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4/5 |
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16 Blocks (2006) |
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"Rock music puts emphasis on the beat, jazz puts emphasis off the beat. 16 Blocks is jazz music: It's an action film, but its high points can be found in the punctuation, in the quiet moments between chases or shootouts." | |
Michael Clawson | |
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0/5 |
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Beethoven's 4th (2001) |
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"Sad tale of floundering careers. Poor Judge Reinhold — he must hate himself." | |
Michael Clawson | |
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2/5 |
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Big Top Pee-Wee (1988) |
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"Fun for children, embarrassing for adults, especially now knowing Pee-Wee's illegal indulgences." | |
Michael Clawson | |
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2/5 |
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The Chronicles of Narnia: The Lion, The Witch, and the Wardrobe (2005) |
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"Aslan = Jesus. Now you don't have to buy a ticket." | |
Michael Clawson | |
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1/5 |
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Click (2006) |
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"Click is basically It's a Wonderful Life with punching, farting, dog-on-duck intercourse and sex jokes ..." | |
Michael Clawson | |
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-- |
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The Crocodile Hunter: Collision Course (2002) |
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"Croc Hunter bloak lives up to TV persona" | |
Michael Clawson | |
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4/5 |
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The Da Vinci Code (2006) |
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"The movie version is so faithful to Dan Brown's hit book it should come with a dust jacket ..." | |
Michael Clawson | |
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2/5 |
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The Deli (1997) |
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"This movie tells us to beware of rappers in cinema. Thanks for the warning, Ice-T." | |
Michael Clawson | |
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3/5 |
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Fat Man and Little Boy (1989) |
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"Intersting, insightful histo-drama with Newman doing his job above and beyond what is called for." | |
Michael Clawson | |
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3/5 |
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Firewall (2006) |
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"Firewall overdraws account, bounces checks and hits the max on its credit card ... who knew debt could be this fun?" | |
Michael Clawson | |
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3/5 |
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Gentlemen Prefer Blondes (1953) |
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"Not Marilyn's finest, but decent and memorable." | |
Michael Clawson | |
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3/5 |
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Gia (1998) |
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"Teasing, but hard-to-watch, biography of a famed model struck down by ’80s extravagance. NOTE: Angelina Jolie gets naked … a lot. Hooray!" | |
Michael Clawson | |
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3/5 |
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Glory Road (2006) |
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"History wins in by-the-numbers sports flick ..." | |
Michael Clawson | |
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3/5 |
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Harry and the Hendersons (1987) |
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"Fun, one-of-a-kind, and sometimes scary, adventure/comedy with the always-delightful, John Lithgow." | |
Michael Clawson | |
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1/5 |
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The Hills Have Eyes (2006) |
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"The Hills Have Eyes involves one basic premise: freaks with very rusty weapons eviscerating, disemboweling and decapitating stupid travelers lost somewhere between Point A and B ..." | |
Michael Clawson | |
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2/5 |
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Inside Man (2006) |
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"Bankers gone wild ..." | |
Michael Clawson | |
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3/5 |
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Invincible (2006) |
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"The material is OK -- not great. And Wahlberg's as flat as a Philly cheesesteak run over by US Steel truck ..." | |
Michael Clawson | |
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1/5 |
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Johnny Suede (1992) |
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"Super odd indie flick with the worst movie hairdo ever, until Bill Murray did Kingpin." | |
Michael Clawson | |
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2/5 |
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K-19: The Widowmaker (2002) |
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"With or without ballast tanks, K-19 sinks to a Harrison Ford low." | |
Michael Clawson | |
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1/5 |
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Lady in the Water (2006) |
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"The M stands for "miserable" ..." | |
Michael Clawson | |
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2/5 |
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The Lake House (2006) |
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"Phantom mail ... a postal carrier's worst nightmare ..." | |
Michael Clawson | |
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3/5 |
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Match Point (2005) |
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"Game, set, match ... Allen wins with slow-moving English drama ..." | |
Michael Clawson | |
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3/5 |
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Men at Work (1990) |
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"At times fun, at others too smart for it's own good. It's big flaw: the long, drawn-out ending." | |
Michael Clawson | |
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5/5 |
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Miami Vice (2006) |
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"More Vice City than Miami Vice: Mann's new thriller makes for sweet, sweet action ..." | |
Michael Clawson | |
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2/5 |
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Mighty Joe Young (1998) |
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"King Kong has never looked so … drowsy. Sleepy, boring tale of kind-hearted gorilla gets old real quick, but with Charlize Theron though, Disney proves men can have dirty thoughts while their children are entertained. Hooray Charlize!" | |
Michael Clawson | |
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4/5 |
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Mission: Impossible III (2006) |
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"Suri's daddy elevates Impossible franchise ..." | |
Michael Clawson | |
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3/5 |
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Mrs. Henderson Presents (2005) |
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"The breast movie of the year ..." | |
Michael Clawson | |
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3/5 |
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Pirates of the Caribbean: Dead Man's Chest (2006) |
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"Ahoy, no ending off the port bow." | |
Michael Clawson | |
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3/5 |
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Poseidon (2006) |
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"Poseidon re-introduces the disaster-movie genre to theaters, and they greet each other with a big, sloppy kiss ...
" | |
Michael Clawson | |
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4/5 |
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The Powerpuff Girls Movie (2002) |
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"All in all, the animation is what cracked my urge to despise this squeaky cartoon." | |
Michael Clawson | |
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3/5 |
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The Presidio (1988) |
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"Good thriller, but it suffers from ’80s virus called the Mopes — it stutters on long, arduous sessions of depression while going absolutely nowhere." | |
Michael Clawson | |
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2/5 |
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Reign of Fire (2002) |
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"Draggin' about dragons" | |
Michael Clawson | |
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4/5 |
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Signs (2002) |
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"Signs is deliberate and shocking from its sweeping exterior to its raw, emotional interior. Orson Welles would be proud." | |
Michael Clawson | |
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4/5 |
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Slither (2006) |
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"Here's a review that not only benefits from, but requires, words like giant squid, festering blob and tummy tentacles." | |
Michael Clawson | |
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0/5 |
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Steel (1997) |
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"This fil" | |
Michael Clawson | |
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4/5 |
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Superman Returns (2006) |
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"Super return for Superman ..." | |
Michael Clawson | |
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2/5 |
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Talladega Nights: The Ballad of Ricky Bobby (2006) |
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"Just like NASCAR ... dumb as a post ..." | |
Michael Clawson | |
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1/5 |
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Tom and Huck (1995) |
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"Long, tirelessly epic tale of TeenBeat cover boys. Little girls scream, critics fall asleep." | |
Michael Clawson | |
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3/5 |
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United 93 (2006) |
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"With United 93, abandon your hope at the theater door. You know the ending, and it is no happy one ..." | |
Michael Clawson | |
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2/5 |
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When a Stranger Calls (2006) |
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"I used my minutes for this." | |
Michael Clawson | |
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4/5 |
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World Trade Center (2006) |
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"World Trade Center is a film of hope set within a hopeless day. Stone treats it with sincere reverence ..." | |
Michael Clawson | |
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2/5 |
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X-Men: The Last Stand (2006) |
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"Let's hope this really is the last stand ..." | |
Michael Clawson | |
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3/5 |
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You, Me and Dupree (2006) |
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"Low IQs plague otherwise funny Wilson vehicle ..." | |
Michael Clawson | |
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