Renaissance (2006)
Runtime: 1 hr 45 mins
Theatrical Release: Sep 22, 2006 Limited
Synopsis: In the near future in a Paris, France, made of Plexiglas, aerodynamic steel beams, and rainslicked surfaces, a sinister plot unfolds: it's one honest cop (voiced by Daniel Craig) against an evil corporatocracy, corrupt scientists, and the mob, as he uses his wits and grit to rescue a... In the near future in a Paris, France, made of Plexiglas, aerodynamic steel beams, and rainslicked surfaces, a sinister plot unfolds: it's one honest cop (voiced by Daniel Craig) against an evil corporatocracy, corrupt scientists, and the mob, as he uses his wits and grit to rescue a brilliant, beautiful female geneticist who has been kidnapped. What he learns on his rescue mission challenges his most hard-boiled preconceptions about who's really running things. Christian Volckman's first feature film is rendered in astonishing black-and-white "motion capture" animation that continually yields inventive and subtle visual surprises--car chases take on cosmic proportions, cigarette smoke engulfs an entire room like a lovely wraith, and the already beautiful Parisian skyline becomes a dizzying, jeweled spectacle. A descendent of classic science-fiction tech-noir like BLADERUNNER, Volckman's film envisions the near future as a cold and heartless place where corporations are supreme and surface beauty is everything; whole scenes are constructed from reflections in nighttime windows, mirrors, and other shiny expanses, and false (but pretty) facades are created to confuse and imprison characters. This constant emphasis on empty, backwards images supports Volckman's seeming disgust with society's preoccupation with youthful beauty (and the multibillion-dollar cosmetic industries that keep us hooked), although his own film is relentlessly gorgeous. [More]
Genre: Action/Adventure
Starring: Daniel Craig, Patrick Floersheim, Catherine McCormack, Romola Garai, Ian Holm
Screenwriter: Mathieu Delaport, Alexandre de la Patelliere
Producer: Jean-Bernard Marinot, Aton Soumache, Roch Lener, Alexis Vonarb
DVD Info
Release:
Jul 24, 2007
DVD Features:
- Region 1
- Keep Case
- Anamorphic Widescreen - 2.35
Audio:
- Dolby Digital 5.1 Surround - English, French
Additional Release Material:
- Featurette - The Making of - RENAISSANCE
Buy It On DVD
Reviews
Like most cyberpunk, this film has a stellar premise. However, also in the tradition of cyberpunk, its storytelling and presentation is as murky as its production design.
...suffers from an unpleasant and relentlessly distracting animation style that ultimately renders its few positive attributes moot.
There are no grey shadings in the film's visual palette to match the characters' more equivocal moralities, and the result is a dark, dark world occasionally exposed to the most harsh and unforgiving of lights.
The movie radiates a dark, eerie, mysterious, otherworldly quality, yet it isn't enough to sustain over an hour and an half of story.
Renaissance is a victory of style over substance and technology over art, but to score a real win, the filmmakers need to strike a better balance between the two.
The style doesn't just overwhelm the substance, it makes it irrelevant.
Lacks a beating heart at its core. It's all about its technical aspects and sense of cool, and that's just not good enough.
While the story is not compelling, the style of the film is amazing.
A pic of true craftsmanship that dazzles until it wears out its welcome and becomes a drag.
For its retro-futurist look alone, this outdated thriller set in 2054 Paris is worth seeing.
If someone rips a page out of Sin City, Blade Runner, V for Vendetta and every other futuristic degradation of politics and corporations and no one is around to hear it, what is there to listen to?
If you have the time and densely plotted potboilers are your thing, it's worth the trip.
Its dark images echo in the mind's eye. And for that alone, it's worth seeing.
It's the novel side that fails, a convoluted, futuristic detective thriller.
An empty experience; lots of shadow and noise, adding up to very little.
Even more soulless than Tron or The Black Cauldron, Renaissance seems less a vanguard advance than the rococo degeneration of an art movement for trippy nerds.
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