Babes in Arms

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08/05/2022 LOL, the funniest 01 hour: and 34 minutes ever!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! See more michael d 01/02/2022 For Mickey and Judy fans, Babes in Arms is an absolute must. It's the only one of their films in which one of the two got an Oscar nomination. Mickey Rooney was nominated for Best Actor, personally I think as an afterthought because his competition was Clark Gable for Gone With the Wind, Laurence Olivier for Wuthering Heights, James Stewart for Mr. Smith Goes to Washington and the winner Robert Donat for Goodbue Mr. Chips. Not that Mickey's bad, but he really didn't belong with this field. What he and Judy do, they do better than anyone else, put on a show. In fact in this case the 'put on a show' gambit did originate in the original Broadway Musical. Babes in Arms was one of Richard Rodgers and Lorenz Hart's best shows it ran for 289 performances in the 1937 season and boasted such Rodgers&Hart classics as Johnny One Note, Way Out West, My Funny Valentine, I Wish I Were in Love Again all of which were discarded for the film. The Lady is a Tramp is only heard instrumentally, my guess is the Code frowned on that lyric. The title song and Where or When are retained. In fact when you come right down to it, only the basic idea the songs mentioned and a couple characters names came over from Broadway. Still Nacio Herb Brown and Arthur Freed wrote Good Morning which is better known from Singin' in the Rain, but it was Judy and Mickey who introduced it here. And a whole lot of other Brown&Freed songs from MGM musicals got interpolated into the score. Douglas MacPhail and Betty Jaynes who were introduced in Sweethearts also are here and sing beautifully. They married, but the marriage and MacPhail's career fell apart and he committed suicide a few years later. He had a great baritone voice, what a shame. The following year he introduced my favorite Cole Porter song, I Concentrate On You in The Broadway Melody of 1940. This was the film Judy Garland did right after The Wizard of Oz and coming along right with her is Margaret Hamilton playing another Miss Gulch like character. One of those spinster ladies who forever pry into other people's business. Believe it or not there was still a lot of prejudice against theatrical people even in 1937. A lot of old vaudeville types like Charles Winninger, Rooney's father in the film, settle in the town of Seaport on Long Island and their presence apparently upsets the ruling families like Hamilton's. When times go bad and vaudeville goes to seed, things get kind of rough for them. The old timers try to take a last tour to raise some money, but instead it's the kids who are up to the latest trends in pop music who save the day. Guy Kibbee is in this also, playing against type as a wise and sympathetic judge, usually the parts MGM reserved for Lewis Stone or Lionel Barrymore. A more typical Kibbee type would be the oafish tycoon in 42nd Street, but he's fine here. Possibly director Busby Berkeley wanted Kibbee, maybe as a good luck charm from that other breakthrough musical of his from his days at Warner Brothers. Of course the musical numbers in the show are set with the usual Berkeley surrealism, a little tempered though from his high flying days at Warner Brothers. That same year Berkeley had done a surreal type number in the Jeanette MacDonald-Lew Ayres film Broadway Serenade and it laid an egg. Someone at MGM must have reined him in. Babes In Arms retains all its charms from 1939 mainly because Mickey Rooney is infectious and Judy Garland's singing is eternal. See more william d @acsdoug 03/23/2021 The show business and political references definitely date the picture, but that shouldn't keep you from enjoying the musical numbers. See more William L 03/12/2021 There are enjoyable moments, but Babes in Arms has not only aged very poorly, it doesn't come close to being an entertaining experience for most of its runtime. Rooney has his youthful vibrance and undeniable talent that at least keeps the film feeling energetic in places, but the music in this musical is unengaging in and of itself, feeling stereotypical and often dull (with the half dozen better musicals that had already been made lamenting the downfall of stage entertainment in the era of talkies easily outstripping them for substance and catchiness). McPhail's traditional, deep voice doesn't mesh well with the sprightly tone that the film at least attempts to create. Garland shines at times, but never forms a good complement to Rooney. The plot is incredibly predictable and drones on and on. And the elephant in the room - the minstrel blackface (on kids, and featuring some equally offensive lyrics to accompany it all; it was so bad that God literally sent a hurricane in the film to stop it) just pushes this whole mess off a cliff. It's a fast race to the bottom for supposedly 'classic' early film musicals, but Babes in Arms has a strong case to be leading the pack. (1.5/5) See more steve d 07/23/2020 Garland is fun but the rest is lame. See more Thomas M @TMProofreader 01/27/2019 The best inspiring musical movie ever made! See more Read all reviews

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