Teeth (2008)
Runtime: 1 hr 34 mins
Theatrical Release: Jan 18, 2008 Limited
Box Office: $182,599
Synopsis: Writer-director Mitchell Lichtenstein's feature debut is a horror comedy combining elements of atom-age 1950s horror films with mythology and feminist theory. The result is a smart, sassy B-movie satire--funny, gross, and with a high squirm factor. A risky idea that could well have... Writer-director Mitchell Lichtenstein's feature debut is a horror comedy combining elements of atom-age 1950s horror films with mythology and feminist theory. The result is a smart, sassy B-movie satire--funny, gross, and with a high squirm factor. A risky idea that could well have turned into a lower-tier Troma production, TEETH is a unique and surprising creation. Dawn (Jess Weixler) lives the life of a normal suburban teenager, except for the two nuclear reactors looming over her house. A goody two-shoes by any measure, she leads the local chapter of a chastity group, lecturing younger children on saving themselves for marriage. She finds herself stirred in unexpected ways, however, by new member Tobey (Hale Appleman). Dawn lets herself get closer to him than she has to anyone else, but when he rapes her, she discovers---in the most grisly way---that she is a true incarnation of the vagina dentata myth. As Dawn attempts to come to terms with her emerging sexuality and her second set of choppers, more men with bad intentions fall victim to their worst nightmare. Lichtenstein, sometime actor and the son of artist Roy Lichtenstein, reportedly first heard of the vagina dentata myth while studying under Camille Paglia, and his take on it proves to be as frightening (and bloody) as one would expect. As Dawn, Weixler is winning, and watching her transformation from meek to empowered is a blast to watch. A handful of wincingly gory sequences will have horror fans howling, but there are layers to the film for those willing to peel them back. Cult favorite GINGER SNAPS, which examined menstruation as a metaphor for lycanthropy, is an obvious cousin and great candidate for a double feature, but TEETH is completely its own. [More]
Genre: Horror/Suspense
Starring: Jess Weixler, John Hensley, Josh Pais, Hale Appleman, Ashley Springer
Screenwriter: Mitchell Lichtenstein
Producer: Joyce Pierpoline, Mitchell Lichtenstein
Composer: Robert Miller
DVD Info
Release:
May 6, 2008
DVD Features:
- Widescreen
Audio:
- Dolby Digital 5.1 - English
- Subtitles - Spanish - Optional
Buy It On DVD
Reviews
The tone of the film wavers between satire and horror-comedy, but that doesn't diminish the entertainment value of what plays like a tongue in cheek celebration of a woman who turns her imperfection into empowerment
This is an incredibly unique, dark, smart, and humorous story of a woman discovering what she is capable of.
a witty satire that explores the state of the (female) body politic, spread-eagled between the puritanical and the priapic in a culturally confused America.
It all works well enough that I wish it had been less of a cartoon.
A well crafted clashing of sub-genres and themes that works to its advantage, making it an instant cult classic...
Whether you view it as a primordial image from the collective unconscious or a practical warning against promiscuity, vagina dentata makes an indubitably memorable impression -- and an ideal premise for a tongue-in-cheek teen horror movie.
Dawn may be the heroine of Teeth, but in the end the movie is still a little afraid of her.
Lichtenstein has a lot of ambitious ideas for his debut film but lacks the skills to pull any of them off
Given how thoroughly all the subtext spells out the message, then, it seems unnecessary to make the actual text so raw, grotesque and graphic.
Given how thoroughly all the subtext spells out the message, then, it seems unnecessary to make the actual text so raw, grotesque and graphic. Granted, a horror movie about vagina dentata was probably never destined to be tasteful, but Lichtenstein's comp
Star Jess Weixler, exerting the command and persona of a young Meryl Streep, grants enough earnest innocence that instead of fearing Dawn, you fear for her.
In one of the great light bulb ideas that could only happen in association with making movies, along comes Teeth to bite us hard. If you think the rhetorical illustration of the events defy logic, just wait to actually sink your own teeth into it.
It's definitely not for Aunt Minnie, but cult movie mavens will appreciate director Mitchell Lichtenstein's willingness to push the boundaries of bad taste.
That the movie manages to successfully transcend shock value is probably its greatest accomplishment.
Daring, funny and unabashedly Indie, Teeth is an original and ingenious creation. Grab a bunch of men and go see it, just make sure they have enough room to cross their legs.
Teeth works so well and is so original for at least the first half that it makes the slight fumble near the end zone forgivable.
Teeth's whirling moral compass actually provides the perfect metaphor for the teenage sexual urge in postpubescent overdrive.
[The] castration scenes aren't nearly as excruciating as his awkward timing and worse-than-obvious pacing.
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