Paris, 13th District

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1:29

Paris, 13th District

R

2022

1h 45m

Comedy

Drama

Romance

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Tomatometer

Popcornmeter

83%

Tomatometer

110 Reviews

74%

Popcornmeter

50+ Ratings

Émilie meets Camille who is attracted to Nora, who crosses paths with Amber. Three girls and a boy -- they're friends, sometimes lovers and often both.

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Critics Consensus

Minor but engaging Audiard, Paris, 13th District explores millennial love through a visually compelling lens that's partly undercut by its episodic narrative structure.

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Scout Tafoya

RogerEbert.com

12/23/2022

Audiard’s not been this sharp and electric in a decade at least, understandably energized by his incredible cast and by the intensity of the sexual dynamics explored within.

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David Sims

The Atlantic

08/03/2022

The result is sloppy but funny, and includes a charming debut performance by Lucie Zhang as a mixed-up call-center employee.

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A.A. Dowd

Digital Trends

04/28/2022

...a love triangle more banal than stirring, and a sex-life mosaic more melodramatic than the tales Tomine told across a series of panels.

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Kent M. Wilhelm

Tilt Magazine

07/21/2023

Audiard manages to take the disconnected urban lifestyle of young adults and present a more faithful rendition than we’ve come to expect. He reminds us that sex is not just sexy but also an effective cinematic tool.

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Marshall Shaffer

Decider

01/20/2023

A vision of the City of Light that feels different enough to warrant our attention. These interwoven stories carry wider resonance that extends well beyond a Francophone audience, too, with their stark sexual attitudes and poignant romantic heartbeat.

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Yasser Medina

Cinefilia

09/17/2022

6/10

It interrogates, with a certain episodic coarseness, the dilemmas of love in the digital age of gender identity and intercultural diversity, but in general its overall vision loses its dramatic potential. [Full review in Spanish]

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Sydney

04/27/2022

Very shallow, definitely don’t recommend it.

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David A

04/17/2022

Imaginative development of characters, very French.

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Mubarak a

Aug 2

it was good because of its presentation of complex relationships in this way and how these relationships begin and their unexpected endings... as an ending it was satisfying for me as a viewer. simply because the one-sidedly lover gets at the end what she\he deserves

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Jorge C

12/18/2024

Tres jóvenes solteros tratando de llenar un vacío que no existe. Caótica, triste y chistosa como lo es la vida misma; este es el tipo de películas que no se siente como una película, simplemente somos espectadores de la vida de alguien más. Como mexicano, Emilia Pérez tiene muy pocas esperanzas de que la pueda disfrutar, pero esta películas es la única prueba de que le encuentre algo de cariño gracias a la dirección de Jacques Audiard y que pueda transmitir su estilo de dirección y me atrape por lo menos en ese aspecto, en un mes veremos si lo consigue.

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hagag e

03/13/2023

كسم دا فيلم على كسم اللي اخرجه وكتبه وانتجه وصوره ومنتچه ووزعه للسينمات وترجمه ونزله مقرصن تورنت عشان نشوف كسمه في الأخر وبواضيننا تنفقع

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Jason R

03/13/2023

Nice to look at, but I struggled to engage https://uberscaryblog.blogspot.com/2023/01/i-was-furious-not-to-have-shoes.html

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Jacques Audiard

Director

Lucie Zhang

Émilie Wong

Makita Samba

Camille Germain

Noémie Merlant

Nora Ligier

Jehnny Beth

Amber Sweet

Camille Léon-Fucien

Eponine

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Paris, 13th District: Trailer 1

1:29

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Synopsis

Émilie meets Camille who is attracted to Nora, who crosses paths with Amber. Three girls and a boy -- they're friends, sometimes lovers and often both.

Director: Jacques Audiard
Producer: Jacques Audiard, Valérie Schermann
Screenwriter: Céline Sciamma, Léa Mysius, Jacques Audiard, Adrian Tomine
Distributor: IFC Films
Production Co: France 2 Cinéma, Page 114
Rating: R (Language|Graphic Nudity|Some Drug Use|Strong Sexual Content)
Genre: Comedy, Drama, Romance
Original Language: French (France)
Release Date (Theaters): Apr 15, 2022, Limited
Release Date (Streaming): May 31, 2022
Box Office (Gross USA): $72.4K
Runtime: 1h 45m
Aspect Ratio: Flat (1.85:1)

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