Twelfth Night

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Robert P @Superbad Oct 28, 2026 Twelfth Night is a *4* star Movie! See more

Oct 25, 2021 Who says the old Shakespeare days can't be funny? In the late 19th century a shipwreck separates Viola (Imogen Stubbs) from her twin brother, Sebastian (Steven Mackintosh) Viola disguises herself as a boy and goes to work for Duke Orsino (Toby Stephens), whom she loves The object of the duke's heart, Olivia (Helena Bonham Carter), does not reciprocate his feelings -- however, she falls madly for Viola, whose true gender she doesn't know Meanwhile, Olivia's uncle, Sir Toby (Mel Smith), manipulates all of their entangled relationships Ben Kingsley plays Feste, the fool in Olivia's castle Hijinks ensue and wacky romantic misunderstandings take hold This plays as a romantic comedy involving gender confusion with a woman looking like a man having a woman fall in love for the supposed-man Trevor Nunn makes a few off decisions regarding the play but the actors rise above most of the material given It's a practice of meditation on desire, disguise and inherent bisexuality Lots of discussing how things play out that's for certain but Shakespeare lovers are in for a treat See more

Oct 8, 2015 Twelfth Night is passable. While some of the performances are a bit silly, nothing about the film is terrible. Rather the problem is that the parts are not played with much harmony. However, Helena Bonham Carter's acting, as always, is delectable. See more

Jun 18, 2015 The movie did much to address some of the things about the play that left me reluctant, by adding a denouement and emotional beats I felt the play was lacking at the end. The end of the movie is wonderfully emotional and appealing. As for the performances, they were all wonderful. Ben Kingsley as Feste played the character in a different way than I expected, with a lot of unresolved pathos despite his foolish ways. His foolish ways are toned down significantly from the play; here he seems more like a father figure to Olivia (played by the fabulous Helena Bonham Carter) than her jester. I especially like Feste at the end of the movie, as his own moving forward paralleled the denouement of many other characters, complete with a lively version of the fool's ending song from the play. The movie emphasized the homoerotic undertones of the play with a few key expressions by Antonio and the dramatization of a growing attraction between Viola (a game Imogen Stubbs) and Orsino (Toby Stephens) even while he believes her to be a man. Nigel Hawthorne as Malvolio is excellent, and there is perhaps a little more sympathy for him by the end of the movie than in the play. One of the things that disturbed me about the play were the tricks being played on him. The same left me still disturbed in the adaptation. Does he truly deserve what everyone puts him through? The poor fool. The final thing I appreciate about the movie is how it helped me to better understand the play and suggested my concerns about the play may be somewhat universal. That does not detract from Shakespeare's genius, though. In fact, I feel what left me fretting about the play was trying to understand the genius of his decisions in writing it. It is a complex work, and well worth the effort to read it, and then gain an even greater appreciation for it through performances like this adaptation. See more

Mar 24, 2015 The butchering and splicing of the original play did little for me but annoy me. Cutting out material and changing words to pander to modern audiences is just speeding along the dumbing down of culture. Also, there are just some weird characterizations and relationships in this version. See more

Sep 4, 2014 http://www.bluestockingbookshelf.com/film/2014/7/29/twelfth-night-1996 See more

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Twelfth Night

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