Haleigh Foutch

Haleigh Foutch
Haleigh Foutch's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Collider
Publications: Collider

Movie Reviews Only

T-Meter Title | Year
B 100% VHYes (2019) VHYes shares some DNA with the type of oddball sketches you'd find on Adult Swim, but Robbins has something to say beneath his chaos, and most importantly, a whole lot of heart. - Collider EDIT
Read More | Posted Oct 15, 2019
B- 35% In the Tall Grass (2019) "A nice piece of adaptation that adds to and enhances rather than diminishing." - Collider EDIT
Read More | Posted Sep 27, 2019
B- 63% It Chapter Two (2019) Delivers the emotional catharsis King's epic horror tale deserves. - Collider EDIT
Read More | Posted Sep 3, 2019
B- 95% The Gangster, the Cop, the Devil (2019) Lee delivers a thrilling crime actioner, bolstered by his eye for livening up the screen with pops of color, some brutal fight scenes, one very solid car chase, and another commanding performance from Ma Dong-seok. - Collider EDIT
Read More | Posted Sep 3, 2019
A 86% Extreme Job (2019) Original, endlessly amusing, and ultimately gratifying, Extreme Job is a contender for feel-good movie of the year. - Collider EDIT
Read More | Posted Sep 3, 2019
B+ 95% Come to Daddy (2019) Funny and F'ed in the head with a cartoonish sense of humor that borders on magical realism, Come to Daddy is a strange brew, but it's a good one. - Collider EDIT
Read More | Posted Sep 3, 2019
B+ 88% Vivarium (2019) Come for the striking set design and killer performances, stay for the immersive mystery, and leave with a crippling fear of children and nagging concerns about the universe's cruel indifference. - Collider EDIT
Read More | Posted Sep 3, 2019
C- 25% Sadako (2019) A routine sequel determined to pluck away at the same stale material, a cover of the greatest hits, rather than redefining the franchise for a new era. - Collider EDIT
Read More | Posted Sep 3, 2019
B- 100% Blood on Her Name (2019) A gripping watch, even through the weaker moments. - Collider EDIT
Read More | Posted Aug 8, 2019
B+ 64% Annabelle Comes Home (2019) "One of the best entries in the Conjuring series." - Collider EDIT
Read More | Posted Jun 28, 2019
A- 83% Midsommar (2019) Midsommar presents a ruthless take on the rituals of processing grief and letting go, excavating the caverns of broken relationships and the nauseous truths of why we stay in them. - Collider EDIT
Read More | Posted Jun 20, 2019
B- 57% Brightburn (2019) As a gory, pulpy superhero horror story, Brightburn delivers exactly what it's selling, so if you like what's on the menu, you'll probably enjoy the meal. - Collider EDIT
Read More | Posted Jun 20, 2019
C+ 29% The Curse of La Llorona (2019) It lacks the punch and pure terror that a stronger script and more visceral approach could achieve with the legendary weeping woman. - Collider EDIT
Read More | Posted Jun 20, 2019
A 83% High Life (2019) High Life tangles up horniness and desperation in an existential nightmare, where we are all blood, and semen, and mother's milk - just bodies floating through space towards the unknowable and unavoidable, desperate for another warm body to cling to. - Collider EDIT
Read More | Posted Jun 20, 2019
B- 84% Rust Creek (2019) By taking the time to breath life into these characters, Rust Creek makes a unique and worthwhile entry in the genre that puts a premium on heart and humanity over horror. - Collider EDIT
Read More | Posted Apr 1, 2019
B+ 85% Luz (2019) It's a sensual, hellish vision of demonic obsession that's ambiguous and artsy without ever forgetting to be entertaining. - Collider EDIT
Read More | Posted Nov 12, 2018
B 82% Knuckleball (2018) Knuckleball isn't looking to reinvent the wheel, and it doesn't have to. - Collider EDIT
Read More | Posted Nov 12, 2018
B+ 82% Level 16 (2019) Level 16 is a sharp little sci-fi thriller that does dystopia right, and like all the best bleak visions of a future world, it offers commentary worth sinking your teeth into. - Collider EDIT
Read More | Posted Nov 12, 2018
B+ 100% Keep an Eye Out (Au Poste!) (2018) By the time the film's end rolls around, Dupieux fully unleashes his zany absurdism and turns the tables on the audience entirely, creating a certifiably insane ending that's not much of an ending at all, actually. - Collider EDIT
Read More | Posted Nov 12, 2018
C- 29% Between Worlds (2018) There's so much to like about Between Worlds, and on paper it sounds like exactly the right movie to channel Cage's late-career mayhem, but in practice it's flat and flimsy. - Collider EDIT
Read More | Posted Nov 12, 2018
B- 59% You Might Be the Killer (2018) You Might Be the Killer can't quite match the greatness of Cabin in the Woods or the heart of The Final Girls, but it's a solid if slight piece of slasher comedy that's made with love, for the people who love the genre. - Collider EDIT
Read More | Posted Nov 12, 2018
A- 72% Piercing (2019) Piercing is a propulsive, intricately crafted thriller that plays like the twisted lovechild of American Psycho and Phantom Thread. Slick and sick, sometimes sexy, and surprisingly sweet. - Collider EDIT
Read More | Posted Nov 12, 2018
B- 60% Profile (2018) Screenlife format isn't just a gimmick, it's an effective and unconventional cinematic method that allows you to step straight into the mind of the character and put you through the ringer right with them. - Collider EDIT
Read More | Posted Nov 12, 2018
B- 67% Puppet Master: The Littlest Reich (2018) The Littlest Reich reboots the long-running franchise with a thin but handsomely produced little splatter film that demands nothing from its audience but a strong stomach. - Collider EDIT
Read More | Posted Nov 12, 2018
B- 76% The Man Who Killed Hitler and Then The Bigfoot (2019) The Man Who Killed Hitler and Then the Bigfoot is a fascinating experiment; a dark drama that treats pulp genre with the earnest emotional weight of an awards contender. - Collider EDIT
Read More | Posted Nov 12, 2018
C+ 61% Unfriended: Dark Web (2018) If Dark Web is a technical accomplishment and gripping experience, it is also far too cruel and mean-spirited to be half as fun as the original. - Collider EDIT
Read More | Posted Nov 12, 2018
B+ 91% Boiled Angels: The Trial of Mike Diana (2018) Boiled Angels is a must watch for American citizens who take their free speech for granted, and for artists who may not know that their wildest, most abhorrent creations could feasibly put them on the wrong side of the law. - Collider EDIT
Read More | Posted Nov 12, 2018
B- 16% Blumhouse's Truth or Dare (2018) [Truth or Dare] has its own brand of soapy, giggling thrills to deliver, even if it sometimes has you wondering if you're laughing at the movie or with it. - Collider EDIT
Read More | Posted Nov 12, 2018
80% Apostle (2018) It'll make you groan and grimace through the torment, but it will get your heart racing in all the right ways, even when it occasionally stumbles over its own ambition. - Collider EDIT
Read More | Posted Oct 3, 2018
A- 75% Bad Times at the El Royale (2018) A propulsive, cinematic rush. - Collider EDIT
Read More | Posted Oct 1, 2018
B- 82% What Keeps You Alive (2018) The film could be sharper and tighter - ten minutes and at least four endings shorter - but the moments of success in What Keeps You Alive out-weigh the film's faults. - Collider EDIT
Read More | Posted Sep 28, 2018
A+ 65% Suspiria (2018) Suspiria is a film brimming with dense material that demands and encourages interpretation. - Collider EDIT
Read More | Posted Sep 25, 2018
B 81% Overlord (2018) For a movie about Nazi mutants, Overlord admirably has something to say. - Collider EDIT
Read More | Posted Sep 24, 2018
B 93% CAM (2018) The set-up is primed for rich psychological thrills, and Cam by-and-large delivers, following a commanding performance from Brewer. - Collider EDIT
Read More | Posted Aug 8, 2018
B- 77% Nightmare Cinema (2019) A stronger-than-average anthology with some good-to-great material worth checking out... - Collider EDIT
Read More | Posted Jul 23, 2018
B+ 91% Lowlife (2018) Lowlife is one of those exciting feature debuts that announces the arrival of a filmmaker who instantly has your attention. - Collider EDIT
Read More | Posted Apr 8, 2018
B+ 95% A Quiet Place (2018) The concept is pure and perfectly suited to the genre, and it's a brilliant conceit because it makes you a part of the experience. When you watch A Quiet Place, you'll sit glued to your seat in a theater so quiet you can hear a pin drop. - Collider EDIT
Read More | Posted Apr 8, 2018
C+ 39% The Strangers: Prey At Night (2018) Roberts has built a playground of horror homages... It might feel like a hell of a long wait to finally get to the attractions, but once you do, the ride sure is fun. - Collider EDIT
Read More | Posted Mar 28, 2018
A- 88% Annihilation (2018) Wildly ambitious, occasionally alienating, and consummately perplexing; an irritant to the mind and spirit that demands self-reflection. - Collider EDIT
Read More | Posted Mar 28, 2018
B- 83% Mohawk (2018) [A] brutal, angry revenge thriller that takes a familiar format in new directions while wearing its wounded, political heart on its sleeve. - Collider EDIT
Read More | Posted Mar 28, 2018
B+ 90% Cold Hell (Die Hölle) (2017) Running a lean 91 minutes, Cold Hell is all muscle; hurtling through one brutal, kinetic set-piece after the next. - Collider EDIT
Read More | Posted Mar 28, 2018
B- 68% The Cured (2018) The Cured isn't quite the best from this new crop of post-traditional zombie movies, mostly because it choses to play it all so traditional in the end, but it is an engaging, thoughtful addition to the growing subgenre. - Collider EDIT
Read More | Posted Feb 23, 2018
A- 86% Thoroughbreds (2018) "[An] effed up tale of friendship for the ages." - Collider EDIT
Read More | Posted Feb 19, 2018
C 50% Hellraiser: Judgment (2018) The Hellraiser movies have been soulless for so long - and what's the point of a Cenobite without a soul to tear apart? At least Judgement gives them a little something to chew on. It's not a great movie, but it's a better than average Hellraiser sequel. - Collider EDIT
Read More | Posted Feb 13, 2018
A- 97% Black Panther (2018) Production design, costumes, and of course, visual effects are all on point, and newly minted Oscar-nominee Rachel Morrison shoots every frame to embrace the sumptuous detail. - Collider EDIT
Read More | Posted Feb 6, 2018
C+ 33% Insidious: The Last Key (2018) "The Last Key is a mixed bag... at its worst when it indulges in the reliable franchise tropes and at its best when it strains at the boundaries of what you expect from an Insidious film." - Collider EDIT
Read More | Posted Jan 5, 2018
B 82% Tragedy Girls (2017) It's been a long time since we've had a meat and potatoes slasher, especially one as quick-witted and good-looking as Tragedy Girls - Collider EDIT
Read More | Posted Oct 25, 2017
B 71% Happy Death Day (2017) "An energetic and engaging piece of poppy PG-13 horror, made with a clear knowledge and affection for the genre." - Collider EDIT
Read More | Posted Oct 20, 2017
B+ 91% Gerald's Game (2017) [Gerald's Game] is an embrace of female strength, outright, and it's as moving as it is consummately thrilling. - Collider EDIT
Read More | Posted Sep 27, 2017
A- 89% Mary and The Witch's Flower (2018) A whimsical, winsome world of invention, gorgeously translated on screen by the animation team. - Collider EDIT
Read More | Posted Sep 27, 2017