Pat and Mike

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Feb 5, 2022 Certainly an intriguing concept-a Runyonesque story about a shady sports promoter who finds a female athlete and decides he can make her a big sports star and a moneymaker for himself, except that she only plays well when her domineering fiancée is not around. She turns out to be rebellious if either her fiancée or her promoter push her around too much. And there is good chemistry and interaction between the leads. Yet the movie has its faults too, namely being too long for what it is, with sports sequences that go one for longer than they need to, and the rather pointless inclusion of the boxer the promoter also has under his wing. Also, though the movie is presumably a comedy, it has few laughs in it. The movie tries, but it never quite satisfies in the end. See more

steve d @RT35616104 Jul 21, 2020 Nothing new but the cast is a lot of fun. See more

Jan 13, 2019 Great Movie I'm Watching It Now/ See more

Aug 8, 2015 It's hard to deny the chemistry between Katherine Hepburn and Spencer Tracy, but this film really lacks the weight of some of their others. See more

May 30, 2015 Smartly written and fueled by the undeniable chemistry of Hepburn and Tracy. See more

May 25, 2015 Katharine Hepburn and Spencer Tracy spent most of their screen partnerships intwined in battles of the sexes, but "Pat and Mike" finds them at their most harmoniously warm, headlining a romantic comedy without highbrow bite or indirect sexism. While thinly plotted, the film is one of their breeziest pairings, in part to George Cukor's smartly scattered comedic zest and the screenplay's knack for uptown/downtown musings. Hepburn portrays Pat Pemberton, a physical ed instructor who spends her afternoons training athletic collegians. Her days of competing are far from over, though; as the film opens, she is basking in the final few moments before an important golf match. Pat is a dynamic athlete, but she has a minor problem when it comes to performing. Whenever her fiancee, the pompous Collier (William Ching), appears for support, her skills take a downturn, as if he were a bad luck charm. Collier wants Pat to retire from her sports career so she can become a full-time wife, but Pat, independent and smart, knows deep in her heart that she doesn't want to marry him and doesn't want to waste her days cleaning and cooking and kid raising. She has more important things to do than fill general women's roles. After a particularly rough match, thanks to the presence of the smarmy Collier, Pat is down in the dumps, but her athletic prowess is noticed by Mike Conovan (Spencer Tracy), a sports promoter who normally supports boxing acts. Right then and there, he deems her the world's top female athlete. But with her tendency to screw up at the worst of times, Mike becomes determined to train Pat until she becomes a wunderkind with the ability to smash cultural norms and sports records. As the two begin to see each other more frequently, however, it seems that mutual attraction is steadily growing, and traffic cones like Mike's other subject, a bird-brained boxer (Aldo Ray), prejudiced mobsters, and a smug Collier, will hardly stand in their way. I suppose "Pat and Mike" works so well because there isn't a moment in its 95 minutes where its stars are hating each other. In the subtly sexist "Woman of the Year", the entire middle half was spent with Hepburn and Tracy hardly attempting to overcome marital woes; in the witty "Adam's Rib", combative battles of words came more regularly than moments of adoration. "Pat and Mike" is a rather thin, simplistic romantic comedy, but without much conflict, it spends more time being likable than it does messing with our heads. It's a wonderful change of pace for its stars. Hepburn trades hardness for an affectionate, slacks not pants wearing performance (boasting her athletic skill along the way), and Tracy's teddy bear, Chicawgo affability is impossible to resist. Supporting performer Ray nearly steals the film as Mike's other client, Davie. A gentle giant of a dope who probably spends his days laughing at "The Three Stooges" while swigging beers, his nights bruising his little brains, Ray is a lovable and goofy supplement to his lively co-stars. With writing team Garson Kanin and Ruth Gordon's ear for the distinction between city dwellers and the intellectual middle-class, "Pat and Mike" is unsubstantial but towering in its charisma. It's a joy from start to finish, a comedy showcase for Hepburn and Tracy. See more

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Pat and Mike

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