Snow Angels (2008)
Runtime: 1 hr 46 mins
Theatrical Release: Mar 7, 2008 Limited
Box Office: $255,147
Synopsis: Director David Gordon Green (GEORGE WASHINGTON) adds another carefully sculpted drama to his resume with SNOW ANGELS. Green deposits a strong cast in a snowbound Pennsylvania town for his fourth full-length feature, which revolves around the troubled teenage life of young Arthur... Director David Gordon Green (GEORGE WASHINGTON) adds another carefully sculpted drama to his resume with SNOW ANGELS. Green deposits a strong cast in a snowbound Pennsylvania town for his fourth full-length feature, which revolves around the troubled teenage life of young Arthur (Michael Angarano). Arthur divides his time between working at a Chinese restaurant and dealing with the break up of his parents. His endearing lack of self-confidence is tempered when new-girl-in-town Lila (Olivia Thirlby) shows a romantic interest in him. Meanwhile, Arthur's co-worker and former babysitter, Annie (Kate Beckinsale), is trying to raise her child alone after the failure of her marriage to the unhinged Glenn (Sam Rockwell). Annie also embarks on an unwise affair with Nate (Nicky Katt), who happens to be married to her best friend. Green's central characters try to make the best of their modest lives until a major incident, dropped halfway through the movie, raises the tension between Annie and Glenn to breaking point. Beckinsale, Rockwell, and Angarano all deliver consummate performances, and they are joined by a strong supporting cast that includes Griffin Dunne and a rare straight role for comedian Amy Sedaris. Green's style, so often compared to that of Terrence Malick, takes a slightly different turn here as the director delivers a relatively straightforward thriller. But the change suits him, and SNOW ANGELS contains enough edge-of-your-seat tension to keep audiences curious as to where the director is going to take them. [More]
Genre: Dramas
Starring: Sam Rockwell, Kate Beckinsale, Michael Angarano, Jeannetta Arnette, Griffin Dunne
Screenwriter: David Gordon Green
Producer: Lisa Muskat, Dan Lindau, Cami Taylor, Paul Miller
Composer: David Wingo, Jeff McIlwain
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Reviews
It's a hard movie to sit through at times, but if you're a fan of the actors, especially Rockwell, I believe you will find it a rewarding experience.
'We love you no matter what your job is,' a character tells her son. That's a love that this very humanistic if dark film asks us to extend to everybody, even those whose sins invite outrage and disgust.
For all its noble intentions and universal truths, Snow Angels is not a great movie. It's not a grand movie. It's barely a very good movie.
There's a certain beauty in the bleakness, in the stark, snowy landscapes, and in the characters whose lives are just as barren.
There is brutality in Snow Angels, but little bitterness. Like sunlight on ice, its painful beauty glints and stabs the eyes.
Good meditation on class, but too grim for casual moviegoers and not poetic enough for art-housers
It's a movie that keeps its distance from the characters, so much that we can shudder at what we fear is to come but aren't really allowed to mourn the innocent trapped in this downward spiral.
Snow Angels, especially in its overwrought second half, merely wallows in unearned sadness.
(David Gordon) Green's finest film in four attempts to pop the hood on human nature reveals not just conflicted human engines, but at least one character fighting to keep the wheels from coming off.
It's well-made. Searingly acted. Potent. And by the time it was over, its climax realized at the water's edge of insanity and grief, I felt beaten about the head with sticks.
Kate Beckinsale is too good for any of the guys in Snow Angels and too good for this movie.
[Director] Green knows how to convey a mood visually and develop tension with his camera. He just doesn't give people enough interesting things to say or know when to shut them up.
Worth seeing despite its flaws and the deep depression it's likely to leave you with.
We find ourselves again in that classily downbeat indie-film world of American suburbia, where life has an archly banal quality and seething tensions bring about a tangible hush -- usually resulting in suffocated marriages and catastrophic violence.
[Writer/director Green] has worked with cinematographer Tim Orr since his 2000 debut George Washington, but this time their trademark pastoral rhythms seem patchwork and the characters transparent.
Why put yourself through such a sad movie, no matter how well it's made? Because ... movies this moving are rare birds that don't pass this way too often.
It's hard to feel anything but frosty sentiments towards this melodrama, a rather chilly adaptation of Stewart O'Nan's well-regarded novel.
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