En Filme

Tomatometer-approved publication
Rating Title/Year Author
3/5 The Final Wish (2018) Luis Fernando Galván The result is satisfying because the horror is slowly constructed. [Full Review in Spanish] EDIT
Posted Oct 18, 2019
2.5/5 Maleficent: Mistress of Evil (2019) Luis Fernando Galván The story, however, lacks the depth of the original. [Full Review in Spanish] EDIT
Posted Oct 18, 2019
2/5 47 Meters Down: Uncaged (2019) Luis Fernando Galván A work of entertainment that is disposable and predictable. [Full Review in Spanish] EDIT
Posted Oct 18, 2019
3/5 Late Night (2019) Luis Fernando Galván Mindy Kaling's script is full of complete and complex ideas. [Full Review in Spanish] EDIT
Posted Oct 18, 2019
3/5 Guie'dani's Navel (2018) Elizabeth Limón Despite an issue of development, the movie manages to show certain behaviors that have become normalized, but in reality, these are clear signs of racism that we have allowed to become ingrained in our traditions. [Full Review in Spanish] EDIT
Posted Oct 11, 2019
3/5 After the Wedding (2019) Luis Fernando Galván The script loses control... and [Bart] Freundlich decides to lead his actors toward a tearjerker. [Full Review in Spanish] EDIT
Posted Oct 11, 2019
2/5 Good Boys (2019) Luis Fernando Galván Good Boys is too focused on an obscene humor... often at the expense of the characters and the emotional rhythms. [Full Review in Spanish] EDIT
Posted Oct 11, 2019
2.5/5 108 costuras (2018) Luis Fernando Galván The work of the cinematographer Hilda Mercado stands out... but there's a constant interruption of the music that seeks to manipulate the audience's feelings and a disproportionate use of voiceover. [Full Review in Spanish] EDIT
Posted Oct 7, 2019
3/5 Olimpia (2018) Elizabeth Limón After 50 years of the 1968 events, Olimpia brings a new perspective to what occurred. [Full Review in Spanish] EDIT
Posted Oct 4, 2019
4.5/5 Joker (2019) Luis Fernando Galván Joker manages to modernize a character that is carved in the collective imagination by mixing the styles of New Hollywood with a current social criticism, dragging the viewer towards a vortex of emotional setbacks. [Full Review in Spanish] EDIT
Posted Oct 3, 2019
4/5 Shrew's Nest (2014) En Filme Staff A refined and intimate film. [Full Review in Spanish] EDIT
Posted Oct 1, 2019
4/5 Dark Suns (2018) Alfonso Flores-Durón y Martínez [Julien] Eli at times stops and fixes the camera in scenes that become postcards of evocative beauty. [Full Review in Spanish] EDIT
Posted Sep 30, 2019
2.5/5 Anna (2019) Luis Fernando Galván The action starts to succumb to the director's insistence to introduce a series of flashbacks that become a repetitive strategy and that are detrimental to the story. [Full Review in Spanish] EDIT
Posted Sep 30, 2019
3/5 Ready or Not (2019) Luis Fernando Galván [Ready or Not] mixes its influences in a refreshingly intelligent and often times subversive way. [Full Review in Spanish] EDIT
Posted Sep 27, 2019
3/5 The Goldfinch (2019) Luis Fernando Galván The images of the movie are equally dense in texture and tone, but a lot more coherent in their construction thanks to the work of the legendary cinematographer Roger Deakins. [Full Review in Spanish] EDIT
Posted Sep 27, 2019
3/5 Crazy, Stupid, Love. (2011) En Filme Staff You are going to see a film that's full of cliches, but it is fun and entertaining. [Full Review in Spanish] EDIT
Posted Sep 22, 2019
4/5 Ad Astra (2019) Luis Fernando Galván Ad Astra doesn't talk about a hypothetical future... it is simply a movie that talks about... what could happen if space exploration continues. [Full Review in Spanish] EDIT
Posted Sep 20, 2019
4/5 Midsommar (2019) Luis Fernando Galván From the premise, the movie traps viewers and locks them in unsettling spaces through its careful form and obsessive attention to geometrical compositions and symmetries. [Full Review in Spanish] EDIT
Posted Sep 20, 2019
2.5/5 Red Joan (2018) Luis Fernando Galván Lindsay Shapero's screenplay bases the spy figure on stereotypes and reduces her difficulties to her romantic relationships, gradually forgetting her complex personality. [Full Review in Spanish] EDIT
Posted Sep 16, 2019
3/5 Blinded by the Light (2019) Luis Fernando Galván Nevertheless, the message that Blinded by the Light conveys is highly positive, even more so in the insecure and dark times we are living today. [Full Review in Spanish] EDIT
Posted Sep 16, 2019
3/5 Dora and the Lost City of Gold (2019) Luis Fernando Galván The young Isabela Moner offers a solid and versatile performance as a more mature version of the animated character. [Full Review in Spanish] EDIT
Posted Sep 16, 2019
3.5/5 Kursk (2018) Luis Fernando Galván The tragedy of what took place underwater is what resonates here, as well as the repugnant behavior of those who refused to help. [Full Review in Spanish] EDIT
Posted Sep 16, 2019
3/5 Yesterday (2019) Alfonso Flores-Durón y Martínez If only Danny Boyle had taken an amusing movie and had made it better. [Full Review in Spanish] EDIT
Posted Sep 3, 2019
4.5/5 High Life (2018) Luis Fernando Galván High Life is a masterful effort to deconstruct the science fiction genre from its foundational themes. [Full Review in Spanish] EDIT
Posted Sep 3, 2019
4.5/5 Once Upon a Time... in Hollywood (2019) Luis Fernando Galván Violence in the form of vengeance emerges abruptly at the end, but with a clarity befitting a director capable of capturing with love, nostalgia, and passion all his obsessions, games, and influences. [Full Review in Spanish] EDIT
Posted Aug 26, 2019
3.5/5 Le semeur (2017) Luis Fernando Galván A surprisingly effective love story that underlines how people can change depending on their circumstances. [Full Review in Spanish] EDIT
Posted Aug 23, 2019
3.5/5 Scary Stories to Tell in the Dark (2019) Luis Fernando Galván Scary Stories to Tell in the Dark exploits multiple ways of shocking the public... The variety of stories and creatures add intrigue, rhythm, and tension to the film. [Full Review in Spanish] EDIT
Posted Aug 16, 2019
3.5/5 L'homme fidèle (2018) Luis Fernando Galván The film retains the festive levity, the subtle mocking elegance, and the rhythmic texture of a vaudeville from another time. [Full Review in Spanish] EDIT
Posted Aug 16, 2019
3/5 The Secret Life of Pets 2 (2019) Luis Fernando Galván The film has an energetic rhythm and the animation is equally brilliant and playful. [Full Review in Spanish] EDIT
Posted Aug 9, 2019
4/5 Lemonade (2018) Luis Fernando Galván Lemonade is a meticulous examination of the political and social mechanisms [in the US], which end up being more upsetting than a thriller. [Full Review in Spanish] EDIT
Posted Aug 9, 2019
3.5/5 Teen Spirit (2018) Luis Fernando Galván The film often looks and feels like a music video -- in a good way. The energetic montages, neon lights, and sober choreographies express the passion and joy Violet experiences when she sings. [Full Review in Spanish] EDIT
Posted Aug 2, 2019
4.5/5 The Chambermaid (2018) Alfonso Flores-Durón y Martínez Constant details and symbols and even sparks of caustic humor are added up to consolidate a film that avoids the easy way out. The conclusion is simultaneously sad and liberating. [Full Review in Spanish] EDIT
Posted Aug 2, 2019
2.5/5 Fast & Furious Presents: Hobbs & Shaw (2019) Luis Fernando Galván The CGI technology at times works to the detriment of the general objective, making the missions and fights feel still and with very little soul. [Full Review in Spanish] EDIT
Posted Aug 2, 2019
3/5 Extremely Wicked, Shockingly Evil and Vile (2019) Luis Fernando Galván [Zac Efron] is capable of giving credibility to [Ted] Bundy's public persona on screen, exploiting his charm to deny the evidence of his crimes. Bundy is the classic and most disturbing example of how appearances can be deceiving. [Full Review in Spanish] EDIT
Posted Jul 26, 2019
3.5/5 Kusama: Infinity (2018) Luis Fernando Galván [Director Heather] Lenz is careful to not sugar-coat the admiration she feels for Kusama to achieve a documentary that works in two ways: it's inspiring and at the same time informative. [Full Review in Spanish] EDIT
Posted Jul 26, 2019
3/5 Love Me Not (2019) Luis Fernando Galván Love Me Not is a bleak story about human ambition that... pretends to work like an allegory of a nation going through an economic and moral crisis. [Full Review in Spanish] EDIT
Posted Jul 26, 2019
2.5/5 Stuber (2019) Luis Fernando Galván The film has the seeds of an action comedy that wants to use modern sensibilities to analyze the tropes of the past decades, but too often perpetuates the stereotypes that it seemingly deconstructs. [Full Review in Spanish] EDIT
Posted Jul 25, 2019
3/5 The Golem (2018) Luis Fernando Galván Hanna's growing maternal instincts... feel realistic and [Hani] Furstenberg performs her role in a convincing way. Even the relationship between creator and monster is unexpectedly nuanced. [Full Review in Spanish] EDIT
Posted Jul 25, 2019
4/5 The Wolf House (2018) Elizabeth Limón The film as a whole is made up of numerous layers of narratives and visuals that seek to show chaos and reconstruction. [Full Review in Spanish] EDIT
Posted Jul 25, 2019
4/5 Double Lives (2018) Elizabeth Limón Non-Fiction is an intelligent comedy directed by Olivier Assayas. From the very first minute of the film, the director inserts us into a fascinating conversation about writing. [Full Review in Spanish] EDIT
Posted Jul 25, 2019
4/5 Leto (2018) Luis Fernando Galván Shot splendidly in black and white, which underlines the somber atmosphere of the time, the movie lives in captivating images. [Full Review in Spanish] EDIT
Posted Jul 19, 2019
4/5 The Image Book (2018) Luis Fernando Galván The Image Book is an intellectual "game," a broken puzzle, a confusing labyrinth made up of over 100 years of movement... which doesn't search for any type of linearity or equilibrium... but has a fun charm to it. [Full Review in Spanish] EDIT
Posted Jul 19, 2019
2.5/5 The Lion King (2019) Luis Fernando Galván Eliminating the qualities of traditional animation results in disappointing musical numbers and silenced emotional reactions. [Full Review in Spanish] EDIT
Posted Jul 19, 2019
3/5 Child's Play (2019) Luis Fernando Galván The film avoids being a display of technophobia and instead fulfills its promise of a killer doll and truly entertaining. [Full Review in Spanish] EDIT
Posted Jul 17, 2019
2/5 Poms (2019) Luis Fernando Galván Despite its good intentions, Poms cannot sustain its predictable narrative. [Full Review in Spanish] EDIT
Posted Jul 17, 2019
3.5/5 Sorry Angel (2018) Luis Fernando Galván A piece of history and memory and a beautiful film about nostalgia. [Full review in Spanish] EDIT
Posted Jul 17, 2019
3.5/5 Spider-Man: Far From Home (2019) Luis Fernando Galván Jon Watts brings an exciting piece to the Marvel Universe. [Full Review in Spanish] EDIT
Posted Jul 5, 2019
4/5 Dolor y gloria (2019) Luis Fernando Galván The film is an obligation and necessity for all those viewers who throughout the years have learned to know and love Almodóvar. [Full Review in Spanish EDIT
Posted Jul 5, 2019
4.5/5 Se rokh (2018) Luis Fernando Galván Panahi uses the conversations with the inhabitants to explore tradition and the way in which gender and violence are linked in patriarchal societies. [Full review in Spanish] EDIT
Posted Jul 1, 2019
2.5/5 Chicuarotes (2019) Luis Fernando Galván Some of the more serious themes in the film are shown in an imprecise and impatient manner that gives the impression that the observer is uncomfortable looking at these issues directly. [Full review in Spanish] EDIT
Posted Jul 1, 2019