Eureka

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Goran G @RT57685000 Nov 29, 2023 Stunning movie especially if watched at the movies. See more william d @acsdoug Feb 4, 2021 Whew, I made it through to the end. I can understand why people rate this film so highly. The premise is a good one and the characters are well rounded and nuanced. But this film dawdles. It dawdles a lot. When a director tries to make every single scene one of profound artistic import it's just pretentious. See more Aug 24, 2014 It's been a long time since I watched something took my breath away like this!!Wonderful work. The images in this movie are exquisite. And the story..!!! See more Apr 30, 2013 I don't even remember how I heard of this film's existence, or even why I was particularly curious to watch it - maybe due to my love of many Asian films and its premise, perhaps. But even so, this is a largely obscure drama, even for people who seek out Asian films, which is a shame, because Eureka is probably among the most outstanding, touching, heartbreaking, affecting, and hands down, one of the twenty greatest films I've ever watched. It's certainly not for everyone, as it is a foreign film and also its LONG running time which clocks in at over 3.5-hours in length. Not only that, but it demands every ounce of your patience and for you to pay attention to even the smallest of details. It's truly a film that tests the mettle of anyone who claims to enjoy art house films, or hell, anyone who claims to love films. It's a very demanding and meticulous film, but one that is worth the time as it rewards your patience by giving you an absorbing and complex drama that not only makes you think, but also makes you feel on a genuine level. The story begins with siblings, Naoki and Kozue, getting on a bus to go to school like every other day and with few other people on board - just a normal, everyday routine. That is, until things suddenly turn terrifying. After some footage of driving, the next shot is of a man running for his life in a parking lot before being gunned down. One of the passengers has taken over control and is holding everyone in the bus hostage, while the police attempt to negotiate with the hijacker. Things do not go well and in the end, six people - including the hijacker and a cop are left dead. Three on the bus are spared: Naoki and Kozue, and the driver, Makoto. Though they survived the incident, their lives are no longer the same. Naoki and Kozue withdraw from the outside world by leaving school, never leaving the house, and even become estranged from their parents. Things only get worse when their mother leaves and their father dies unexpectedly in a mysterious car accident, leaving them alone in the house and distant from the outside world. Meanwhile, Makoto's life has also fallen apart. He quit as a bus driver and became estranged from his wife and family, choosing to travel around to try and figure things out to no avail before returning to his family who seem to want nothing to do with him. Though he tries to make amends with them, it is in vain. He manages to find work as a day laborer thanks to an old school friend, which helps to keep his days occupied, but he is still struggling with his day-to-day existence and feels restless. Upon hearing about Naoki and Kozue, he decides to leave his family home and goes to live with the siblings by helping to maintain the house and prepare meals for them as they aren't able to properly care for themselves. He becomes a surrogate parent to them, trying to get them to emerge from their reclusive natures and manages to get Kozue to start speaking a little, while Naoki remains silent and enigmatic in what she's thinking. During this time, a murder of a woman occurs in town, and Makoto becomes a suspect in the case and is investigated by a cop that was there the day of the bus hijacking, but there is no real evidence against him. Things get strange again when the siblings' cousin, Akihiko comes to live with them at the behest of their relatives who are worried about their current living situation and are naturally suspicious of the motives of Makoto. Despite things starting off rather thorny between them, they become a makeshift family of sorts living day-to-day and trying to rebuild their lives. During this time, Makoto meets with his estranged wife and they end their marriage officially, expressing their regrets over how things ended and how Makoto dealt with the tragedy. But things get worse for Makoto when he is suspected yet again when another murder occurs - this time his friend and co-worker - and is arrested, but is released for a lack of evidence. Seeing how their lives are going, on a whim, Makoto buys an old bus with the intent to renovate it into an RV and take it on a road trip with the siblings and Akihiko as a way to get out and see the sights and escape their troubles. Akihiko finds it to be a stupid idea, but the group eventually goes along with the plan thanks to Naoki who is the first to get on the bus for a little test drive - officially deciding that the road trip is necessary for all of them. The resulting road trip will prove to be deciding factor for how their lives will turn out and showing how the tragedy truly affected them - redemption, bitterness, and shocking revelations. I may have told a great deal of the plot, but there are so many details that it's hard to not talk about all that goes on because well, there's A LOT that goes on in this film's ambitious, meticulous storytelling. However, there is a lot to be found in this story that my words will never express in a way that does Eureka the justice it deserves in its brave, harsh, and uncompromising storytelling. Among many things that makes its story so fascinating to follow is in how detailed the four main characters are and how it dissects them, but also keeps a great deal hidden away from the viewer before either revealing, or letting the viewer make their own interpretations. There are many layers to these characters and even with its long running time, there's still a great deal to discover and figure out for yourself. If only more dramas had such fascinating and developed characters. Another aspect is how it explores the nature of tragedy and how those affected deal with it in various ways. While the rest of us offer our condolences and prayers to the affected, we never truly know what they go through, especially if they go through something so horrific and traumatizing, and how the tragedy can deeply affect and even destroy those around them. It offers no easy answers to dealing with tragedy, whether it be overcoming it, remaining cynical over it, or succumbing to deep, dark depths, there are many variables and unpredictable elements that take hold as the victims try to put their lives back together or give up altogether as they are swallowed by the darkness. But in short, it's about the people caught up in the events of a tragedy and how they deal with it. It's a mixture of sorrow, shock, tragedy, but also in overcoming tragedy and starting anew. It's deeply affecting storytelling and not one page of the script, not one bit of the direction, not one shot, or anything for that matter, wastes. Everything is important in this story and it wants to lay it all out bare. The acting is superb across the board. In fact, it's hard to nail down a "best" performance so to speak, as each performance is unique and each is completely brilliant and believable. Koji Yakusho as Makoto is a man trying to rebuild his life and start anew, making the best of whatever situation he finds himself in and seeing the positivity. He's a man who refuses to surrender to the darkness of tragedy and instead wants to go forward. Aoi Miyazaki as Kozue is a troubled kid and one who struggles to cope with the tragedy. Though he speaks somewhat, unlike his sister, he struggles to see the good in situations and remains almost zombie-like, frozen in time from the events of that horrific day. Masaru Miyazaki is the most enigmatic of the four - never speaking and never really showing emotion (Or at least strong emotions). The viewer remains unsure of how the tragedy has affected her, having to rely on subtle expressions and actions to interpret before it is revealed at the end of the film. Yoichiro Saito as Akihiko is basically like a representation of the rest of us - those who observe tragedy from the outside and never really understanding of what the victims go through. His intentions are noble, and he helps as best he can, but also remains cynical about things, like Makoto's road trip plans, as well as other things revealed later in the story. He, too, is also ignorant - like the rest of us. We do the best we can to support and offer condolences, but we just don't get it. As far as entertainment goes, that really depends on how much you enjoy very talkative, very long, and very meticulous films with a lot going on. It's not something you can just pick up and watch any day, you have to make time for it and be alert and ready for all that it throws at you - it holds back nothing. If you dislike films because they have "too much talking" this is not for you. It has no patience or time for you, if you fall under this woeful category. But, if you're up for watching a complex, thought-provoking film that really demands every ounce of both your patience and thought processes, I'd definitely say to give this a shot. It's well worth it to watch it. Eureka is a brilliant, complex, emotionally-devastating, and also uplifting film that sadly few people have ever seen and few people will give a chance because of its running time (And also the fact that you need to read subtitles. No dubbing. Thank God). If you enjoy dramas, particularly art house dramas, Eureka is one you need to track down immediately. You won't regret it. See more Apr 13, 2011 This is a wonderful 3 hours and 40 minute slow burner of a movie. It tells an enormously soul searching and moving story about three people's attempt to find meaning and purpose after experiencing a grizzly "busjacking". Director Shinji Aoyama lets the story and the characters unfold / develop at a very deliberate and slow pace. The cinematography is outstanding with the movie shot in a sepia tone until the very last scene when it changes to colour. The long running time will no doubt put people off from watching it. The performances of the cast, camera, director, and sound designer are all genuinely flawless. Two of the main characters (real life siblings Aoi and Masaru Miyazaki) don't say a word throughout the running time except Aoi's character who does manage to say something right at the end. Aoi Miyazaki was just 14 years old at the time of filming and embarking on the start of her successful movie career. She is fantastic in this movie. Overall, Eureka is a brilliant movie and even though it does drag at times I was never bored. Those that have the patience to watch all of it will find the movie a very rewarding experience. See more Apr 13, 2011 This is a wonderful 3 hours and 40 minute slow burner of a movie. It tells an enormously soul searching and moving story about three people's attempt to find meaning and purpose after experiencing a grizzly "busjacking". Director Shinji Aoyama lets the story and the characters unfold / develop at a very deliberate and slow pace. The cinematography is outstanding with the movie shot in a sepia tone until the very last scene when it changes to colour. The long running time will no doubt put people off from watching it. The performances of the cast, camera, director, and sound designer are all genuinely flawless. Two of the main characters (real life siblings Aoi and Masaru Miyazaki) don't say a word throughout the running time except Aoi's character who does manage to say something right at the end. Aoi Miyazaki was just 14 years old at the time of filming and embarking on the start of her successful movie career. She is fantastic in this movie. Overall, Eureka is a brilliant movie and even though it does drag at times I was never bored. Those that have the patience to watch all of it will find the movie a very rewarding experience. See more Read all reviews

Eureka

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