Gabrielle is more than a girl cut in two by this ambience, she's pulled every which way, a situation that the director investigates with the subtlety and complexity only a lifetime behind the camera can provide.
A Girl Cut in Two (2008)
Rated: Not Rated
Runtime: 1 hr 55 mins
Theatrical Release: Aug 15, 2008 Limited
Synopsis: In A GIRL CUT IN TWO, Gabrielle Snow (Ludivine Sagnier) has an enviable choice: between two rich, handsome men who desire her. But in this thriller from prolific French director Claude Chabrol (MERCI POUR LE CHOCOLAT), the decision isn't an easy one, and the results are far from romantic.... In A GIRL CUT IN TWO, Gabrielle Snow (Ludivine Sagnier) has an enviable choice: between two rich, handsome men who desire her. But in this thriller from prolific French director Claude Chabrol (MERCI POUR LE CHOCOLAT), the decision isn't an easy one, and the results are far from romantic. Gabrielle meets the distinguished, married writer Charles Saint-Denis (François Berléand, THE TRANSPORTER) and is immediately captivated. At the same time, she encounters a spoiled heir, Paul (Benoît Magimel, THE PIANO TEACHER), who is equally taken with her. Gabrielle bounces between the two men until she finally makes a choice. But despite her fairy tale princess looks, there isn't a happy ending for Gabrielle. Chabrol has crafted a mature, sexy thriller. It's lacks a fast pace and a lot of skin, but there's plenty of tension throughout the film. The steam in A GIRL CUT IN TWO doesn't come from sexy love scenes--instead it's the potboiler plot that has each man providing a different brand of menace for Gabrielle. Though Gabrielle--like her suitors--isn't an especially likeable character, she's played with impressive skill by Sagnier. The young actress is one of France's biggest stars, and with good reason: she's worked with the country's most prominent directors, including Christophe Honoré, Claude Miller, and Yvan Attal, and she's done multiple films with François Ozon. Turning in a great performance for legendary director Chabrol here certainly won't hurt her standing at home or abroad. [More]
Genre: Foreign Films
Starring: Ludivine Sagnier, Benoit Magimel, François Berléand, Valeria Cavalli, Mathilda May
Screenwriter: Cécile Maistre, Claude Chabrol
Producer: Patrick Godeau
Composer: Matthieu Chabrol
Reviews
Chabrol has always been more interested in sensibility than sense, in discourse on fashion and form than in the narrative possibilities of function, and on the rich hypocrisies of the wealthy.
Sex, murder, insanity, perversity -- A Girl Cut in Two has it all, yet it stands as a singularly classy and sophisticated drama.
It's a very long way to go for a punch line, but Claude Chabrol fearlessly meanders along for the two hours it takes him to get there
This is one of Mr. Chabrol’s strangest films, but he still makes a ripple in his ocean.
As is nearly always the case with Chabrol, a special pleasure pervades the picture.
In A Girl Cut in Two, Sagnier is yummy as a local TV weathergirl caught between a womanizing older novelist (François Berléand) and a nouveau riche playboy (Magimel) used to getting his own way.
Bordering on the surreal, Chabrol's latest film investigates conflicting desires in a woman in love. The old meets the new and the quandary remains unresolved.
A Girl Cut in Two is a rich, textured divertissement from Claude Chabrol, a sinister master of the art.
Chabrol was never as groundbreaking formally as his peers, but usually his films can be counted on for a craftsmen-like level of polish. Here, though, even that falters.
Veteran filmmaker Claude Chabrol's icy tale of love, lust and self-delusion is an elegant exercise in corrosive psychological suspense.
Chabrol has made a career out of savage class warfare, and A Girl Cut In Two fires off another bitter salvo.
Chabrol is approaching the big 8-0, yet he continues to do quality work, as shown by A Girl Cut in Two.
All of the characters are walking contradictions, each pulling and pushing away the viewer. Part of the film's tension derives from what the audience clearly sees and what Gabrielle doesn't.
The pacing has a tendency to downshift from deliberate to meandering at crucial moments, and though the trio of actors is on point—especially Magimel, a master at smug menace -- Chabrol’s digs feel frustratingly halfhearted.
The film’s cerebral affectations unravel because neither one is ultimately able to carry the film’s disjointed plot.
A Girl Cut in Two is a spry piece of work. Chabrol uses this sinister clown show as a means to puncture the media world's hot-air balloons -- as well as to highlight the hypocrisies of his favorite target, the haute bourgeoisie.
An ill-fated love triangle with a surprising twist and a chilling message for shameless gold-diggers and suave Casanovas alike.
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