For movies like Vantage Point, life is too short.
Vantage Point (2008)
Tomatometer
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Reviews Counted: 148
Fresh: 52
Rotten:96
Average Rating: 5/10
Consensus: Vantage Point has an interesting premise that is completely undermined by fractured storytelling and wooden performances.
Runtime: 90 mins
Genre: Action/Adventure
Theatrical Release: Feb 22, 2008 Wide
Box Office: $72,266,306
Synopsis: A presidential assassination attempt is told from multiple points of view in Pete Travis's directorial debut, VANTAGE POINT. U.S. president Ashton (William Hurt) is in Salamanca, Spain (though much of the film was actually shot in... A presidential assassination attempt is told from multiple points of view in Pete Travis's directorial debut, VANTAGE POINT. U.S. president Ashton (William Hurt) is in Salamanca, Spain (though much of the film was actually shot in Mexico), to announce plans for a major global summit on terrorism. But as he stands behind the podium in front of an adoring crowd (with protesters blocked off from the stage), he is shot twice, followed shortly by a small explosion and then a massive blast. Secret Service Agents Barnes (Dennis Quaid), Taylor (Matthew Fox), and Holden (Richard T. Jones) immediately jump into action, trying to find the terrorists responsible amid all the chaos. The thriller first shows the events through the eyes of television news producer Rex Brooks (Sigourney Weaver), and then the film rewinds, replaying the action from a different point of view. Each perspective reveals a few more clues, then rewinds again, taking the audience through the assassination attempt and its aftermath again. VANTAGE POINT has the feel of the 1950 Akira Kurosawa classic RASHOMON, told with the speed of the television show 24. The all-star cast also includes Forest Whitaker, who gives another fine performance, playing an American tourist recording everything on his video camera. The rewind device--reminiscent of the Bill Murray comedy GROUNDHOG DAY--could have been gimmicky, but instead Travis and first-time screenwriter Barry L. Levy make it work, as more details are revealed with each flashback, leading to a pulse-pounding chase and surprising finale. [More]
Starring: Dennis Quaid, Matthew Fox, Forest Whitaker, Sigourney Weaver
Starring: Dennis Quaid, Matthew Fox, Forest Whitaker, Sigourney Weaver, William Hurt, Zoe Saldana
Director: Pete Travis
Director: Pete Travis
Screenwriter: Barry L. Levy
Producer: Neal H. Moritz
Composer: Atli Orvarsson
Studio: Sony Pictures Entertainment
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Reviews for Vantage Point
If you are looking for mindless action, it's not bad. But since this is trying to be something more than that, I can't quite recommend it.
The whodunit-with-terrorist-undertones doesn't test, shock or surprise the audience in any unique way.
Asks us to believe the terrorists would, after slaughtering countless people, risk their entire plan--and their very lives--on...well, I won't say. But from my vantage point, it was ridiculous.
[Vantage Point is] a puzzle cut by a drunken, three-fingered jigsaw operator who lost a few pieces and chewed on a few others.
To fall for Vantage Point you have to throw away any connection to reality.
This is satisfying Friday night popcorn fare - slick and noisy and utterly disposable.
If you thought 24's perspective on terrorism was, well, limited, get ready to groan. The meat and potatoes of Vantage Point -- the suicide bomb explosions, the bloody fisticuffs and blaring car chases -- are indeed awesome, and that's what truly matters f
Those inclined to scrutinize the logic of Barry Levy's screenplay are likely to come away as baffled by its farfetched twists as amused by its bombastic excesses.
Vantage Point takes a pretty high concept, dribbles a bunch of red herrings all over it, and makes things go boom, reaping better yields than the average TV show.
When you wrap a movie around a gimmick, the wrapping better be taut and engaging or the gimmick falls flat.
As Vantage Point becomes increasingly busy with personal betrayals and redemptions, the ostensible politics, reductive to begin with, fall by the wayside.
Vantage Point is a tense and imaginative thriller that reels you in the longer it goes along, only to lose focus in the last 15 minutes. This final reel misstep is a shame, but it’s not enough to ruin all the good work that’s come before it.
With a little more work this could have been a first-rate thriller along the lines of the Bourne films, because the concept is intriguing and our interest is held for a significant part of the film.
There's roughly 20 minutes of story here, and no matter how many times they stop and start over again from an even more preposterous angle, it's still going to play out like a lousy episode of 24.
If you're watching for perfectly matched action you're not into the mystery and you probably aren't going to be very sympathetic to the effort involved.
Writer Barry Levy has added some snap, crackle and pop to what would otherwise be a routine action film had it been presented in chronological order.
A curta duração e o ritmo constantemente frenético do filme mantêm o espectador atento e interessado, mesmo que o objeto de tanta atenção não faça muito sentido em retrospecto.
Watchably silly at best, it's the political thriller as an unintentional comedy of errors - 24 meets Noises Off.
Latest News for Vantage Point
June 30, 2008:
RT on DVD: Tarantino on Inglorious Bastards DVD, Godfather Trilogy Restored
This week in DVD news, Francis Ford Coppola brings you the Godfather trilogy (again), Quentin Tarantino is super excited about the original Inglorious Bastards, and Hancock may... More...
June 28, 2008:
Surveillance cinema at its best, with audience attention span on high alert, camcorders and palm pilots elbowing their way in, and plenty of optic nerve to spare. ![]()
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April 09, 2008:
UK Box Office Breakdown: Son of Rambow Highest New Entry
In a piece of news almost as heartwarming as the film itself, Son of Rambow came in at second place in the UK box office this week, with the British indie nabbing almost... More...
March 19, 2008:
UK Box Office Breakdown: 10,000 B.C. claims no. 1 spot
Roland Emmerich's 10,000 B.C. claims the UK box office number 1 spot, despite being panned by critics. More...
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