Closet Monster

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D.B. S @RT30061384 Sep 27, 2025 Beautiful story. A delicious hidden gem. See more Troy C @RT84128053 Nov 14, 2024 Heartbreaking, warm, complex and beautiful. Incredibly clever story and superbly directed. Can’t believe I only just found it! See more Michael L @thatMichael5 Nov 28, 2023 A perfectly rendered, beautiful movie. See more Daniel L @RT90361585 May 31, 2023 My favorite movie as a teenager. To this day it is very difficult to give up this position. So many affective memories... See more Apr 12, 2022 Closet Monster, written and directed by Stephen Dunn, is a charming dramatic film with touches of comedy. It is superbly acted and directed, and will make you smile, cringe, laugh, cry, feel anger, and leave you feeling upbeat about life. It is a coming of age film and stars Connor Jessup in the title role as Oscar Madly age 18 who experiences not only his first crush, first kiss and many other firsts but comes to terms with his sexuality and rebels against and breaks free from his loving but controlling out of control, macho, insensitive, passive aggressive father Peter Madly wonderfully played by the talented Aaron Abrams. Jessup gives a stellar performance playing the likeable, articulate, intelligent, and socially awkward Oscar, a really good kid, who dreams of becoming a special effects make-up artist. He revels in his close personal friendship with Gemma played by the talented and sweet Sofia Banzhaf who indulges him and serves as his model for his work, takes comfort in his relationship with his talking hamster voiced by the fabulous Isabella Rossellini, and in his supportive, loving relationship with his mother Brin Madly played by Joanne Kelly, and takes refuge in his amazing tree house. When he makes acquaintances with the sexy, cool kid Wilder played by Aliocha Schneider at work and as their friendship evolves, things take an interesting and unusual turn for Oscar. When his dreams are dashed, he gets into a physical scuffle with his father over his mother's clothes which Oscar decides to wear to a costume party. Clothes, his father has stored in his bedroom closet for years. Oscar leaves the house in an agitated state and makes his way to Wilder's costume party where he gets a make-over, does drugs, attempts casual sex, and crashes on the bathroom floor. If you want to find out what happens to Oscar, well, you have got to watch the film. There was so much to love about the film. I loved the linear narrative story line interspersed with flashbacks and dream sequences. The elliptical transition of watching a young Oscar age 9 (played by an adorable Jack Fulton) struggling to climb the tree house rope at his father's encouragement and seeing the rope begin to tear and eventually ripe, and seeing Oscar, a young man age 18 fall to the ground, I thought, a master stroke of editing and beautifully straddles the two narratives of Oscar age 9 and age 18. I liked the comedic touches running through the film. Here are a few. I especially loved Mary Walsh's performance as Alison, Oscar's supervisor, with her deadpan humour, training Connor in being an effective sales associate, with her cute dog, Igor Pugdog, in toe. It was scary but hilarious to watch the antics of a panicked Oscar and a relaxed buzzed Wilder save Buffy the hamster who somehow managed to escape her box while Wilder was driving, and ending up wedging herself inside the car radio. The bathroom scene when Oscar meets his father's girlfriend Christine is a hoot too. And the pseudo Viking burial of Buffy the hamster at the end of the film that Oscar gives his pet is not only sweet and funny but touching. I really liked how the story was situated in the port city of St. John's, Newfoundland which gave the story a distinctive Canadian Maritime context, and added depth and character to the film's allusion of isolation. The cut aways of St. John's and the coast were visually stunning. The music and soundtrack of the film are fantastic, and moves and sets the tone for the film. I highly recommend the film. See more Feb 15, 2019 It's a difficult film to score. I feel torn. I enjoyed it and there are a few laughs but mostly the plot flashes quickly before your eyes from scene to scene, it feels uneven does not seem to flow. Talking hamster, Dad's angry character not developed, not enough back story or on-going story surrounding the Dad. Party scene, jumps to tree house then here then there, you catch my drift, then a contemporary house, isolated at the end, what? Eh? Great acting though and I'm no film critic. I'm easy to please but even I noticed the poor scene developments. All over the place is the only way I can sum it up, but a pretense for a great movie and worth a watch. It does touch on the hidden loneliness of hiding your true self, in this film the topic is of being gay, the isolation and frustration that comes with this. There's one moment I nearly cried but then before I had chance to it jumped to another scene, lol. But a good enough hour and a half. See more Read all reviews

Closet Monster

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