The Marriage of Maria Braun (Die Ehe der Maria Braun)


The Marriage of Maria Braun (Die Ehe der Maria Braun)

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Total Count: 23


Audience Score

User Ratings: 5,184
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Movie Info

The film that elevated German director Rainer Werner Fassbinder from domestic approbation to international acclaim, The Marriage of Maria Braun stars the director's on-and-off favorite actress Hanna Schygulla in the title role. During the allied siege of Germany in the last year of the war, Maria's new husband (Klaus Löwitsch) is shipped off to the Russian front before the marriage is consummated. As she struggles to survive wartime deprivations, Maria haunts the local train station, seeking out information concerning her husband. When it appears that she's a widow, Maria takes a job as a barmaid and befriends a black soldier (George Byrd) from the occupying allied troops, who sees to it that Maria's family receives vital food and supplies. The opportunistic Maria eventually takes a job with a wealthy importer (Ivan Desny), building herself up to a position of power and indispensability. Though she sleeps with her employer, Maria still carries a torch for her husband. ~ Hal Erickson, Rovi


Critic Reviews for The Marriage of Maria Braun (Die Ehe der Maria Braun)

All Critics (23) | Top Critics (5) | Fresh (21) | Rotten (2)

  • Schygulla gives a magnificent performance as a vulnerable young woman who becomes a self-confident, independent and competent survivor yet still comes to a bad end, largely because of the basic corruption of her world

    May 16, 2019 | Full Review…

    Derek Malcolm

    Top Critic
  • Shows no advance in Fassbinder's complacently vicious art.

    May 5, 2017 | Full Review…
  • Fassbinder himself was cruel and distant to those around him, particularly those who loved him, and in Maria Braun, he created an indelible monster who is perversely fascinating.

    Oct 23, 2004 | Rating: 4/4 | Full Review…
  • The Marriage of Maria Braun is both an epic comedy and a romantic ballad, two not especially friendly forms that become seamlessly one in the sweet, tough, brilliantly complex performance of Hanna Schygulla.

    May 20, 2003 | Rating: 5/5
  • Though Fassbinder takes a more open attitude toward his characters, letting them exist as fully developed psychological specimens, his deadly irony continues to operate on the level of mise-en-scene.

    Jan 1, 2000 | Full Review…
  • It's the film's feminist edge that remains powerful, and it's easy to see why it became Fassbinder's biggest box office success.

    Aug 22, 2019 | Rating: 3.5/4 | Full Review…

Audience Reviews for The Marriage of Maria Braun (Die Ehe der Maria Braun)

  • Aug 21, 2013
    Hanna Schygulla shines as a fascinating character who grows from a desperate, devoted wife into a cynical, relentless beauty - a reflection of the decadence of postwar Germany in this always compelling character study, the first film of Fassbinder's so-called BRD Trilogy.
    Carlos M Super Reviewer
  • Oct 04, 2011
    Fassbinder's emphasis on the fierceness and determination of Hanna Schygulla indicates that everything is more dependent on the reality of emotions, which can destroy the objectivity even of the most savage and impulsive flower, than any fantasy signal that may be seen since the very beginning of the marriage scene in war times. "Time destroys everything." 98/100
    Edgar C Super Reviewer
  • Sep 12, 2011
    with a bravura performance from hanna schygulla and shot by michael ballhaus, who became scorsese's cinematographer, this is an absolutely stunning film for 1979, and the one that made fassbinder an international star, a mere 3 years before his death. on the surface it's the story of an independent woman who does what she has to to get ahead in the chaos of post war germany. on another level it's political allegory about germany itself and it's place in history. funny and highly entertaining, fassbinder's aim was to make a german hollywood film and he references some of his favorites, especially curtiz' 'mildred pierce'. really fascinating work.
    Stella D Super Reviewer
  • Oct 10, 2010
    Another brilliant post WWII response, this film reviews West Germany's Wirtschaftswunder. A compellingly wrought marriage of contradictions: survival and adaptation; idealism and cynicism; compassion and coldness. The final, ironic commentary "Germany has won" raises chilling implications.
    Stefanie C Super Reviewer

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