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 B |
A.I. Artificial Intelligence (2001) |
"The demands of the story would have been better served by Kubrick." |
Jeffrey Overstreet |
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 C |
About Schmidt (2002) |
"About Schmidt is like The Straight Story and Ikiru without beauty, warmth, the delightful discoveries along the way, or the hope." |
Jeffrey Overstreet |
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C- |
Ace Ventura: When Nature Calls (1995) |
"... if you want to watch something brainless, this isn't a total waste." |
Jeffrey Overstreet |
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B |
Adaptation (2002) |
"[Adaptation suggests] that there is something 'not of this earth' about humanity, that we are meant for higher, better things than mere adaptation." |
Jeffrey Overstreet |
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- |
The Addiction (1995) |
Click here to see the review. |
Ron Reed |
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A |
The Adventures of Baron Munchausen (1988) |
"Terry Gilliam shows more pure creativity in this film than in any of his others." |
Jeffrey Overstreet |
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A |
The Age of Innocence (1993) |
"It shows that while conformity can stifle honesty and love, acting in mere self-interest can be even more destructive." |
Jeffrey Overstreet |
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- |
The Agronomist (2004) |
Click here to see the review. |
J. Robert Parks |
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C+ |
Air Force One (1997) |
"It's embarrassing to see [Ford] hanging by a thread ... behind his own 747. No image better fits the fragile state of his [career] at this point... he's losing his grip." |
Jeffrey Overstreet |
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C+ |
Alien Resurrection (1997) |
"It's time they quit killing the aliens, and just killed the Alien series altogether. ... How the mighty have fallen." |
Jeffrey Overstreet |
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C |
All the Pretty Horses (2000) |
"...in the movie that resulted from the studio's demand for cuts ... is a big-screen Cliff's Notes for the story." |
Jeffrey Overstreet |
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A+ |
Almost Famous (2000) |
"There's a magic around everyone and everything here that reminds us of how the world looked when we were still children, still in awe of the world.
" |
Jeffrey Overstreet |
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A+ |
Amadeus (1984) |
"Anyone who has ever struggled with mediocrity, desired to master a craft, or competed with another for a prize or for love (and I imagine that's just about everyone) will sympathize with the sufferings of the forgettable Salieri." |
Jeffrey Overstreet |
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B+ |
Amazing Grace (2007) |
"Steven Knight has enlivened what might have been workmanlike, spiced the romance with wit, spiked the period-piece punch with pizzazz." |
Jeffrey Overstreet |
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A- |
Amelie (2001) |
"Jeunet's film is an ambitious, rich, and rewarding experience, packed end-to-end with delightful creativity." |
Jeffrey Overstreet |
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B+ |
America's Heart and Soul (2004) |
"It’s refreshing to see some 'reality' footage that isn’t ... a celebration of superficiality or a contrived competition driven by lust for financial gain." |
Jeffrey Overstreet |
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C- |
American Beauty (1999) |
"A stylish film about an American family that pretends to be moral and enlightened, but revels in its mean-spirited sarcasm and its championing of self-interest." |
Jeffrey Overstreet |
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D+ |
American Pie (1999) |
"American Pie is the latest in a long tradition of immature, self-indulgent comedies that celebrate the recklessness of adolescents." |
Jeffrey Overstreet |
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A- |
American Splendor (2003) |
"One of this year’s funniest and most profound films." |
Jeffrey Overstreet |
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B |
Amistad (1997) |
"This is the most straightforward, understated, and powerful big-screen representation of the gospel in recent movie history. And for that, Amistad should be recommended to everyone." |
Jeffrey Overstreet |
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- |
Amores Perros (2001) |
Click here to see the review. |
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A- |
Amores Perros (2001) |
"... it is a hyperviolent movie against violence; a graphic portrayal of infidelity in the name of marriage; a tale of murderous sibling rivalry in the name of family." |
Jeffrey Overstreet |
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2.5/4 |
Anchorman: The Legend of Ron Burgundy (2004) |
"Anchorman establishes Ferrell as a formidable comic force reminiscent of Steve Martin when he was The Jerk or Chevy Chase when he was Fletch." |
Jeffrey Overstreet |
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A |
Andy Goldsworthy - Rivers and Tides: Working With Time (2003) |
"His work reminds us of an artist's true focus: a meditative commitment to discovery, creativity, and the enhancement of God's own invention." |
Jeffrey Overstreet |
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D |
Anger Management (2003) |
"[It's] like going to the NBA All-Star Game and seeing a fantastic team take the floor, but when the game begins you realize they left their brains in the locker room." |
Jeffrey Overstreet |
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B |
The Anniversary Party (2001) |
"... it's fascinating to search for these characters' hearts under the layers of makeup, denial, disguise, excuses, fantasies, and ego." |
Jeffrey Overstreet |
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B |
Antwone Fisher (2002) |
"It is to Washington's credit that he keeps it just real enough to move our hearts and our heads." |
Jeffrey Overstreet |
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A |
Antz (1998) |
"...the message of Antz is this: Freedom of choice is important, but one should use their freedom to be decent, responsible, humble, and helpful." |
Jeffrey Overstreet |
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- |
The Apocalypse (1997) |
Click here to see the review. |
Matt Page |
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A+ |
Apocalypse Now (1979) |
"It is also the perfect device for so many universal stories, mythic and true. The journey is everyman’s road to self-discovery." |
Jeffrey Overstreet |
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B- |
Apollo 13 (1995) |
"... tells a gripping true story efficiently. ... And yet, it still feels too packaged, too neat, too clean." |
Jeffrey Overstreet |
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A+ |
The Apostle (1997) |
"... may be the most unapologetic, intimate portrayal of a religious man in the history of American cinema." |
Jeffrey Overstreet |
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D |
Arlington Road (1999) |
"It merely exploits our fears and emotions to jerk us around." |
Jeffrey Overstreet |
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B |
Armageddon (1998) |
"A Godzilla-sized blockbuster -- it's an outrageous spectacle, without many brains to speak of, but its heart in the right place." |
Jeffrey Overstreet |
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A |
Army of Shadows (1969) |
"As bleak as it is compelling, it will leave you wondering if these freedom fighters haven't done more damage to each other than they have to the Nazi aggressors." |
Jeffrey Overstreet |
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B |
As Good as It Gets (1997) |
"... it coaxes us to be more open to each other, more compassionate, and more loving." |
Jeffrey Overstreet |
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A- |
The Assassination of Jesse James by the Coward Robert Ford (2007) |
"... it's the performances that make this picture compelling in spite of its snail's-pace narrative." |
Jeffrey Overstreet |
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C |
Atlantis: The Lost Empire (2001) |
"... breathtaking animation in service of a story that doesn't hold enough water to drown a rat much less a civilization." |
Jeffrey Overstreet |
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A- |
The Aviator (2004) |
"Blanchett gives such gusto to her turn as Katherine Hepburn that when she walks off the screen, the [other characters] look likely to follow her in awe." |
Jeffrey Overstreet |
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