Underdog (2007)
Runtime: 84 mins
Theatrical Release: Aug 3, 2007 Wide
Box Office: $43,710,394
Synopsis: To save the day, here comes Underdog, a 1970s Saturday morning cartoon transformed to glorious, semi-CGI animated life; it's a talking animal live-action film--à la BABE--with wisecracks aplenty. Voiced by Jason Lee, Underdog is the joke of the K-9 police force after his weakness for ham... To save the day, here comes Underdog, a 1970s Saturday morning cartoon transformed to glorious, semi-CGI animated life; it's a talking animal live-action film--à la BABE--with wisecracks aplenty. Voiced by Jason Lee, Underdog is the joke of the K-9 police force after his weakness for ham disrupts a public ceremony. Dejectedly, he lets himself get abducted for an animal experiment by a mad scientist, Dr. Simon Barsinister (Peter Dinklage). He escapes, doused in experimental chemicals, to become a dog with 80 times his normal strength. Jim Belushi embodies the sad-sack security guard at the laboratory who finds Underdog and takes him home as a playmate for his alienated tweener son (Alex Neuberger). The fact that chaos follows will come as no surprise, but what may is the genial tone the film maintains throughout. UNDERDOG blends its CGI animation and live action with finesse, and with performances that are breezy and in-on-the-same-joke. Lots of the humor in Underdog plays off the fact that he needs to curb his baser habits, since he's the type to dig bones deep into the earth, fly through walls, and shatter glass with his bark. Dinklage plays the evil scientist with a welcome restraint and Malkovich-ian archness; his evil assistant (Patrick Warburton) makes good use of a thesaurus for his evil declarations. Taylor Momsen plays the neighborhood tweener damsel in distress, who happens to have a cute girl dog, voiced by Amy Adams. [More]
Genre: Childrens
Starring: Jason Lee, Jim Belushi, Alex Neuberger, Peter Dinklage, John Slattery
Screenwriter: Adam Rifkin, Joe Piscatella, Craig A. Williams
Story: Joe Piscatella, Craig A. Williams, Adam Rifkin
Producer: Gary Barber, Roger Birnbaum, Jay Polstein, Jonathan Glickman
Composer: Randy Edelman
DVD Info
Release:
Dec 18, 2007
DVD Features:
- Region 1
- Keep Case
- Full Frame - 1.33
- Anamorphic Widescreen - 1.85
Audio:
- Dolby Digital 5.1 Surround - English, French, Spanish
- Subtitles - French, Spanish - Optional
Additional Release Material:
- Bloopers
- Bonus Short - Underdog Original Cartoon Episode
- Deleted Scenes
- Featurette - SIT, STAY, ACT - DIARY OF A DOG ACTOR
- Music Video - "Underdog Raps" Kyle Massey
Buy It On DVD
Reviews
Underdog as a film is not totally worthless. It's a winner with kids, as is anything with a talking dog.
The essential cartooniness of the plot and the gags works against the rather lame attempt to lather on a message about reconciliation between father and son.
While this idea may have been enough to happily fill 25 minutes, the film version fails to effectively stretch it out to feature-length.
Call me a kid at heart, but Underdog is the cutest doggone fantasy.
At just over 80 minutes it feels not so much like a proper film as a piece of extended filler for slow afternoons on Disney's TV channels.
...an affable, sporadically entertaining piece of work that's ultimately undone by its emphasis on relentlessly silly elements...
Despite the talent on show, there's little to distinguish this from any other bland family comedy.
An ill-conceived and often irritating bout of Children's film fare...
Disney's charmless live-action resurrection of the beloved super-mutt [is] just a bunch of mercenary actors and technicians who can barely disguise their contempt for the film's screenplay
...rather dull and uninspired, lacking in imagination or humorous spark.
A boring and uninspiring adaptation that lacks action and suffers from mostly static characters, Peter Dinklage as the nefarious Dr. Simon Barsinister being the notable exception.
par for the course in a town that sees every old idea as something waiting to be deconstructed, reinvented, or reimagined.
The tag line is simply brilliant, but that's about the only thing remotely associated with this film that would classify as such.
The elements of the film don’t quite mesh: The villains are cartoony, but [director] Du Chau aims for soggy family drama in his father-son story.
The film is a smug and contemptuous mess from beginning to end that is likely to bore little kids and aggravate any adult still holding fond memories of the character from their own childhoods.
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