Paula Vázquez Prieto

Paula Vázquez Prieto
Paula Vázquez Prieto's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): La Nación (Argentina)
Publications: La Nación (Argentina)

Movie Reviews Only

T-Meter Title | Year
88% Ready or Not (2019) Heir to De Palma's best horror. [Full review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Dec 6, 2019
47% Last Christmas (2019) Paul Feig films the romantic comedy clichés with grace. [Full review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Dec 6, 2019
91% In Safe Hands (Pupille) (2018) In the selection of a balance to the stories that intersect, Herry finds the exact place for each of her characters. [Full review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Dec 2, 2019
52% Charlie's Angels (2019) The film is indebted to the demands of new female narratives and, at the same time, true to that carefree spirit from the original. [Full review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Dec 2, 2019
No Score Yet Pikovaya dama (The Queen of Spades) (2013) Despite its limitations, the movie directed by Aleksandr Domogarov feels quite unsettling when it steps away from the strict guide to achieve the scares. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Nov 21, 2019
84% Downton Abbey (2019) The series was less about affirming a reality than about longing for an ideal. This coda imagined by Fellowes is honest with its own evocation. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Nov 21, 2019
86% Synonyms (Synonymes) (2019) With an unpredictable humor and a camera that dismantles that desired and chaotic city in all its contradictions, [Nadav] Lapid achieves a lucid and unconventional portrait of a territory that escapes maps and battle hymns. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Nov 14, 2019
No Score Yet Cartero (2019) The character of Sánzhez gives the movie depth and precision. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Nov 7, 2019
100% Amanda (2018) What Mikhaël Hers films is not the [terrorist act] but its effects, on the survivors, the city's dynamic, and the experience of time. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Oct 31, 2019
89% Brittany Runs a Marathon (2019) The movie manages to be faithful to its character, and treat it with tenderness and empathy. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Oct 24, 2019
27% Rambo: Last Blood (2019) What is left in this contemporary conflict is a parody of itself, which is what works best. A gory and iconoclastic violence that mocks its own people and others. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Oct 10, 2019
78% Scary Stories to Tell in the Dark (2019) Director André Øvredal achieves something different for a story that we already know. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Sep 26, 2019
24% The Goldfinch (2019) The Goldfinch can be thought of as an exercise of what not to do in an adaptation. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Sep 19, 2019
No Score Yet Witch (Bruja) (2019) The movie is trapped in a Manichaean structure, with plot holes and unnecessary procedural detours. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Sep 12, 2019
100% The Silence of Others (2019) The movie exposes in a stark manner the testimonies of the survivors. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Sep 5, 2019
72% Teen Spirit (2019) Minghella's merit is his ingenious way of giving life to the interior world of his character. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Sep 5, 2019
No Score Yet Margen de error (2019) The humor is exceptionally combined with that self-awareness of the passing of time. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Aug 29, 2019
38% A Man in a Hurry (Un homme pressé) (2018) Director Hervé Mimran relies on the notable talent of his protagonist to take full advantage of it. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Aug 22, 2019
36% Anna (2019) The cleverness of the script and Anna's choreographic dexterity in every battle compensate for her lack of complexity. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Aug 15, 2019
73% The Angry Birds Movie 2 (2019) The universe of this second installment returns to the primacy of the visual, it achieves various entertaining scenes, and exploits Sony's music catalog with a calculated equilibrium between humor and nostalgia. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Aug 15, 2019
34% Poms (2019) Diane Keaton's dark humor and Jacki Weaver's extraordinary gracefulness are the best reward. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Aug 8, 2019
No Score Yet La Casa de Wannsee (2019) [The film] makes us reconsider if we can understand who we are without knowing where we come from. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Aug 2, 2019
80% Holy Beasts (La Fiera y la Fiesta) (2019) Holy Beasts is constructed like a bizarre puzzle at the border between the melancholic and the absurd. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jul 19, 2019
91% The Blonde One (2019) The Blond One is Marco Berger's most complex movie... the one that best represents that playful narrative full of secrets that once discovered, they can never be put away. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jul 19, 2019
67% The Emperor of Paris (L'Empereur de Paris) (2018) Vincent Cassel manages to bring his character to life with his mere presence and look. [Full review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jun 25, 2019
23% Men in Black International (2019) Tessa Thompson and Chris Hemsworth have proven chemistry and the film has great threads for a romantic comedy. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jun 14, 2019
100% An Impossible Love (Un amour impossible) (2018) Corsini has not only made his best film, but also the most risky in order to offer a look at the past and the present and the complicated ties that define that union. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jun 13, 2019
75% Sink or Swim (Le grand bain) (2019) Sink or Swim succeeds due to its melancholy and secret dose of bitterness. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jun 9, 2019
42% Godzilla: King of the Monsters (2019) One of the notable things about this sequel is its impressive performances. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jun 3, 2019
57% Brightburn (2019) Each break of the human limits that Brandon uncovers confirms the ferment of a narrative mechanics that reduces evil to an imposed state. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted May 26, 2019
28% UglyDolls (2019) UglyDolls works in its naïve logic and lack of pretensions. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted May 20, 2019
83% The Weasel's Tale (El cuento de las comadrejas) (2019) It is that strange game between horror and devotion, which links cinema and eternal life, that The Weasel's Tale skillfully captures in its first scenes. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted May 20, 2019
No Score Yet Boni Bonita (2019) An intimate film. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted May 11, 2019
98% The Guilty (Den skyldige) (2018) As a character study, the film is extremely effective. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Apr 25, 2019
29% The Curse of La Llorona (2019) The film is without any real darkness that appears in the interstices of La Llorona's tireless hunt. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Apr 18, 2019
27% The Aftermath (2019) The house becomes a small map of the city with its forbidden zones, its retired paintings, and its spaces that hold awaited reunions. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Apr 11, 2019
80% At Eternity's Gate (2018) Schnabel achieves - with a Willem Dafoe in his best form - to materialize in the errant movement of his character the experience of a time that never belongs to him, of an environment that expels him. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Apr 8, 2019
19% The Aspern Papers (2019) Landais doesn't hesitate to unearth the past and despite some uneven results, succeeds. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Apr 8, 2019
43% The Prodigy (2019) The film manages to install a climate of terrifying concern in the relationship between mother and child. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Mar 18, 2019
50% Heilstatten (2018) There isn't much innovation, but it convincingly explores contemporary insanity. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Feb 28, 2019
90% Capernaum (Capharnaüm) (2018) Both the oppressive family context of Zain as his journey after the abandonment of his home suffer from a complex look, lie in provocations, and point out responsibilities that end up being fallacious and limited. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Feb 25, 2019
93% Araby (Arábia) (2018) Araby demonstrates that you can tune in to a character's story despite the level of gloom. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Feb 25, 2019
70% Happy Death Day 2U (2019) Happy Death Day 2U is more fun than terrifying, but it captures the heart that many sequels fail to have. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Feb 14, 2019
No Score Yet Fiesta Nibiru (2017) The film commits the worst of sins: it turns into a boring comedy. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Feb 8, 2019
50% Escape Room (2019) Robitel seems to deal with a script that is flooded with forced turns of the screw, of guilty soliloquies, of attempts to be more shrewd than any formula. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Feb 7, 2019
17% Look Away (2018) Bernstein manages to have a visual style, but they never amalgamate to anything intense or terrifying. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jan 24, 2019
37% Glass (2019) Shyamalan reduced Glass to a carnival prisoner of a lack of attention to its characters. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jan 17, 2019
No Score Yet El volcán adorado (2019) The film by Fernando Krapp manages to capture in its enchanted planes and its ruminating sound that unspeakable magic that the volcano keeps forever in its entrails. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jan 17, 2019
83% Dragon Ball Super: Broly (2019) This reboot of the emblematic Japanese animated series successfully evokes its old topics with a modern look and making this dispute between Goku and Broly the heart of the adventure. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jan 10, 2019
84% The Quake (Skjelvet) (2018) An enjoyable film that constructs a hero with cunning and that makes even the most impactful scenes have a fallible and human anchor. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jan 2, 2019