A Face in the Crowd

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Alan R @Zillagod Jan 7 Started watching this because I knew the cast so well and they were so young. I didn’t know Matthau was ever that young. But I could not take my eyes off it. The performances, particularly Griffith who jumps off the screen, are superb. The direction and cinematography are excellent. But it’s the story that is the most stunning. I kept thinking it was amazing how ahead of its time it is with the themes of demagoguery and manipulation of the uneducated, unthinking masses. The use of media manipulation and the dangerous mixture of entertainment and politics are all more relevant today than ever. I even think I heard Rhodes proclaim himself "an influencer." But by the end I realized this was not so much ahead of its time; it’s apparently relevant for all times. See more Rafi แก้ว M @RT61647557 Oct 26 This movie's critique of charismatic evil, the power of media, and mob mentality is more relevant today than ever, when its terrible premonitions have come to fruition. Andy Griffith's best role, allowing him to show a sinister, manipulative side that was whitewashed away to keep Mayberry's sheriff squeaky clean for Prime Time TV. This movie wasn't on the TV re-run circuit, because it's too real, too alarming. 'Too contravershul.' 'Not Andy!!!' It should be on every screen these days, to wake people up. See more Dallas H @RT53171010 07/25/2025 My gosh, why haven't I seen this movie years ago?! Seeing Andy Griffith as a grungy musician from the South banging out blues-inspired music goes against the clean-cut image I've had of the actor for all these decades. I loved this movie and will want to watch it again and again. See more huck d @RT74962828 06/08/2025 Elia Kazan is an absolute master, and Andy Griffith gives—in his debut—his greatest performance in a role completely counter to the rest of his career as fatherly gentleman. This satire fires a brilliant warning salvo to an indifferent country in its media infancy about the power of the new medium and the men who come to dominate it. Greed, corruption, and betrayal hidden just beneath the deceit of the camera's lens. Incredibly, the country was not ready for this masterpiece in 1957, and it bombed at the box office; but make no mistake, this is clearly among the top 100 movies in cinema. "A Face in the Crowd" is Elia Kazan's most prescient film, a scathing and prophetic dissection of the American media machine. The story follows Larry "Lonesome" Rhodes, a drifter whose folksy charm and booming voice launch him from obscurity to media superstardom. But behind the grinning everyman lies a narcissist and manipulator, using his platform not to uplift, but to control and deceive. As Rhodes gains influence, he exposes the terrifying ease with which the American public can be swayed by image and charisma alone. Griffith's performance is volcanic. Known later for his calm, avuncular roles, here he is raw, electric, unpredictable. It is one of the most chilling portraits of populist demagoguery ever captured on screen. Patricia Neal, as Marcia Jeffries, is the film's conscience—her arc from hopeful media idealist to disillusioned whistleblower is quietly devastating. Kazan directs with urgency and clarity, unflinching in his portrayal of a democracy seduced by spectacle. His collaboration with screenwriter Budd Schulberg yields razor-sharp dialogue and a narrative that never stops being relevant. In an era of influencers, pundits, and manufactured authenticity, "A Face in the Crowd" feels less like a period piece and more like prophecy. Its box office failure in 1957 is a sobering reminder of how uncomfortable truth can be when it's too close to home. But today, it stands as a masterclass in cinema—technically brilliant, morally provocative, and culturally essential. "A Face in the Crowd" belongs in the canon of not just great films, but great warnings. It is a film that saw the future and screamed. See more Insomniac X @RT03001349 03/25/2025 Sly, satirical tragedy featuring a virtuoso performance by Andy Griffith and excellent supporting work by Patricia Neal and Walter Mathau. A Face in The Crowd dexterously skewers the 1950's TV media landscape and the role of business and politics in shaping culture. Griffith's volatile and easily manipulated entertainer is a prescient example of a public figure whose influence exceeds the strength of his character. Though often described as cynical, the film's tone is kept in balance by the humanity of its characters. See more Ronald F @RT28164074 10/06/2024 "A Face in the Crowd" is a timeless classic that masterfully explores the dark side of fame and power, elevated by the outstanding performances of its cast. Patricia Neal delivers a truly superb performance as Marcia Jeffries, a complex and grounded character who serves as the film’s moral compass. Neal's nuanced portrayal of vulnerability and strength is nothing short of remarkable, anchoring the story with emotional depth. Andy Griffith, in a stark contrast to his later roles, is electric as the charismatic yet morally bankrupt Lonesome Rhodes. His raw energy and seamless transition from likable folk singer to manipulative demagogue are both captivating and chilling. Griffith's performance is nothing less than extraordinary, showcasing a range that reveals his immense talent. The supporting cast, including Walter Matthau, Tony Franciosa, and Lee Remick, further enhances the film with excellent performances that enrich its narrative. Each actor contributes to the film's sharp commentary on media and manipulation, creating a gripping and unforgettable cinematic experience. "A Face in the Crowd" remains as relevant today as it was upon its release, thanks in large part to these standout performances. See more Read all reviews

A Face in the Crowd

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