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Cast

Meryl Streep
as Madeline Ashton

Goldie Hawn
as Helen Sharp

Bruce Willis
as Dr. Ernest Menville

Isabella Rossellini
as Lisle von Rhuman

Ian Ogilvy
as Chagall

Adam Storke
as Dakota

Nancy Fish
as Rose

Sydney Pollack
as Doctor

Alaina Reed Hall
as Psychologist

Mary Ellen Trainor
as Vivian Adams

William Frankfather
as Mr. Franklin

John Ingle
as Eulogist

Clement von Franckenstein
as Opening Man

Petrea Burchard
as Opening Woman

Edward J. Forsyth
as Dancer

Jim Jansen
as Second Man

Mimi Kennedy
as Second Woman

Paula Tocha
as Landlord

Karen Rea

Mark Davenport
as Eviction Cop

Bob Swaim
as Andy Warhol

Thomas Murphy
as Eviction Cop

Michael Mills
as Police Officer

Sonia Jackson
as Psychiatric Patient

Jill C. Klein
as Psychiatric Patient

Jean Pflieger
as Psychiatric Patient

Paolo Tocha
as Landlord

Debra Jo Rupp
as Psychiatric Patient

Carol Ann Susi
as Psychiatric Patient

Kay Yamamoto
as Psychiatric Patient

Jacquelyn K. Koch
as Messenger Girl

Anya Longwell
as Chagall Receptionist

Stuart Mabray
as Chagall Security

Louise Rapport
as Older Woman at Party

Colleen Morris
as Starlet

Jonathan Silverman
as Jay Norman

Meg Wittner
as Woman at Book Party

Carrie Yazel
as Girl at Dakota's

Michael A. Nickles
as Lisle's Body Guard

John Enos III
as Lisle's Body Guard

Dan Lee Clark
as Lisle's Body Guard

Fabio
as Lisle's Body Guard

Joel Beeson
as Lisle's Body Guard

Ron Stein
as Elvis

Bonnie Cahoon
as Greta Garbo

Stephanie Anderson
as Marilyn Monroe

Bob Swain
as Andy Warhol

Eric Clark
as James Dean

Dave Brock
as Jim Morrison

Lydia Peterkoch
as Blonde with Jim Morrison

Phillip Cooper
as Coroner

Ernest Harada
as Coroner

Susan Kellermann
as Second Doctor

Phillip Irwin Cooper
as Coroner

Kevin Caldwell
as Medical Technician

Alex P. Hernandez
as Medical Technician

Donna Ekholdt
as Sobbing Nun

Tammy Gantz
as Sobbing Nun

Melissa Martin
as Sobbing Nun

Jeff Adkins
as Dancer

Cheryl Baxter
as Dancer

Cameron English
as Dancer

Ed Forsyth
as Dancer

Bob Gaynor
as Dancer

Don Hesser
as Dancer

Michael Higgins
as Dancer

Kenneth Hughes
as Dancer

Kenneth Knaff
as Dancer

Glean Lewis
as Dancer

Keith Henry McDaniel
as Dancer

Charles McGowan
as Dancer

Regan Patno
as Dancer

Lacy Darryl Phillips
as Dancer

Matt Sergott
as Dancer

Paul Thorpe
as Dancer

Sergio Trujillo
as Dancer

Randy Crenshaw
as Singer

Jon Joyce
as Singer

Jerry Whitman
as Singer

Michelle Johnson
as Anna

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Critic Reviews for Death Becomes Her

Audience Reviews for Death Becomes Her

• Mar 12, 2012

  I knew you couldn't kill Meryl Streep! Man, she's in her 60s... in this film; and I don't mean during the filming of the movie, I mean the '70s, during which this film opens up taking place in, and now that she's in her 90s, she still in better shape than me. No, Meryl Streep isn't old, or at least not by acting standards, because nothing can kill an actor or actress, except maybe cancer, heart attacks and drug overdoses. I don't know about y'all, but when Michael Gough went, I think he may have been on a little somethin', somethin' and that's what did him in. Hey, it's to be expected, because you shouldn't be doing drugs at all (kids), let alone when you're 94; so Meryl Streep, if you're on something, put down the bong if you want to make it another year, to 136. No, she's not that old, but Bruce Willis might be, he just shaves his head so much now-a-days it's hard to figure out what age he is. Well, his real name is Walter, so he's got to be about 71 or something, or he might be now, because this film takes so long to get anywhere, I probably spent the last decade-and-a-half watching it. Actually, now that I think about it, everyone's complaining about this film taking a long time to get somewhere, but really, I fell that, in all honesty, it actually never goes anywhere. No, the film gets to its point, yet, the fact of the matter is that it limps there, slowly dragging along with very limited intrigue, substance and depth. It's not a terribly boring film, but it is slow, both in pacing and in atmosphere, and as it drifts along, looking for its point - such as it is -, I dare you to not check your watch, if not fall out of the film completely from time to time. Of course, if the lack of depth isn't enough to knock you out of the film, "every" last, single lead is very unlikable in a very over-the-top way, and sure, they try to redeem them in some regards, particularly through humor, but more often than not, it's hard to find yourself truly invested in our leads. Now, the film isn't bad, yet it's so very much one of "those" '90s fillers on the filmographies on directorial and acting talents, and should, for all extents and purposes, be a throw-away, mediocre piece on the filmographies of Streep, Willis, Hawn and, of course, Bob Zemeckis. However, this is above your average throw-away '90s piece on a director's resume, because through all of its missteps and conventions, it wins you over more often than not. It's not a knockout, yet neither is it a mediocre piece, and at the end of the day, there's plenty in this to remember, particularly, of course, the visual effects. Bob Zemeckis has always had a taste for sharp visual effects and that all but especially includes the subtler kinds that don't blast in your face and serve the film is a dazzling and effective manner. Well, ladies and gentlemen, here is absolutely no different, and while this film isn't knocking out organic effect after organic effect like in "Roger Rabbit" or even popping out as many as Zemeckis' later-to-arrive masterpiece "Forrest Gump", yet when the effects to come into play, they're borderline, if not completely seamless, which isn't to say that they don't leave you impressed from an entertainment standpoint, as well as an aesthetic standpoint. Another Zemeckis trademark - and one more commonly seen in this film - that really livens things up is, of course, the sweeping, diving and deeply immersive camerawork that pulls you into this world in a lively fashion, yet doesn't overbear you. His and Martin Donovan's screenplay is certainly improvable, yet Zemeckis still holds your interest through all of the low spots - of which, there are plenty -, for he manages to make up for the mediocrity with his classic taste in pure, engaging style. Still, he's not the only one who keeps you going, because no matter how unlikable the characters are "on paper", it's hard to be totally uninterested in them, because the performers behind them are inexplicably excellent. Well, actually, I don't how inexplicable that really is, because if Meryl Streep's in the cast, you're bound to get some really good acting somewhere, and that's something that's not said a whole lot about Walte-I mean Bruce Willis, but only because he's not one to frequently show off that he is a genuinely excellent performer, as well. Goldie Hawn is heavily advertised, as well she should, because she is a pretty big role in the film and she plays it well enough whenever she graces the screen, yet at the end of the day, this is Streep's and Willis' show, and whether they're charming you or organically incorporating some heavy dark work that you don't see coming - let alone executed as well as this -, our leads pull you in and win you over, regardless of the unlikability of their characters on paper. Overall, on paper, the film should be, not necessarily a failure, but a mediocre number on Robert Zemeckis' filmography, what with the conventional, slow and wandering storyline that focuses on across-the-board unlikable leads, yet what more than saves the film is, if nothing else, Zemeckis' typically fabulous visual style, as well a triad of sharp lead performances - particularly those by Meryl Streep and Bruce Willis -, leaving "Death Becomes Her" to be an ultimately watchable farce that's reasonably enjoyable. 2.5/5 - Fair
  Cameron J Super Reviewer
• Dec 02, 2011

  Death Becomes Her is a good black comedy film that has some great performances but dull characters. The plot itself I actually found interesting, Robert Zemeckis takes and interesting idea and make it a fun film, however the charcters are just horrible people and are not likable in any way. The performances from Meryl Streep, Bruce Willis, and Goldie Hawn were extremly well done and made these horribly written characters just a little bit of fun. The special effects were incredible for its day and I thought it was the true highlight of watching this film. This movie is funny in its own way and I can say this is what a dark comedy should be, but with these characters were important for the movie and they fail miserably, but other than that I recommend this to true fans of Zemeckis's films.
  Bradley W Super Reviewer
• Nov 19, 2011

  The back stories of the the characters are too vague for a lot of the monstrous aggression to make sense and I don't think Zemeckis is cynical enough to make this work as well as it could. I still enjoy it on some level. Probably because watching Meryl Streep fire a shotgun point blank into Goldie Hawn is one of life's little joys.
  

  Alec B Super Reviewer
• Oct 04, 2011

  A satire take on the cosmetic surgery industry. The performance from all three stars were great. This is a black comedy that's definitely worth watching
  

  Sylvester K Super Reviewer

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