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A Nos Amours (1983) |
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Click here to see the review. | |
Janet Maslin | |
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5/5 |
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A Nous La Liberte (1931) |
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"A Nous, la Liberté is assuredly different from any other screen feature. It bristles with strange originality." | |
Mordaunt Hall | |
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3/5 |
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A Scanner Darkly (2006) |
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"Identities shift and melt like shadows in Richard Linklater's animated adaptation of the 1977 novel by the science fiction visionary Philip K. Dick." | |
Manohla Dargis | |
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4/5 |
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A Tout de Suite (2005) |
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"Deft homage to the French New Wave." | |
Stephen Holden | |
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A Tribute to Stanley Kubrick (1999) |
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Click here to see the review. | |
Janet Maslin | |
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4.5/5 |
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A.I. Artificial Intelligence (2001) |
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"The best fairy tale -- the most disturbing, complex and intellectually challenging boy's adventure story -- Mr. Spielberg has made." | |
A.O. Scott | |
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3/5 |
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A/K/A Tommy Chong (2005) |
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"Josh Gilbert's film tells the depressing, often ridiculous and generally enraging story of how and why Tommy Chong ended up doing time in a minimum-security prison." | |
Manohla Dargis | |
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-- |
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Aaja Nachle (2007) |
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Click here to see the review. | |
Rachel Saltz | |
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2/5 |
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Abandon (2002) |
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"There's so little going on in the film that its title seems to suggest an action that audiences may be driven to take before the movie ends." | |
Elvis Mitchell | |
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-- |
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Abandon Ship (1957) |
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Click here to see the review. | |
A.H. Weiler | |
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-- |
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Abandoned (1949) |
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Click here to see the review. | |
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1.5/5 |
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The Abandoned (2007) |
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"Through the murk and gloom of The Abandoned; a mystery emerges: Why didn't this go straight to DVD?" | |
A.O. Scott | |
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-- |
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Abbott and Costello in Hollywood (1945) |
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Click here to see the review. | |
Bosley Crowther | |
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-- |
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Abbott and Costello in the Foreign Legion (1950) |
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Click here to see the review. | |
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2/5 |
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Abbott and Costello Meet Frankenstein (1948) |
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"The notion of having these two clowns run afoul of the famous screen monster is a good laugh in itself. But take this gentle warning: get the most out of that one laugh while you can, because the picture, at Loew's Criterion, does not contain many more." | |
Bosley Crowther | |
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-- |
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Abbott and Costello Meet the Invisible Man (1951) |
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Click here to see the review. | |
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4/5 |
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ABC Africa (2002) |
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"You come away from his film overwhelmed, hopeful and, perhaps paradoxically, illuminated." | |
A.O. Scott | |
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3.5/5 |
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ABCD (2001) |
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"Sensitively acted." | |
Stephen Holden | |
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4/5 |
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Abduction: The Megumi Yokota Story (2007) |
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"The documentary Abduction: The Megumi Yokota Story succeeds as a true crime story and is compassionate and engrossing throughout." | |
Matt Zoller Seitz | |
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Abe Lincoln in Illinois (1940) |
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Click here to see the review. | |
Frank S. Nugent | |
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4/5 |
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Aberdeen (2001) |
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"A ferociously observant study of two characters." | |
Stephen Holden | |
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Abilene Town (1946) |
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Click here to see the review. | |
Bosley Crowther | |
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-- |
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The Abominable Dr. Phibes (1972) |
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Click here to see the review. | |
Roger Greenspun | |
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4/5 |
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Abouna (2004) |
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"Mahamat-Selah Haroun's second feature film reveals both the beauties and the harsh realities of modern African life." | |
A.O. Scott | |
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4/5 |
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About a Boy (2002) |
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"Less inventive than the one Stephen Frears put forward in High Fidelity two years ago, but also more satisfying." | |
A.O. Scott | |
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3.5/5 |
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About Adam (2001) |
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"About Adam rests almost entirely on the shoulders of Stuart Townsend, who brings to the movie's duplicitous title character a winningly light touch." | |
Stephen Holden | |
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About Baghdad (2003) |
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No article available. | |
Dana Stevens | |
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About Last Night... (1986) |
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Click here to see the review. | |
Vincent Canby | |
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4/5 |
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About Schmidt (2002) |
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"Lays out an expansive, impressively even-handed vision of life in contemporary Middle America." | |
Stephen Holden | |
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Above Suspicion (1943) |
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Click here to see the review. | |
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Above the Law (1988) |
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Click here to see the review. | |
Vincent Canby | |
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3/5 |
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' Above the Rim (1994) |
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"Above the Rim has its formulaic elements, but it has been vigorously directed by Jeff Pollack, who appreciates the lively and unpretentious aspects of the story." | |
Janet Maslin | |
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-- |
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Abraham's Valley (1993) |
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Click here to see the review. | |
Vincent Canby | |
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4/5 |
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Absence of Malice (1981) |
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"What Mr. Pollack's movies lack in momentum, they make up for in quiet gravity." | |
Janet Maslin | |
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-- |
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Absolute Beginners (1986) |
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Click here to see the review. | |
Caryn James | |
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Absolute Power (1997) |
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"Mr. Hackman languishes in the smallish role of a White House buffoon, with Judy Davis equally cartoonish as his witchy chief of staff." | |
Janet Maslin | |
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4/5 |
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Absolute Wilson (2006) |
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"This appreciative look at the life and work of theater artist Robert Wilson includes a notably candid interview with the man himself." | |
A.O. Scott | |
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3/5 |
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Accattone (1961) |
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"The result is uneven, but not without distinction." | |
Renata Adler | |
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2/5 |
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Accepted (2006) |
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"A clever slacker and his oddball crew invent a phony college in this passable example of that oxymoronic genre, the Hollywood comedy about sticking it to the man." | |
Nathan Lee | |
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-- |
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The Accidental Tourist (1988) |
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Click here to see the review. | |
Janet Maslin | |
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-- |
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The Accompanist (1993) |
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Click here to see the review. | |
Janet Maslin | |
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-- |
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The Accused (1988) |
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Click here to see the review. | |
Vincent Canby | |
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2/5 |
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Ace in the Hole (1951) |
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"Ace in the Hole is badly weakened by a poorly constructed plot, which depends for its strength upon assumptions that are not only naive but absurd." | |
Bosley Crowther | |
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-- |
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Ace Ventura: Pet Detective (1994) |
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Click here to see the review. | |
Janet Maslin | |
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-- |
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Ace Ventura: When Nature Calls (1995) |
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Click here to see the review. | |
Janet Maslin | |
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-- |
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The Acid House (1998) |
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Click here to see the review. | |
Stephen Holden | |
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-- |
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Acla (1992) |
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Click here to see the review. | |
Stephen Holden | |
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-- |
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Across 110th Street (1972) |
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Click here to see the review. | |
Roger Greenspun | |
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-- |
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Across the Pacific (1942) |
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Click here to see the review. | |
Bosley Crowther | |
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-- |
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Across the Sea of Time (1995) |
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Click here to see the review. | |
Janet Maslin | |
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