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3/5 |
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21 (2008) |
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"A breezy, fast-moving romp that trades well on its appeal as a glitzy caper movie about high-end scam artists without losing sight of its simmering greed-is-not-so-good theme." | |
Jim Schembri | |
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2/4 |
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Baby Mama (2008) |
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"An under-achieving, lightweight movie that settles for a few competent gags and doesn't bother to take risks." | |
Philippa Hawker | |
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1/4 |
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Bonneville (2006) |
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"A film full of emotional false notes, bad dialogue and cardboard characters..." | |
Jim Schembri | |
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2.5/5 |
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Cactus (2008) |
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"The cinematography is terrific and one inspired scene involves the use of the Wiggles as an instrument of torture." | |
Jim Schembri | |
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1.5/5 |
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The Chronicles of Narnia: Prince Caspian (2008) |
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"Adamson is probably indifferent to politics, which would be easier to forgive if the film gave you anything else to think about." | |
Jake Wilson | |
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3/5 |
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The Dark Knight (2008) |
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"While the film may be a hell of a ride, it takes a hell of a long time for the ride to grind its way out of first gear." | |
Jim Schembri | |
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3/4 |
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The Edge of Love (2008) |
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"Solid, if melodramatic..." | |
Jim Schembri | |
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3.5/5 |
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The Happening (2008) |
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"A tantalising, sometimes frustrating parable about the menaces that human beings might face from unexpected quarters." | |
Philippa Hawker | |
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3.5/5 |
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Harold & Kumar Escape from Guantanamo Bay (2008) |
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"Amid the dick jokes, drug taking and gratuitous nudity, the film also serves as a salient reminder about what actually ranks as subversive comedy." | |
Jim Schembri | |
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4/5 |
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Hellboy II: The Golden Army (2008) |
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"The film is designed more as an ear-shattering sensory assault than a conventional narrative." | |
Jim Schembri | |
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3.5/5 |
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In Bruges (2008) |
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"Clever, unpredictable and entertaining, with moments of anguish..." | |
Philippa Hawker | |
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2.5/5 |
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The Incredible Hulk (2008) |
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"It's high-energy, but oddly unsatisfying; the nature of Hulk's rage is left unexplored and undeveloped." | |
Philippa Hawker | |
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2.5/5 |
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Indiana Jones and the Kingdom of the Crystal Skull (2008) |
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"The energy on display is impressive, even if Spielberg's suggestion that a fifth Indie adventure is a distinct possibility is more a cause for concern than celebration." | |
Tom Ryan | |
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3.5/5 |
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Iron Man (2008) |
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"Downey imbues this superhero with a heart that glows as radiantly as the power reactor implants in his chest." | |
Jim Schembri | |
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2.5/5 |
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Make It Happen (2008) |
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"It's hard to dislike all these urban musicals aimed at teenage girls, and even harder to tell them apart." | |
Jake Wilson | |
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3/5 |
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Miss Pettigrew Lives for a Day (2008) |
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"Director, Bharat Nalluri, keeps the comedy humming while unpacking Pettigrew's sad back story." | |
Jim Schembri | |
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2.5/5 |
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Mongol (2008) |
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"Temudgin is so single-minded that Asano has trouble suggesting much about his inner life." | |
Jake Wilson | |
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3/4 |
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My Blueberry Nights (2008) |
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"As visually lush and distinctive and enveloping as you would expect from a Wong Kar-wai film, with space for performances that have impact." | |
Philippa Hawker | |
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2.5/5 |
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My Brother Is An Only Child (2006) |
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"Fast-paced, well-acted and acute about sibling rivalry, the film nonetheless fails to leave a strong impression." | |
Jake Wilson | |
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3.5/5 |
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Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) |
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"Not Quite Hollywood contains as many crazy characters and improbable events as its recent fictional counterparts, except that the people are real and the stories all true." | |
Jake Wilson | |
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4/4 |
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Persepolis (2007) |
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"An uplifting, funny, moving fable about the difference between the ideal of freedom and the real thing..." | |
Jim Schembri | |
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1.5/5 |
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Sex and the City - The Movie (2008) |
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"I had to wonder what happened to the qualities that made the show famous: the outrageous dialogue, the sense of female camaraderie, the embrace of casual sex as a guiltless pleasure." | |
Jake Wilson | |
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3/5 |
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Smother (2008) |
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"This film has its share of crass, unlikely jokes, but also allows its characters some psychological complexity." | |
Jake Wilson | |
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1.5/4 |
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Son of a Lion (2008) |
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"As a work of art, it's a transparent con, particularly when Gilmour defensively insists on the 'humanity' of his characters for the benefit of the Western viewer." | |
Jake Wilson | |
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4/4 |
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Son of a Lion (2008) |
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"Films take a gamble when they take you out of your zone of familiarity -- as this one does." | |
Sandra Hall | |
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3/5 |
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Son of Rambow (2008) |
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"It's a mildly startling choice of subject matter, but Jennings takes for granted that even the most innocent cineastes have their sadistic side." | |
Jake Wilson | |
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3.5/5 |
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Speed Racer (2008) |
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"Given that Speed Racer itself is basically an elaborate commercial, the anti-corporate message inevitably rings hollow." | |
Jake Wilson | |
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3/5 |
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The Square (2008) |
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"The script is neatly plotted, though not without flaws. Some developments occur in a rush, as if to distract us from asking inconvenient questions." | |
Jake Wilson | |
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4.5/5 |
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The Counterfeiters (2008) |
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"This Oscar-winning film ranks as the most unnerving, disturbing, true-life account yet of endurance under Nazi oppression." | |
Jim Schembri | |
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3/5 |
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Then She Found Me (2008) |
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"The overt stylistic flourishes are so few that they have a special impact, particularly the moment when the camera slowly tracks towards April after she receives a piece of devastating news." | |
Jake Wilson | |
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3.5/5 |
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Tropic Thunder (2008) |
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"Stiller never stops bombarding the audience with outrageous ideas, like a monkey throwing dung at a wall." | |
Jake Wilson | |
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1/5 |
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Unfinished Sky (2008) |
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"This hysterically melodramatic climax marks it as a sure contender for worst Australian film of the year." | |
Jake Wilson | |
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3/5 |
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What Happens in Vegas (2008) |
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"The combined verve Diaz and Kutcher bring to the table saves a routine time-killer from being entirely forgettable." | |
Jim Schembri | |
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3/5 |
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You Don't Mess with the Zohan (2008) |
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"Things work out, of course, to everyone's satisfaction: there are a few political gags that have a veneer of audacity, but in essence, the movie takes risks only with its audience's gag reflex." | |
Philippa Hawker | |
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