Against the Ropes (2003)
Runtime: 1 hr 50 mins
Theatrical Release: Feb 20, 2004 Wide
Box Office: $5,696,752
Synopsis: Meg Ryan stars in this fictionalized account of real-life boxing manager Jackie Kallen, the first female to ever make a name for herself in the sport. As the film begins she's just an assistant to the owner of a sleazy sporting arena, but her antagonism toward a mafia-affiliated boxing bigwig... Meg Ryan stars in this fictionalized account of real-life boxing manager Jackie Kallen, the first female to ever make a name for herself in the sport. As the film begins she's just an assistant to the owner of a sleazy sporting arena, but her antagonism toward a mafia-affiliated boxing bigwig (Tony Shalhoub) and her hunch about the innate boxing talent of a young street thug named Luther (Omar Epps) lead her to take up managing. She recruits a retired trainer (Charles S. Dutton, who also directed) to mold Luther into a champ, and starts pushing and climbing through the sport's rampant sexism. The script by Cheryl Edwards is packed with platitudes and great throwaway lines, and to its credit the film doesn't shy away from showing Kallen's less flattering angles. Ryan looks and sounds great, sporting a fun Midwestern accent and a series of sexy outfits as she sashays through the cigar smoke and testosterone, tough-talking her way to victory in argument after argument. Though set in the present, AGAINST THE ROPES has a grungy 1970s feel to it, recalling ROCKY, THE CHAMP, THE MAIN EVENT and other films of the era. The real-life Kallen served as an associate producer. [More]
Genre: Dramas
Starring: Meg Ryan, Omar Epps, Tony Shalhoub, Tim Daly, Kerry Washington
Screenwriter: Cheryl Edwards
Producer: Robert W. Cort, David Madden
Composer: Michael Kamen
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Reviews
It's hard to expect anyone to infuse much passion into a "by-the-numbers" boxing movie which telegraphs every punch.
Against the Ropes may not deliver a knock-out, but it does land some pretty good blows.
It's one thing to make a predictable Hollywood movie. It's another thing to make a predictable Hollywood movie based on a fascinating life.
This movie lacks any complexity. Dutton opts instead to embellish the story with boxing clichés.
Mediocre, cliché-ridden but passable entertainment that completely falls apart in the third act.
Complicated by the ways that race, masculinity, and media shape expectations and possibilities in the boxing world.
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by: cactrot45 2/22/04

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