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Maxance Vincent

Tomatometer-approved critic
Biography:

Maxance Vincent is a freelance film and TV Critic based in Montreal, Canada. A recent graduate in Journalism at the Université de Montréal, Maxance developed a fond affinity for genre cinema and specialized in his writing on the subject. You can find his work through many publications, including InSession Film, FilmSpeak, Awards Radar, and Loud & Clear Reviews, among others.

Reviews

Movies TV Shows
Midwinter Break (2026) 56% B+ EDIT “Don’t let this movie fly off your radar.” – InSession Film Mar 4, 2026 Full Review The Napa Boys (2025) 53% B+ EDIT “There will be critics (and audience members) who will say that The Napa Boys is one of the worst movies ever made. I am not one of those people.” – InSession Film Mar 3, 2026 Full Review Dreams (2025) 53% D EDIT “Michel Franco’s ‘Dreams’ fails to meet the moment with a mostly empty erotic drama that takes a repulsive turn near its "shocking" denouement.” – Film Speak Feb 27, 2026 Full Review My Father's Shadow (2025) 97% 3.5/5 EDIT “My Father’s Shadow is slightly flawed, but one can’t overstate how cogent and powerfully told it is.” – Movies We Texted About Feb 27, 2026 Full Review Psycho Killer (2026) 11% F EDIT “[Psycho Killer] is a disaster of Wiseau-esque proportions, a once-in-a-generation piece of flopsweat so horrible it could be the next big [...] cult classic.” – Film Speak Feb 27, 2026 Full Review Scare Out (2026) F EDIT “There may never be a better example of the sentence "when you find out your goat washed" than in watching Zhang Yimou’s Scare Out.” – InSession Film Feb 25, 2026 Full Review The Bluff (2026) 61% 2/5 EDIT “[The Bluff] is yet another mindless, forgettable [...] direct-to-streaming blockbuster from Prime Video, likely to be consumed by the masses, become the "#1 movie in the world" on the streaming service and be quickly forgotten within a week.” – Loud and Clear Reviews Feb 23, 2026 Full Review Pillion (2025) 99% A- EDIT “As a debut feature, Pillion couldn’t have been better.” – Film Speak Feb 21, 2026 Full Review Blades of the Guardians (2026) 96% 3.5/4 EDIT “It absolutely does feel special that Yuen Woo-ping is still making movies and keeps finding new ways to enthrall audiences by showcasing images (and stunts) you’ve never seen before.” – Awards Radar Feb 21, 2026 Full Review How to Make a Killing (2026) 45% 2/5 EDIT “On the heels of Park Chan-wook’s [No Other Choice], releasing something as toothless and dull as How to Make a Killing feels unacceptable.” – The Cosmic Circus Feb 19, 2026 Full Review Nirvanna the Band the Show the Movie (2025) 98% 5/5 EDIT “You’ve never seen anything quite like Nirvanna the Band the Show (and the Movie). There isn’t anything like it, and there definitely won’t be a worthy successor anytime soon.” – The Cosmic Circus Feb 11, 2026 Full Review Good Luck, Have Fun, Don't Die (2025) 83% D- EDIT “This is the first time I've felt nothing while watching a movie by one of my favorite artists, who should probably keep taking a sabbatical if his grand return to moviemaking is as listless as this…” – Film Speak Feb 11, 2026 Full Review Scarlet (2025) 76% 4/5 EDIT “In an era where Hollywood blockbuster innovation seems to be at an all-time low, a film like Scarlet might stand the test of time by the end of the year and be remembered as one of 2026’s most stunning animated achievements.” – The Cosmic Circus Feb 10, 2026 Full Review The Strangers: Chapter 3 (2026) 18% 0/4 EDIT “Chapter 3 is a boring excuse of a "film" with zero redeeming qualities, whether intentionally or unintentionally. No, wait, there is one positive thing to say about the film, and it could be the year’s biggest glimmer of hope yet: it’s over.” – Awards Radar Feb 9, 2026 Full Review GOAT (2026) 83% 3/5 EDIT “Kids will be dazzled by the film’s astonishing animation, while adults will enjoy the positive message at its center, which could inspire their children to aim for bigger goals than they currently have.” – Loud and Clear Reviews Feb 9, 2026 Full Review Revolver Lily (2023) B EDIT “Yukisada quickly elevates the material with raw images of tangible, painterly power and a bevy of well-mounted, tightly calibrated action that recalls the heroic bloodshed work of John Woo and Tsui Hark.” – InSession Film Feb 6, 2026 Full Review Calle Málaga (2025) 97% A EDIT “Thanks to a deeply affectionate turn from Carmen Maura, Maryam Touzani’s Calle Málaga will tug at your heartstrings and perhaps break you into a million pieces until you are renewed by a feeling of hope and tenderness.” – Film Speak Feb 6, 2026 Full Review Sound of Falling (2025) 94% 2.5/4 EDIT “It results in an admirable – but ultimately forgettable – effort whose atmosphere sticks with you, but its micro-details slip past your psyche much faster than you’d think.” – Awards Radar Feb 3, 2026 Full Review The Moment (2026) 66% B+ EDIT “[Charli XCX's] self-referential turn as a fictionalized version of the persona she created may be her biggest stroke of genius yet.” – InSession Film Jan 31, 2026 Full Review Shelter (2026) 63% 3.5/5 EDIT “Shelter may not reinvent the screenwriting or thematic wheel, but none of it matters when the spectacle is so unabashedly fun.” – The Cosmic Circus Jan 29, 2026 Full Review Return to Silent Hill (2026) 18% B+ EDIT “For better or worse, Return to Silent Hill is Christophe Gans’ Megalopolis.” – InSession Film Jan 29, 2026 Full Review The Love That Remains (2025) 93% B+ EDIT “In a world that feels less human by the day, films like The Love That Remains are worth cherishing.” – InSession Film Jan 29, 2026 Full Review Mercy (2026) 25% F EDIT “[Mercy] is a profound waste of talent and time.” – Film Speak Jan 29, 2026 Full Review H Is for Hawk (2025) 80% B- EDIT “There’s enough [in H Is for Hawk] to at least warrant a viewing, provided you’re emotionally prepared enough to deal with the subject matter head-on. ” – Film Speak Jan 29, 2026 Full Review A Private Life (2025) 81% B+ EDIT “A Private Life’s daring Freudian dimension gives it tangible emotional heft in a type of film that probably didn’t warrant it, but we’re so glad it did.” – Film Speak Jan 29, 2026 Full Review
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