My Kid Could Paint That (2007)
Runtime: 83 mins
Theatrical Release: 2007
Synopsis: In this fascinating documentary, filmmaker Amir Bar-Lev chronicles the rise and fall of child artist Marla Olmstead, the daughter of a dental hygienist and factory worker from upstate New York. Marla was all of four years old when she sold her first abstract painting. When the New York Times... In this fascinating documentary, filmmaker Amir Bar-Lev chronicles the rise and fall of child artist Marla Olmstead, the daughter of a dental hygienist and factory worker from upstate New York. Marla was all of four years old when she sold her first abstract painting. When the New York Times published a piece about her prodigious talent, she became an overnight media sensation, and her paintings quickly began to sell for up to five figures. While many lauded her amazing ability--and even likened her to Picasso--her success also sparked heated debates about the true value of abstract art. Bar-Lev begins to explore this idea, as well as our culture's fascination with child prodigies, when the film suddenly takes a sharp and unexpected turn. The impetus is a piece on 60 MINUTES in which Charlie Rose suggests that Marla may not in fact be the sole creator of her work, and that her father--himself an amateur painter--is really the mastermind. The Olmsteads are stunned by the implication, and Marla quickly falls from grace with the art world. What follows is an unsettling but nonetheless riveting examination of Marla's family. Bar-Lev suddenly finds himself in a bit of an ethical conundrum: while he would like to get at the truth for the sake of the film, he is hesitant to cause further trouble for the Olmsteads, who have granted him intimate access to their lives. He ultimately leaves it up to viewers to decide what really happened--though for many, there will likely be little doubt as to the authenticity of Marla's work. As a documentary, the film works beautifully, raising a lot of big questions about truth in art, and even about the exploitive nature of documentary film. All this because of a four-year-old girl and her paint set. [More]
Genre: Education/General Interest
DVD Info
Release:
Mar 4, 2008
DVD Features:
- Anamorphic Widescreen - 1.78
Audio:
- Dolby Digital 5.1 - English
- Subtitles - English, French, Mandarin, Spanish, Thai - Optional
- Subtitles - English - Closed Captioned
Additional Release Materials:
- Audio Commentary
- Featurettes - 1. "Back to Binghamton"
- 2. "Michael Kimmelman on Art"
Buy It On DVD
Reviews
Marla's story is a sobering illustration of the way children can be exploited by adults who should know better %u2013 journalists, filmmakers and especially their own parents.
Mais interessante do que a provável fraude envolvendo a encantadora Marla é a reveladora sombra que o documentário projeta sobre o universo da arte moderna.
New York Times senior art critic Michael Kimmelman offers sharp insights when he mentions how Marla's painting reflects not just 'innocence' and what our psyches project into them, but also 'the cynicism of the art world.'
The paintings become colourfully self-deluded distortions of a world where adults project themselves back into childhood, capitalizing on both the adult nostalgia for innocence and our fascination with children who seem somehow adult.
Documentary filmmaker Amir Bar-Lev's "My Kid Could Paint That" is an impressive feat in that it revels in its own ambiguity while still giving us a very entertaining, ripped-from-the-headlines mystery story.
A compelling documentary that leaves you wondering if there is nothing sacred in this stinking world.
... starts out as a meditation on the nature of art and the machinations of the marketplace ... curdles into an inconclusive and trivializing whodunit.
Hugely entertaining documentary that raises interesting questions about media exploitation, the value of art and even the subjective nature of truth within the documentary format.
Raises compelling questions about artistic 'authenticity,' the 'meaning' of modern art, the voracious and double-edged demands of the news media, the exploitation of children and the nature of faith itself.
Bar-Lev handles [the portrayal of the Marla hype machine] sensitively and with a minimum of contrivances. He examines his role, but avoids excessive self-reference.
The journey becomes as frustrating as it is engrossing for director Bar-Lev and even more so for the audience.
A probing film not only about the subjective nature of art but also about the hypocrisy of the intelligentsia, the pervasiveness of modern media, and the sincerity of parents.
Bar-Lev exploits Marla as much as, if not more than, any other player in his movie.
It's a rare glimpse into the truth about the world and the art that tries to say something about it.
My Kid Could Paint That may not deal with life-or-death matters like murder or child molestation, but it raises questions that will nag viewers for days and weeks after the experience.
Mostly, the movie is a cautionary tale of the fragility of childhood innocence, with Marla becoming an enigma just by being her little-girl self.
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