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Black and White

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Black and White (1999)

37%
45%
50%
N/A
N/A
N/A
37 %
Reviews Counted: 76 Fresh: 28  Rotten:48 Average Rating: 4.7/10
 
Consensus: The atmosphere is affecting, and the story, at times, is compelling, but with a lean script and limp direction, Black and White doesn't add up to much.
 

How does the Tomatometer work?

The Tomatometer measures the percentage of positive reviews from Approved Tomatometer Critics for a certain movie.[-]

Runtime: 1 hr 38 mins

Synopsis: With Black and White, writer-director James Toback (Fingers, Two Girls and a Guy) confronts the topic of race head on--most specifically, the influence of black urban hip-hop culture on white America. Set in New York City as the 1990s wind to a close, the film is told in a broad, episodic... With Black and White, writer-director James Toback (Fingers, Two Girls and a Guy) confronts the topic of race head on--most specifically, the influence of black urban hip-hop culture on white America. Set in New York City as the 1990s wind to a close, the film is told in a broad, episodic fashion, interweaving several different story lines in order to address a multitude of ideas. In the most comedic, a white documentarian (Brooke Shields) and her gay husband (Robert Downey Jr.) follow a group of affluent white teenagers (led by Bijou Phillips) around the city as they unabashedly pursue a Staten Island hip-hop crew. As the leader of the crew, Rich Bower (the Wu-Tang Clan's Power) struggles to leave his criminal past behind and become a legitimate musician. In the most dramatic subplot, an undercover police detective (Ben Stiller) frames a talented college basketball player (Allan Houston) in order to exact an ambiguous revenge. Toback blends improvisation with tightly scripted scenes, and the result is a loose, broad essay on the state of racism at the turn of the millennium. Black and White features impressive performances by the all-star cast, but it is Mike Tyson who steals the film with his unforgettable cameo. [More]

Genre: Dramas

Starring: Robert Downey, Bijou Phillips, Allan Houston, Brooke Shields, Ben Stiller

Director: James Toback
Screenwriter: James Toback
Producer: Ron Rotholz, Daniel Bigel, Michael Mailer

DVD Info

Release:

Sep 26, 2000

[DVD Details]

Buy It On DVD

Reviews

 
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Ratings Image
3/5

A daring film that has some sloppy flaws but is far better than Toback's previous effort, the dismal Two Girls and a Guy.

Full Review | comment Comment
08/07/08
Bob Grimm
Sacramento News & Review
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N/A

As lively and amusing as the film is in some ways, it does set up expectations at the outset that are never really delivered upon.

Full Review | comment Comment
06/17/08
Todd McCarthy
Variety
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N/A

It looks like a mess -- if one stuffed with incident, issues and intrigue.

Full Review | comment Comment
06/24/06
Time Out
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Ratings Image
2.5/4

James Toback's Black and White is meant to be an incendiary movie, but it's really only just OK.

Full Review | comment Comment
05/26/06
Jeffrey M. Anderson
Combustible Celluloid
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B

The best thing I have seen come from director Toback.

Full Review | comment Comment
04/09/05
Robin Clifford
Reeling Reviews
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2/5

Mostly watchable and well-acted, but neither as engaging nor as exciting as it needs to be.

Full Review | comment Comment
03/16/04
Matthew Turner
ViewLondon
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2/5

While Toback certainly makes a game effort to study the infiltration of hip-hop into the mainstream, his inability to choose what ground to cover ultimately results in an episodic hotch-potch.

Full Review | comment Comment
01/13/04
Ben Falk
BBC
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2/4

Short bursts of captivating information are strung together in a series of quick-cutting vignettes, alternately hitting their mark and falling disastrously flat.

Full Review | comment Comment
05/14/03
Jeanne Aufmuth
Palo Alto Weekly
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2/5

The unfocused story travels through so many subplots that none of the individual stories are ever explored fully enough to pay off.

Full Review | comment Comment
12/08/02
Chris Gore
Film Threat
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N/A

Perhaps you remember "The Pick-Up Artist," the movie that single-handedly killed Molly Ringwald's career? That was another Toback production. "Black and White," for all its arty pretensions and supposed shock value, doesn't break his losing streak.

Full Review | comment Comment
06/21/02
James Sanford
Kalamazoo Gazette
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3/4

It doesn't try to spell out all aspects of the issue or arrive at any particular point. Toback presents specific characters dealing with specific problems and, through their stories, somehow manages to take the temperature of the times.

Full Review | comment Comment
06/18/02
Mick LaSalle
San Francisco Chronicle
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Ratings Image
2/4

Click to read the article

Full Review | comment Comment
03/19/02
Globe and Mail
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Ratings Image
N/A

This movie doesn't provide the luxury of detachment; it forces us to sort out the confusing racial dramas of contemporary America, and it's far more involving because it has no narrator telling us what to feel.

Full Review | comment Comment
01/09/02
Stephen Farber
Movieline
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3/5

This lively mess proves that when Toback loses his head, he does it with style.

Full Review | comment Comment
05/10/01
Peter Travers
Rolling Stone
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Ratings Image
N/A

A study in multiculturalism, Toback's film is something of a melting-pot itself: mixed-up, messy and teeming with vitality.

Full Review | comment Comment
04/17/01
Xan Brooks
Sight and Sound
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F

Amateurish in the worst possible way and sorely lacking ideas or any sign of intelligent life.

Full Review | comment Comment
03/24/01
Chuck Rudolph
Matinee Magazine
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N/A

The only Black and White issue here is this: The film is bad, there's no gray area.

Full Review | comment Comment
01/01/00
E! Online
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Ratings Image
N/A

Performances are strained and scenes go on far too long.

comment Comment
01/01/00
Barbara Shulgasser
Chicago Tribune
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N/A

There is probably way too much plot slung around. But Toback is fearless. Which is precisely what is needed to enjoy this primal film -- a sense of absolute fearlessness.

Full Review | comment Comment
01/01/00
Bruce Kirkland
Jam! Movies
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N/A

Toback's method of presenting the evidence without judgment backfires, finally appearing just as shapeless as the movie's structure.

Full Review | comment Comment
01/01/00
Charles Taylor
Salon.com
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