Gridlock'd (1997)
Runtime: 1 hr 31 mins
Synopsis: When a friend OD's and winds up in a coma, a mismatched pair of Detroit junkies strive to seek help in kicking their heroin habit in government-sponsored programs, only to find themselves drowning in the comical--and sadly accurate--bureaucratic morass of sanctioned detox centers. An... When a friend OD's and winds up in a coma, a mismatched pair of Detroit junkies strive to seek help in kicking their heroin habit in government-sponsored programs, only to find themselves drowning in the comical--and sadly accurate--bureaucratic morass of sanctioned detox centers. An authentic, scathingly satiric black comedy debut from actor-turned-writer/director Vondie Curtis Hall, featuring the final big screen performance of murdered rapper Tupac Shakur. [More]
Genre: Comedies
Starring: Tupac Shakur, Tim Roth, Thandie Newton, Vondie Curtis-Hall, Charles Fleischer
Buy It On DVD
Reviews
An engaging look at a mangy day in the lives of two junkies trying to kick, Gridlock'd would have been a good mid-level B.O. performer even without the interest surrounding it, due to the recent death of co-star Tupac Shakur.
A dark, effective satire about drug addiction that offers laughs as well as savage criticism of the US approach to dealing with users.
While not entirely successful, there's enough humor and humanism amid gritty urban locations to recommend Gridlock'd.
The film has a fairly uninteresting narrative motor in its thriller subplot, but hits on an edgy black comic tone for Stretch and Spoon's increasingly pained dealings with the unsympathetic representatives of authority.
The late Shakur is especially impressive as the brighter of the duo -- a frazzled but infinitely patient character with a touching faith that somehow, if the pair just keeps plugging away, everything will turn out okay.
An ambitious, too ambitious, effort by Curtis Hall that shows talent and a future behind the camera.
Written and directed by actor Vondie Curtis Hall, the film blends savvy and sour-mash humor with bone-deep sadness that recalls predecessors as varied as After Hours and Trainspotting.
Exposes the obstacles that that two down-and-out men face in their efforts to turn their lives around.
The film seems so fresh it's almost possible to forget that it is a fraud in its description of the culture of hard drugs.
The movie's appeal lies largely in its capacity for surprise, riffing off tired characters and pooped genres to produce, intermittently at least, a fresh new tone. Call it junkie humour.
Cast against type as the gentler of two musician junkies trying to burrow through the bureaucracy to enter a rehab clinic in Detroit, Shakur has the relaxed screen presence of a young Wesley Snipes and plays perfectly off the delirious Tim Roth.
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