The story line sounds plain and simple, but the movie is enlightened by Bernie's impassioned narration and by a gallery of small comic details.
Sixty Six (2008)
Rated: PG-13 [See Full Rating] for language, some sexual content and brief nudity
Runtime: 1 hr 35 mins
Theatrical Release: Aug 1, 2008 Limited
Synopsis: Bernie Rubens (Gregg Sulkin) is a nerdy 12-year-old preparing for his Bar Mitzvah, which he wants to be a huge, ornate affair. However, his parents, Manny (Eddie Marsan) and Esther (Helena Bonham Carter), have accidentally scheduled it for the day of the 1966 World Cup final, so if England... Bernie Rubens (Gregg Sulkin) is a nerdy 12-year-old preparing for his Bar Mitzvah, which he wants to be a huge, ornate affair. However, his parents, Manny (Eddie Marsan) and Esther (Helena Bonham Carter), have accidentally scheduled it for the day of the 1966 World Cup final, so if England makes it, no one is expected to show for Bernie's big day. In the meantime, Manny, a depressed and depressing man unable to find any kind of happiness in his life, thinks the local grocery he runs with his slick brother, Jimmy (Peter Serafinowicz), can do battle with the supermarket conglomerate that has moved in next door. Once again, sad-sack Manny has made the wrong choice, leaving him with limited funds, unable to give Bernie the party he wants so badly. As England surprisingly starts playing better, Bernie begins rooting for his home team to lose; meanwhile, his breathing problems worsen, sending him to see Dr. Barrie (Stephen Rea), a big soccer fan who has some serious problems of his own. Based on director Paul Weiland's own experiences, SIXTY SIX, with a script by Peter Straughan and Bridget O'Connor, is a gentle, deeply touching film about the ups and downs of childhood--as well as the joys and sorrows that come with adulthood. Weiland mixes in just the right amount of slapstick humor and pathos. Sulkin gives a heartbreaking performance as Bernie, with excellent support from Marsan and Bonham Carter. And Richard Katz is a hoot as Bernie's blind rabbi. The period soundtrack features the Lovin' Spoonful's "Daydream" and Helen Shapiro's forgotten hit, "Walking Back to Happiness." Weiland includes photos from his own Bar Mitzvah over the closing credits. [More]
Genre: Comedies
Starring: Helena Bonham-Carter, Stephen Rea, Eddie Marsan, Greg Sulkin
Screenwriter: Bridget O'Connor, Peter Staughan
Producer: Tim Bevan, Eric Fellner, Elizabeth Karlsen, Richard Curtis
Reviews
This movie has a Woody Allen feel to it, but without the Allen shenanigans.
[Director] Weiland pours so much heart into his autobiographically 'true-ish' story that accessibility is a nonissue.
...the sort of Jewish film that the whole family can enjoy without feeling they're fulfilling an obligation to see it.
...a charming coming-of-age period piece about the trials and tribulations one young boy must face in his quest to become a man.
Weiland's occasional heavy-handedness is more than redeemed by the lightness of his cast.
It does cast Helena Bonham Carter against type as a devoted mother and housewife, and, for soccer nuts, integrate pristine footage from the '66 Cup.
You don’t have to be Jewish to appreciate its uncondescending fondness for the claustrophobic warmth of family life among working-class people apprehensively inching their way toward upward mobility.
Sixty Six may find a niche audience, but instead of depicting a boy's first steps toward manhood -- ceremony aside -- it turns into an uninvolving portrait of self-absorption.
I think it’s a very heartfelt story, but we get the same thing over and over again.
Sixty Six's loving portrayal of the ups & downs of a Jewish family in London charmingly entices the viewer to find themselves within its four-eyed, adorably geeky hero.
Director Paul Weiland ("Made of Honor") co-wrote the tone-deaf screenplay for this cinematic abortion that features the ever-lousy Stephen Rea adding his specific brand of stench to a pasted-together movie that is predictable and boring as it is depressin
The direction of this autobiographical tale by Paul Weiland (whose lengthy rap sheet runs all the way from Leonard Part 6 to Made of Honor) is less than subtle.
Though inspired by Weiland's own childhood, the film's plot sticks close to the underdog's coming-of-age formula and is marred by young Bernie's gratingly self-pitying voice-over.
It’s designed to be crowd-pleasing and tug on hearts across the board, but there’s a manipulative quality that will put a ceiling on business.
...so unrelenting on the misery it piles upon poor Bernie Reubens you may just feel guilty laughing...
A sprightly English comedy about a very special Bar Mitzvah, World Cup Fever, and the frantic efforts of a 12-year old boy to get the attention he feels he deserves.
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