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All Critics (8) | Top Critics (5) | Fresh (4) | Rotten (4)
The problem with Chapter Two is that it's only a chapter when what we're looking for is a whole story. Too much has been left out. Apr 27, 2018 | Full Review…
The problem with Chapter Two is that it's only a chapter when what we're looking for is a whole story. Too much has been left out.
Bruce McCabe
Chapter Two represents Neil Simon at his big-screen best. Mar 26, 2009 | Full Review…
Chapter Two represents Neil Simon at his big-screen best.
Variety Staff
The success of Neil Simon movies is dispiriting evidence that most people still watch with their ears. 'Seen one, seen 'em all' quite literally applies to his static exercises in theatrical smart-talk and unfailing wit-under-pressure. Jun 24, 2006 | Full Review…
The success of Neil Simon movies is dispiriting evidence that most people still watch with their ears. 'Seen one, seen 'em all' quite literally applies to his static exercises in theatrical smart-talk and unfailing wit-under-pressure.
Paul Taylor
Miss Mason gives a vibrant, appealing performance that minimizes the movie's troubles and encourages the audience to sit back and enjoy the scenery. May 9, 2005 | Full Review…
Miss Mason gives a vibrant, appealing performance that minimizes the movie's troubles and encourages the audience to sit back and enjoy the scenery.
Janet Maslin
Simon is usually the most quick-footed and -witted of dialogue writers, but this time he gives us more than two hours of discussions, arguments, debates, reconciliations, and accusations that quickly become tedious. Oct 23, 2004 | Rating: 2/4 | Full Review…
Simon is usually the most quick-footed and -witted of dialogue writers, but this time he gives us more than two hours of discussions, arguments, debates, reconciliations, and accusations that quickly become tedious.
Roger Ebert
Decently acted by James Caan and Marsha Mason but poorly directed transfer to the big screen of Neil Simon's Broadway play; it's too literal and theatrical Aug 9, 2010 | Rating: C | Full Review…
Decently acted by James Caan and Marsha Mason but poorly directed transfer to the big screen of Neil Simon's Broadway play; it's too literal and theatrical
Emanuel Levy
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