Atonement (2007)
Runtime: 2 hrs 3 mins
Theatrical Release: Dec 7, 2007 Limited
Box Office: $50,830,581
Synopsis: On a sultry summer day in 1935, an upper-class British family prepares for a dinner party at their country estate. The players: Briony Tallis (newcomer Saoirse Ronan), a precocious preteen writer; her older sister Cecilia (Keira Knightley), Cambridge graduate and femme fatale; Robbie... On a sultry summer day in 1935, an upper-class British family prepares for a dinner party at their country estate. The players: Briony Tallis (newcomer Saoirse Ronan), a precocious preteen writer; her older sister Cecilia (Keira Knightley), Cambridge graduate and femme fatale; Robbie Turner (James McEvoy), the housekeeper's mensch-y son, who carries a torch for Cecilia; and various visitors and family members. A series of misperceptions, fueled by the summer heat and Briony's childish hurts and fevered imagination, lead to a dramatic false accusation that lands Robbie in jail. We meet all three characters five years later in the thick of World War II, as foot soldier Robbie prepares for the Dunkirk evacuation and the two estranged sisters train as nurses in London. Director Joe Wright (PRIDE AND PREJUDICE) deserves high praise for translating Ian McEwan's highly internalized, multilayered tale of guilt, redemption, and the power and limits of the artistic imagination, into a sumptuous visual feast that not only conveys the intricate plot points of the novel, but dives headfirst into the emotional subtleties that make the story so wrenching. Whether any of the characters' actions are ultimately atoned for by the end of the film is a matter of perception, but Wright's sympathetic eye ensures that every player gets a fair trial. The young director favors long, lingering close-ups that trace every flicker of feeling--Ronan's luminous blue eyes clouding over with righteous gravity; the tremors of hurt and anger and love in McEvoy's sensitive face; the defiant jut of Knightley's jaw as it melts into tender affection. The honey-drizzled look of the first two thirds of the film contrasts achingly with the tension and seriousness of the action unfolding (and the grim intensity of the wartime sections), and the scenes on the beach at Dunkirk include some of the most masterly camera work of any recent film. ATONEMENT is a powerful story, retold in a way that even diehard fans of the book will appreciate. [More]
Genre: British, Drama, Romance, Young Love, Period Piece, Family Crises, Based On A Novel
Starring: Keira Knightley, James McAvoy, Romola Garai, Saoirse Ronan, Vanessa Redgrave
Screenwriter: Christopher Hampton
Producer: Tim Bevan, Eric Fellner, Paul Webster
Composer: Dario Marianelli
DVD Info
Release:
Mar 18, 2008
DVD Features:
- Note:This is a HD-DVD/DVD hybrid, playable on HD-DVD and standard DVD players.
- Side A: ATONEMENT - High Definition
- Widescreen - 1.85
Audio:
- Dolby Digital Plus 5.1 Surround - English, French
- Subtitles - English (SDH), French - Optional
Additional Release Material:
- Audio Commentary - Joe Wright - Director
- Deleted Scenes with Commentary - Joe Wright - Director
- Featurette - 1. FROM NOVEL TO SCREEN: Adapting a Classic
- 2. BRINGING THE PAST TO LIFE: Making of ATONEMENT
- Side B: ATONEMENT - Standard Definition
- Anamorphic Widescreen - 1.85
Audio:
- Dolby Digital 5.1 Surround - English, French, Spanish
- Subtitles - English (SDH), French, Spanish - Optional
Additional Release Material:
- Audio Commentary - Joe Wright - Director
- Deleted Scenes - Deleted Scenes with Commentary - Joe Wright - Director
- Featurette - FROM NOVEL TO SCREEN: Adapting a Classic
Buy It On DVD
Reviews
not a Jane Austin story, but it could be, if Jane Austin hardened up her subject matter a bit
Not a bad picture by any means, just way too fussy. Ladies will love it.
Few films this year were as magnificent looking and few as misunderstood.
[U]ltimately, the movie amounts to rolling lawns, lovely costumes, and characters that simply fail to resonate.
Director Joe Wright is quickly establishing himself as a powerhouse adapter of period romance tomes.
At some points Wright appears to be simply showing off the dexterity of his visual ambitions to the detriment of the story's emotional core.
the film actually transcends the novel at times, due in no small part to Seamus McGarvey's fluid camera work.
Ronan has a remarkably self-possessed, haunted quality that would be impressive for a newcomer of any age.
...This leads to one of the best romances of the year. The problem comes when an older Briony attempts to atone for her misdeeds.
Wright's camera takes you on many memorable journeys, none as great as an incredible five minute tracking shot in which the scene never cuts away
Atonement exquisitely captures the essence and nuance of the page and translates it to the screen with breathtaking originality.
This is one fine film and I found it even more moving than the book.
As a technical achievement, it's one of the better films I have seen this year. The story is old-school overblown and yet it is played so sincerely you hardly notice its old-fashioned fire.
An overly-ambitious, ultimately unsatisfying adaptation of Ian McEwen's best-selling romance novel.
Podrá resultar más o menos bella, triste, fría, conmovedora, romántica, incluso intrascendente, pero sin duda estamos ante una película exquisitamente elaborada por un brillante equipo de artistas.
Atonement has significant themes, tragic circumstances and profound lessons on life and personal responsibility. It's sooooooo booooooring.
The lingering deaths of soldiers and the lost causes they embody serve as tragic backdrops to the less compelling plot points embodied by Briony and her characters.
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