper problems, including Mr. Brown's sudden and seemingly inexplicable attempts to find a new wife; an announcement by the domineering Aunt Adelaide (Angela Lansbury) that she intends to take one of the children away; and the sad and secret longings of their scullery maid, Evangeline (Kelly Macdonald). As the children's behavior begins to change, Nanny McPhee's arresting face and frame appear to change as well, creating even more questions about this mysterious stranger whom the children and their father have come to love. Nanny McPhee is directed by Kirk Jones (writer/director of Waking Ned Devine). The producers are Lindsay Doran (in her third collaboration with Thompson, following Sense and Sensibility and Dead Again) and Working Title's Tim Bevan and Eric Fellner. [More]
Genre: Comedies
Starring: Emma Thompson, Colin Firth, Kelly MacDonald, Celia Imrie, Derek Jacobi
Screenwriter: Emma Thompson
Producer: Glynis Murray, Lindsay Doran, Tim Bevan, Eric Fellner
Composer: Patrick Doyle
DVD Info
Release:
May 9, 2006
DVD Features:
- Region 1
- Snap Case
- Anamorphic Widescreen - 2.35
- Single Sided - Dual Layer
Audio:
- Dolby Digital 5.1 Surround - English, French, Spanish
- Subtitles - English (SDH), French, Spanish
Additional Release Material:
- Audio Commentary
- Deleted Scenes
- Featurette - 1. Casting the Children
- 2. Village Life
- 3. Nanny McPhee Makeover
- 4. How Nanny McPhee Came to Be
- Gag Reel
Buy It On DVD
Reviews
Nanny McPhee really works ... despite all of its common plots and ideas, because it stays true to storybook conventions that have never and will never get old.
An exquisitely designed fable that will delight adults as well as their offspring through its beguiling innocence and hushed, low-key charm.
Nanny McPhee falls back on the Nickelodeon principle "If all else fails, hit 'em with a retina-searing overload of visual and aural information."
There are many different kinds of children's movies, and this one tries to be all of them at once -- including one of those in which the children are smarter than the adults.
Its redeeming virtues are Thompson, Firth and Kelly Macdonald as Firth’s adoring housemaid; they manage to give genuine, affecting performances in the midst of all the outlandish, obnoxious goings-on.
I found myself tearing up right on cue, (Patrick Doyle knows all my buttons) but sincerely, enjoying the magical tale as much as if I were a small child.
Should play well with the small fry, though adults may be more bothered by the clumsy shifts in tone.
It relies on a good story and interesting characters a lot more than it does on eye candy.
The kids will love the candy-box sets and costumes like confectionery-shop windows, the whimsy and farcical grotesqueness of it all.
The intermittent pleasures [Nanny McPhee] affords, provided chiefly by a standout cast in high camp mode, make it a passable destination for a family outing.
Any time Thompson curls that prosthetic snaggletooth over her lower lip and murmurs a nearly inaudible harrumph is a comic moment to be treasured.
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