Marcelo Stiletano

Marcelo Stiletano
Marcelo Stiletano's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): La Nación (Argentina)
Publications: La Nación (Argentina)

Movie Reviews Only

T-Meter Title | Year
66% The Good Liar (2019) Everything here is capricious, forced, oblivious to more or less any logical sense of narrative continuity. [Full review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Dec 6, 2019
43% Midway (2019) The great appeal of the film are the aerial battles, strengthened by excellent digital effects. [Full review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Dec 2, 2019
62% Motherless Brooklyn (2019) A genuine film noir with all the variations of a jazz suite. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Nov 21, 2019
92% Ford v Ferrari (2019) With a classic stamp, fluid narration, and an abundance of emotions, Ford v Ferrari seems like an homage to Howard Hawks' films. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Nov 14, 2019
48% American Son (2019) American Son is only useful as a tool of assistance for some acting theater school. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Nov 11, 2019
64% A Rainy Day in New York (2019) It's not the best work from the creator of Annie Hall, but it has his usual style: sweet and melancholic. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Nov 7, 2019
43% The Addams Family (2019) Merlina and her soulmate in the "real world..." contribute to the best moments of the movie, with jokes that adults familiar with the series are more likely to celebrate. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Oct 31, 2019
97% Dolemite Is My Name (2019) [Eddie] Murphy finds here a space to show off his talent as a comedian and actor. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Oct 28, 2019
48% Where'd You Go, Bernadette (2019) The journey doesn't always end up being inspiring, but there's a sufficient dose of empathy for what the characters live and feel so that we can enjoy it. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Oct 10, 2019
44% After the Wedding (2019) The brilliant cast helps to make everything more credible. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Oct 10, 2019
88% Diego Maradona (2019) The most important thing is to go back to that unique moment of sports glory and personal ridicule in order to provide some perspective on that eternal enigma named Maradona. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Oct 7, 2019
96% Birds of Passage (Pájaros de verano) (2019) A fascinating story full of visual discoveries and ethnographic observations. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Sep 26, 2019
80% Abominable (2019) A pleasant, entertaining, and at times spectacular adventure. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Sep 26, 2019
84% Ad Astra (2019) Brad Pitt knows that a more austere and contained performance is essential when facing such an overwhelming scenery. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Sep 19, 2019
97% American Factory (2019) Everything is expressed with brutal honesty, without one euphemism. The documentary is of an overwhelming frankness. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Sep 9, 2019
85% Once Upon a Time In Hollywood (2019) The well-known narrative and technical skill of Tarantino is made tender in his affection for his characters that deep down are his peers, and with so much strength, they even feel capable of rewriting history. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Aug 22, 2019
51% Tolkien (2019) It's not until the very end that the episodes of Tolkien's life start to connect, but by then it's too late to regain the time that was lost. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted May 20, 2019
17% Hellboy (2019) Harbour does everything he can to accommodate a character who can not get rid of Ron Perlman's presence. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Apr 11, 2019
60% A Dog's Way Home (2019) The emotional manipulation is steered straight by the tension between human law and animal nature. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Feb 25, 2019
33% Rolling to You (Tout le monde debout) (2018) The allusions to romance and disability feel honest, ingenious and sometimes fun. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jan 17, 2019
60% An Interview With God (2018) The biblical teachings remain in view while other kinds of questions have no answer. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Dec 7, 2018
14% Life Itself (2018) The emotional manipulation is mixed with a puerile psychology and sweetened by force from photography and music. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Dec 7, 2018
59% The Grinch (2018) The Grinch installs himself with an immense palette of vivacious colors, ingenuity and a bet on visual comedy. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Nov 27, 2018
12% Peppermint (2018) A revenge full of nonsense. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Nov 16, 2018
37% Fantastic Beasts: The Crimes of Grindelwald (2018) The story works in its mythical grandiloquence and makes intelligible the reasons that lead each character to choose their place and prepare for the battle that is coming. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Nov 15, 2018
91% Lean on Pete (2018) Plummer's impassive languor is the perfect reflection of the distant and aseptic way in which Haigh looks at that world. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Oct 24, 2018
38% Kidnap (2017) It's hard to understand why the exact translation of the original title was not respected. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Nov 27, 2017
66% Victoria & Abdul (2017) Stephen Frears seems to feel more attracted by the nostalgic imprint of the situation than by a deeper approach to the context of this rare link. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Nov 27, 2017