The Godfather (1972)
Runtime: 2 hrs 55 mins
Theatrical Release: Mar 24, 1972 Wide
Synopsis: Based on the best-selling novel by Mario Puzo (who co-wrote the screenplay with director Francis Ford Coppola), THE GODFATHER tells an epic tale of Mafia life in America during the 1940s and 1950s. Vito Corleone (Marlon Brando) is the family patriarch balancing a love of his family with an... Based on the best-selling novel by Mario Puzo (who co-wrote the screenplay with director Francis Ford Coppola), THE GODFATHER tells an epic tale of Mafia life in America during the 1940s and 1950s. Vito Corleone (Marlon Brando) is the family patriarch balancing a love of his family with an ambitious criminal instinct. At the wedding of the Don's daughter Connie (Talia Shire), youngest son Michael (Al Pacino) is reunited with his family. A subsequent assassination attempt leaves the Don too ill to run the family business, forcing Michael and Sonny (James Caan), with the help of consigliere Tom Hagen (Robert Duvall), to lead the Corleones into a vendetta-filled war with other mob families. Violent revenge ensues as the family tries to change from its old criminal ways into legitimacy. Coppola's certified masterpiece, which won three Oscars (including Best Picture) and spawned an Oscar-winning sequel (THE GODFATHER PART II), set a new screen standard for merging blood-soaked violence with intimate family drama. In the process, Coppola single-handedly established the Mafia as an industry in film and television (GOODFELLAS, THE SOPRANOS). Featuring truly unforgettable performances, including the Best Actor-winning Brando, the riveting Pacino, and an unexpectedly dramatic Diane Keaton, THE GODFATHER is the pinnacle of Hollywood cinema in the 1970s. [More]
Genre: Dramas
Starring: Marlon Brando, Al Pacino, James Caan, Robert Duvall, Diane Keaton
Screenwriter: Mario Puzo, Francis Ford Coppola
Producer: Albert S. Ruddy
Composer: Nino Rota
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Reviews
...it's the stellar cast's career-best work that ultimately assures the viewer's interest even through the film's less-than-enthralling stretches.
...a metaphor for creating and protecting your own business in this country - only with the added glamour of guns.
A multi-generational epic that never leaves the audience less than enthralled, this is the godfather of all gangster films.
There are volumes that could be written -- and have been -- about the movie's uniformly powerful performances; its precedent-setting editing by William Reynolds and Peter Zinner; Nino Rota's haunting score; and Dean Tavoularis's evocative set design.
The biggest achievement here is the establishment of mood and time.
Not only one of the greatest mob films of all time, The Godfather is also one of the greatest overall pictures ever.
An everyday story of Mafia folk, incorporating a severed horse's head in the bed and a number of heartwarming family occasions, as well as pointers on how not to behave in your local trattoria.
Not only the best of crime film, but all that is possible with cinematic achievement.
It could be argued that Francis Ford Coppola's film of Mario Puzo's bestseller, at once an art movie and a commercial blockbuster, marked the dawn of the age of the mega-movie.
One of those sublimely rare movies in which every element–casting, acting, directing, script, cinematography, score–comes together.
Is it really possible that this bears repeating? The Godfather is extraordinary.
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