full review in Greek
The Machinist (2004)
Rated: R [See Full Rating] for violence and disturbing images, sexuality and language
Runtime: 1 hr 43 mins
Theatrical Release: Oct 22, 2004 Limited
Box Office: $939,471
Synopsis: Christian Bale delivers one of cinema's most sacrificial performances in Brad Anderson's mesmerizing thriller. Written by Scott Kosar (2003's THE TEXAS CHAINSAW MASSACRE), THE MACHINIST takes place in a bleak and nondescript American city, where Trevor Reznick (Bale) is quite... Christian Bale delivers one of cinema's most sacrificial performances in Brad Anderson's mesmerizing thriller. Written by Scott Kosar (2003's THE TEXAS CHAINSAW MASSACRE), THE MACHINIST takes place in a bleak and nondescript American city, where Trevor Reznick (Bale) is quite literally withering away to nothing. During the day Trevor works in a colorless industrial factory, while at night he seeks refuge in the bed of a tender prostitute, Stevie (Jennifer Jason Leigh). For reasons unknown even to Trevor, he hasn't been able to sleep for an entire year. In the process, he has shed over sixty pounds, making him look like a walking skeleton. After an accident at the factory costs Trevor his job, he finds himself tracking a mysterious figure that may or may not, in fact, provide some answers to his confusion. Meanwhile, he begins to connect with a pretty airport waitress, Marie (Aitana Sanchez-Gijon), who shows Trevor some much-needed sympathy. By the time the film builds to its revelatory conclusion, it becomes quite clear just what has been tormenting Trevor all along. Anderson and Kosar's vision is brought to spectacular life by cinematographer Xavi Gimenez and composer Roque Banos, whose haunting atmospherics recall the best work of Alfred Hitchcock. And then, of course, there is Bale, whose performance is as terrifying, brave, and devastating as the screen has ever seen. [More]
Genre: Dramas
Starring: Christian Bale, Jennifer Jason Leigh, Aitana Sanchez-Gijon, Michael Ironside, John Sharian
Reviews
The Machinist, in terms of its gimmicky, save-the-conceit structure, is a bit like the self-consciously clever Memento but not even half as fun.
It's a somber, sometimes slow-slithering dark piece that's heavier on style than substance, but it all works.
An absorbing and eerie study of paranoia and psychological torment.
It's like a film the Coen Brothers would have made, back when they still made good movies.
replacing phrase "going De Niro" with the phrase "going Bale" in many vocabularies
Anderson's use of lighting, editing, sound design, and score hit just the right nerve endings, creating a film that keeps turning over in your mental gears for days afterward.
A chance for Bale to show off his new lean look for what the filmmaker mistakenly thinks is art.
The performances are nothing short of superb - Bale's skeletal form alone is likely to be the most haunting visual image of the year.
Mark Twain said that Wagner's music isn't as bad as it sounds. The Machinist isn't as good as it looks. But Bale's fever-dream performance is otherworldly great.
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