A lovingly crafted portrait of a kind of life not often seen on the big screen.
How the Garcia Girls Spent Their Summer (2008)
Rated: R [See Full Rating] for sexual content and some language
Runtime: 2 hrs 8 mins
Theatrical Release: May 16, 2008 Limited
Box Office: $91,432
Synopsis:
What does female desire look like? And how do self-inflicted limitations and social expectations shade and color it? In her tenderly comic, richly textured feature debut, Georgina Garcia Riedel lovingly explores the terrain of longing, loneliness, and self-realization among three...
What does female desire look like? And how do self-inflicted limitations and social expectations shade and color it? In her tenderly comic, richly textured feature debut, Georgina Garcia Riedel lovingly explores the terrain of longing, loneliness, and self-realization among three generations of single women in a Mexican American family as they grapple with romantic drought.
As sweltering summer stretches over a sun-bleached Arizona border town, Doņa Genoveva (Lucy Gallardo), the Garcia family matriarch, decides to buy a car. The only catch is that she doesn't know how to drive. When she enlists Don Pedro's pedagogical skills, sparks begin to fly--at her house and beyond. Her daughter, Lolita, played with deadpan poignancy by Elizabeth Peņa, seems to have hit a dry spell until things start to sizzle at the butcher shop where she works. Meanwhile, Lolita's teenage daughter, Blanca, a radiant America Ferrera (Real Women have Curves), engineers an awakening all her own. It's as if the languid heat wave has thawed everyone's defenses and jump-started a sexual revolution.
Like the folks in the story, Riedel's camera never hurries, savoring the poetic vistas and lazy rhythms of the rural Southwest without resorting to sentimentality. Her three heroines are utterly human--full of idiosyncrasies and unexpected charms. In each of them is a distinctive, newly discovered sensuality, an engine that drives them forward, kicking up dust as they go.
--© Maya Releasing
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Genre: Comedies
Starring: America Ferrera, Elizabeth Peņa, Lucy Gallardo, Steven Bauer, Jorge Cervera
Screenwriter: Georgina Garcia Riedel
Producer: Georgina Garcia Riedel, Olga Arana
Reviews
Like Blanca and her friends, walking languidly down the street, then spontaneousy grabbing a shopping cart for a ride, Reidel plays with the rhythm of her enjoyably unhurried tale.
Although the story is overly familiar, Riedel's evocation of small-town life rings true.
This is a movie with wonderful, strong performances from three very talented women.
It's a smart little film, although there are some odd cinematographic moments --- curious, at best. And at two hours plus, the movie runs at least 20 minutes too long.
If your taste is for movies off the beaten path, run out and see this one before it disappears.
A tenderly spun tale of female sexual desire traversing three generations of Latina women north of the border, the movie is crafted glowingly from a woman's point of view, and with supreme sensitivity, dignity, warmth, sadness and humor.
With the Garcia Girls, Riedel will take the right audiences someplace this summer.
Riedel's film is a breakthrough achievement and a hopeful sign of more to come.
The film is sensitively told and appealingly bittersweet, though the story at times meanders and loses its way.
Garcia Riedel is affectionate toward her characters to a fault - cameras linger as they walk down the street or make other prosaic moves, dragging the already sluggish story's pacing even more -- but she does get some lovely behavior out of each actress.
With equal measures of discretion and honesty, Riedel directly addresses the sensuality of all three women, achieving an almost startling sense of intimacy in scenes that range from mesmerizingly intense and gently comical.
Writer-director Georgina Garcia Riedel makes inventive use of the wide-screen format in this gentle, poetic 2005 comedy.
Ms. Reidel also deserves credit for depicting the possibility of finding love at all ages, something that larger and more mainstream movies so often shy away from showing.
Rookie writer-director Georgina Garcia Riedel's helming hand is both unsure and all over the place and she enervatingly spins this slight, could-have-been-charming conceit over two hours.
Three generations of Garcia women trying to spice up their lives with sex during a hot and boring summer.
Unlike so many of her peers who depend on music to do everything but deliver the dialogue, [director] Riedel isn't afraid of silence; early in the film there's a solid minute of noiselessness as the camera lovingly pans the town, establishing the story's
Writer-director Georgina Garcia Riedels feature debut is so good for so long that it breaks the heart to watch the film lose its way.


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