My Blueberry Nights (2008)
Runtime: 1 hr 51 mins
Theatrical Release: Apr 4, 2008 Limited
Box Office: $724,907
Synopsis: With his first English-language film, beloved Hong Kong director Wong Kar-wai's touch loses none of the seductive luster and magic that made his Chinese films so popular. MY BLUEBERRY NIGHTS follows the fortunes of Elizabeth (Norah Jones), who after having been left by her boyfriend, sets... With his first English-language film, beloved Hong Kong director Wong Kar-wai's touch loses none of the seductive luster and magic that made his Chinese films so popular. MY BLUEBERRY NIGHTS follows the fortunes of Elizabeth (Norah Jones), who after having been left by her boyfriend, sets out across America to find herself and recover. She makes a stop in Memphis, where she pulls double-duty at a diner by day and a bar at night, and watches the disintegration of another pair of troubled lovers (David Strathairn and Rachel Weisz). She moves on to Nevada where she befriends a vivacious card player and smalltime hustler (a delightfully saucy Natalie Portman) who challenges her notions of contentment. However, it is New York City and the arms of an English café owner (Jude Law) for which Elizabeth's heart truly longs and ultimately returns. While MY BLUEBERRY NIGHTS isn't Wong's best film--as it suffers from some clunky, heavy-handed dialogue and some frustratingly broad performances--it still contains all of the hallmarks of his aesthetic, and is therefore hard not to fall for. The film is undeniably beautiful, and features the director's trademark visual sense: shimmering neons, lush chiaroscuro, and swirling slow-motion images. It makes for a seductive view of America, one populated by swaggering, yet deeply melancholic drifters that listen to Otis Redding and Ruth Brown, drink too much, and love even more. The sadness and tears that emerge from America's taverns in the wee hours are as breathtakingly alluring as its natural landscapes. In Wong's hands, everything is cast in the light of joy-life and death, suffering and happiness-and the same goes for his understanding of America. Whether this America ever existed is wholly irrelevant; for when you watch a Wong movie, you happily enter his country, wherever that may be. [More]
Genre: Dramas
Starring: Norah Jones, Jude Law, David Strathairn, Natalie Portman, Rachel Weisz
Screenwriter: Wong Kar-Wai, Lawrence Block
Producer: Wong Kar-Wai
Composer: Ry Cooder
DVD Info
Release:
Jul 1, 2008
DVD Features:
- Region 1
- Keep Case
- Full Frame - 1.33
Audio:
- Unspecified - English
- Subtitles - Spanish - Optional
Buy It On DVD
Reviews
As visually lush and distinctive and enveloping as you would expect from a Wong Kar-wai film, with space for performances that have impact.
What the film ends up feeling like is someone else's clumsy attempt to imitate Kar-Wai's style while missing out on his obsessive perfection and emotional depth.
My Blueberry Nights proves Norah Jones isn't ready for a movie career quite yet.
It's not Kar-Wai's best work, but cast Tony Leung and Maggie Cheung in the leads, toss in subtitles and some of the same dissenters may be calling it his latest masterpiece.
The story had promise but it ends up being half baked by a director who wants to show off that he went to film school.
My Blueberry Nights plays much like a dream; different vignettes fade into each other ... [but] nothing ever quite adds up.
Wong's Hong Kong efforts are steeped in romanticism, but here, something clearly got lost in translation.
My Blueberry Nights at any length doesn't begin to answer the question why Jones, who seems nice in a bland, girl next door way, would ever be tapped to star in a movie.
It's essentially a gloriously romantic film made by a very romantic filmmaker who can see beauty where none supposedly exists.
The ensemble drama has some modest charms, which includes a surprising, old-fashioned sweetness and interpretation of romance.
... dreamy, woozy, elliptical and gorgeously infused with orange-red light and smeary Matisse blues. It's visually beautiful and its open-ended narrative is loose and suggestive
It's sweet and mostly satisfying, like a silky dessert at the end of a relaxed meal.
(Norah) Jones doesn't merely hold her own in a pouty screen debut of note; she looks comfortable and purrs with the confidence of someone who belongs.
It's not the pie that is meant to make this watchable, it is Wai's greatest gift, observing people, little slices of life in New York, Memphis or Nevada. Unfortunately in this case, those slices don't add up to a meal, or even dessert.
But it's not the English that seems to trip up the writer-director; it's the language. Wong's script, co-written with Lawrence Block, tosses out the filmmaker's genius for non-verbal characterization and replaces it with talk, talk, talk.
Less sensuous than the pie à la mode, more nuanced than the doors opening and closing, cutting the cards might not change any odds, but it does offer an illusion of choice.
...less than the sum of its parts, [but] some of those parts are wonderful.
Related Forums
by: ReelReviewer.com 4/16
by: dubyaboosh 1/25
Pictures
Trailers & Clips
News
posted by Jen Yamato June 30, 2008
This week in DVD news, Francis Ford Coppola brings you the Godfather trilogy (again), Quentin Tarantino is super...
posted by Tim Ryan April 03, 2008
This week at the movies, we've got pigskin pratfalls (Leatherheads, starring George Clooney and Renée Zellweger),...
posted by Sam Toy February 21, 2008
The American songstress talks to us about working with Wong Kar-Wai, making her acting debut and why she's hoping this...
posted by Jeff Giles November 02, 2007
She's been wowing critics (and attracting a fanboy army) with her work in front of the camera for half of her life. Now,...

Top Critic