Sister Midnight

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Frank A V Jun 11 Definitely didn’t know what I expected but definitely was rewarded for that. Beautifully shot and moved wonderfully. Strong acting and sets! See more Rick Segall 06/02/2025 One of the most original films you will ever see. Quirky, odd, funny, and unique. See more alideva 05/31/2025 It was a fun movie, but moved slowly. It never resolved how she became… herself. I would’ve liked to see her more in her punk era. Hopefully there will be a sequel. See more Somesh K @RT21600142 May 9 Director seems completely uninformed. Wikipedia had to tell me that it's a dark comedy. worst ever. It perhaps a colonial era mindset British director just trying to get grant to belittle some fantasized Indian societal construct and use the earning to visit Epstein Island. See more Guna Reddy T @RT65025976 Apr 18 I genuinely don’t understand whether i have watched a masterpiece or a clownfish movie because I didn’t understand the movie in most scenes but the camera work by Sverre Sordal was ridiculous.what kind of stuff was that,man its too good and the movie traumatised me in few scenes and I don’t even have enough words to express my genuine emotion.kudos to the director Karan Kandhari for this movie and last but the most important Radhike Apte,she is terrific man how well she managed to deliver such a tough character with ridiculous ease. See more Paulami A @RT49213247 Mar 8 Karan Kandhari’s Sister Midnight is a directorial identity crisis, a hollow, derivative pastiche that begs to be seen alongside legendary auteurs like Wes Anderson, David Cronenberg, and Kim Ki-duk, yet lacks their soul. It’s a messy simulation where shock replaces substance. The sequence with the half-slaughtered goat is egregious; a masterclass in amateur cinematography that mistakes nausea for surrealism. The OST is an act of erasure, set in Mumbai, it ignores local talent for a 'curated' English and Cambodian playlist. This is pure artistic tourism, using peaceful monks as mere props for an 'alt' vibe. Most cynical is the exploitation of a perceived 'Third World' aesthetic, a transparent attempt to manufacture ‘gritty’ buy-in from the West by over-glorifying the struggles of a developing nation. Even Radhika Apte and rest of the cast couldn't save this disjointed wreckage. It is not art; it is a tedious performance for the Western gaze. See more Read all reviews

Sister Midnight

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