Caroline Cao

Caroline Cao
Caroline Cao's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Film School Rejects Slashfilm Birth.Movies.Death. The Mary Sue

Movie Reviews Only

T-Meter Title | Year
9/10 92% To the Ends of the Earth (Tabi no Owari Sekai no Hajimari) (2019) The film twirls into musical territory at two moments, the final a-la Sound of Music. For a film shot naturalistically, it manages to earn these sparks of spontaneity. - Slashfilm EDIT
Read More | Posted Nov 25, 2019
8.5/10 100% Yellow Rose (2019) The movie never wallows but provides breathing time for despair. - Slashfilm EDIT
Read More | Posted Aug 13, 2019
7.5/10 95% Come to Daddy (2019) Come to Daddy is a frenzied thriller pouring out Tarantino quarts of gore and laughs. - Slashfilm EDIT
Read More | Posted May 3, 2019
88% To Dust (2019) With a plot motivated by cultural specificity, there is a universality to its exploration of mourning rites. - Birth.Movies.Death. EDIT
Read More | Posted Feb 5, 2019
88% Cargo (2018) Through the apocalyptic grit, Cargo avoids the pit of cynicism. - Film School Rejects EDIT
Read More | Posted Apr 21, 2018
39% Mary Shelley (2018) Mary Shelley fashions a lovely sketch of a bildungsroman with blushes of color, but it is short of the fully rendered and vibrant portrait its namesake deserves. - Film School Rejects EDIT
Read More | Posted Apr 21, 2018
95% The Breadwinner (2017) Harkening from Cartoon Saloon's earlier pursuits, Breadwinner continues the classic motif about the connective powers of storytelling. - Birth.Movies.Death. EDIT
Read More | Posted Feb 16, 2018
79% All the Money in the World (2017) Despite the lived-up hype surrounding Plummer's performance of Getty I, it is Michelle Williams' Gail Getty who owns the spotlight as a mother with emotional caution, maternal fervor, and seething exasperation. - Film School Rejects EDIT
Read More | Posted Dec 28, 2017
99% Lady Bird (2017) It turns out that Lady Bird is the mother's coming-of-age too, and no maternal dynamic could be more refreshing in cinema. - The Mary Sue EDIT
Read More | Posted Nov 2, 2017
15% The Circle (2017) The Circle turned out to be unequipped with its handful of ideas. - The Mary Sue EDIT
Read More | Posted May 17, 2017
87% Jackie (2016) There are two narratives at war in Jackie: One is a decent but disposable showcase of dialogue, the other a masterpiece streaming through sentiments. - The Mary Sue EDIT
Read More | Posted Jan 5, 2017