The Muse/Jezebel

Tomatometer-approved publication
Rating Title/Year Author
Tall Girl (2019) Hazel Cills What's a girl to do besides mope around feeling bad about her height and never develop a personality beyond that because the writer is incapable of developing a well-rounded teen girl character? EDIT
Posted Sep 16, 2019
Joker (2019) Sarah Hagi This is a fascinating, occasionally charming movie about a clown with an artsy veneer. EDIT
Posted Sep 13, 2019
Hustlers (2019) Cate Young The film is stylish, funny, exciting, and endlessly watchable. EDIT
Posted Sep 13, 2019
It: Chapter Two (2019) Rich Juzwiak Of course, horror movies have a long history of playing fast and loose with coherence, and expecting excellence from It Chapter Two is a more foolish idea than anything contained in this extremely dumb movie. EDIT
Posted Sep 6, 2019
Vita & Virginia (2018) Cate Young Arterton, Debicki, and their real-life counterparts are underserved by a script that doesn't quite understand its own relationship to queer romance and has little to say about it except that it existed. EDIT
Posted Aug 23, 2019
Adam (2019) Rich Juzwiak Adam is too tonally uneven for me to really admire it-it has the broad concept of a major studio movie in which you're supposed to buy every character's stupidity, but then it's framed and scripted like an intimate, mumbling indie. EDIT
Posted Aug 23, 2019
47 Meters Down: Uncaged (2019) Rich Juzwiak 47 Meters Down Uncaged is both laughable and thrilling, a movie that often doesn't make much sense but at least knows well enough to make like a shark and keep moving. EDIT
Posted Aug 16, 2019
Otherhood (2019) Tracy Clark-Flory Otherhood doesn't explore any of this with any degree of social or political insight. Instead, it deploys all that inequity, emptiness, and rejection for cheap laughs; these middle-aged moms' debasement is the gag. EDIT
Posted Aug 7, 2019
() Jasmine Sha-Ree Sanders Haddish's comedy is sublimely physical, also buoyed by the sort of jejune silliness that is usually picked up on the playground. EDIT
Posted Aug 6, 2019
Luce (2019) Cate Young Luce plays on expectations of race, respectability, and white liberal guilt to weave a taut, terrifying tale that dares the audience to speak its suspicions aloud. EDIT
Posted Aug 3, 2019
Once Upon a Time... in Hollywood (2019) Rich Juzwiak Once Upon a Time in Hollywood is one long ramble about the good old days that reveals its pointlessness and malice the longer it goes on. Times are changing and Tarantino seems awfully cranky about that. EDIT
Posted Jul 25, 2019
The Lion King (2019) Cate Young Overall, the film's biggest problem is that the hyper-focus on realism in the animation stripped the story of what made the 1994 original so memorable. EDIT
Posted Jul 24, 2019
The Farewell (2019) Megan Reynolds There are moments of recognition in some of the even more infuriating scenes that made me laugh through reluctant tears. EDIT
Posted Jul 16, 2019
Aziz Ansari: Right Now (2019) Frida Garza Ansari's special is funny, although the tone and delivery of it are less animated than his earlier material; he sounds tired at times, even when he starts laughing. EDIT
Posted Jul 12, 2019
Annabelle Comes Home (2019) Rich Juzwiak The threat of violence is the violence in Annabelle Comes Home, which makes the 100-minute experience as low stakes as it gets. The ghosts in question are mere nuisances. EDIT
Posted Jul 11, 2019
Yesterday (2019) Maria Sherman The premise, while outlandish, doesn't seem that challenging to conceptualize-but Yesterday proves that it is difficult to realize. If only it were more... fun. EDIT
Posted Jul 3, 2019
At the Heart of Gold: Inside the USA Gymnastics Scandal (2019) Hazel Cills It's a brutal but respectful documentary. EDIT
Posted Jul 1, 2019
Midsommar (2019) Hazel Cills The film is brimming with seriously dedicated world-building, including creepy illustrated histories dotting the village's interiors that feel ripped from a Henry Darger book, but all the exposition doesn't actually make for an engaging horror film. EDIT
Posted Jul 1, 2019
Child's Play (2019) Rich Juzwiak Both well-intentioned but not afraid of nihilism, the fun of Child's Play resides in how unpredictable its sequence of events is. EDIT
Posted Jun 21, 2019
Don't Tell Mom the Babysitter's Dead (1991) Megan Reynolds If we look at the details, this movie is actually pretty good. EDIT
Posted Jun 14, 2019
Late Night (2019) Hazel Cills Molly is a portrait of feminine goodness, one on which the film hinges its retrograde ethos about good comedy. EDIT
Posted Jun 11, 2019
Always Be My Maybe (2019) Megan Reynolds As the newest entry to the rom-com genre, it succeeds not solely because of its representation: Always Be My Maybe is a sparkling, charming rom-com. EDIT
Posted Jun 3, 2019
The Perfection (2018) Cate Young The film starts off as a fun, relatively predictable horror film, then rapidly devolves into the grotesque as the narrative shifts and bends with its many twists. EDIT
Posted May 31, 2019
Booksmart (2019) Megan Reynolds While it's not clear how long these girls have been friends, what shines on the screen is their chemistry-Feldstein is a remarkable actor. EDIT
Posted May 30, 2019
Ma (2019) Rich Juzwiak Its overarching sensibilities mostly complement each other and, in the process, yield an addictively watchable movie that is roughly as delicious as it is nutritious. EDIT
Posted May 29, 2019
Aladdin (2019) Megan Reynolds There's a specific energy and verve Williams's voice acting carried that Smith, sadly, lacks. EDIT
Posted May 29, 2019
See You Yesterday (2019) Cate Young The film's ambiguous ending [is] frustrating but fitting. EDIT
Posted May 23, 2019
The Hustle (2019) Katie McDonough The Hustle, in the end, is a con on anyone who thought they were about to watch a modestly subversive feminist critique of capitalism. EDIT
Posted May 13, 2019
Fast Color (2018) Cate Young Fast Color is an expert example of an original idea that takes well worn tropes and tweaks them ever so slightly in order to infuse them with new meaning. EDIT
Posted May 2, 2019
Someone Great (2019) Maria Sherman The beautiful thing about tropes is that they go down easy when you're just looking for a fun movie to pass the time. EDIT
Posted Apr 25, 2019
Homecoming: A Film by Beyoncé (2019) Cate Young There was value in experiencing the moment yet again. EDIT
Posted Apr 19, 2019
After (2019) Maria Sherman As assumed, After is remarkably horny and corny to the point of embarrassment. EDIT
Posted Apr 15, 2019
The Haunting of Sharon Tate (2019) Rich Juzwiak The movie becomes something close to suffocating. Taking it in as just another horror flick, though, requires suspending whatever you feel (and, for that matter, know) about the Mason Family and Tate's murders. EDIT
Posted Apr 2, 2019
Us (2019) Hazel Cills While Us may be marred with flaws, the family at its center can probably withstand anything. EDIT
Posted Mar 22, 2019
Captain Marvel (2019) Cate Young The film is neither a masterpiece or a calamity; instead, it's a perfectly fun, entertaining installment in a larger narrative arc that's very clearly working to set up the MCU's evolution into its next phase. EDIT
Posted Mar 12, 2019
Baby Boom (1987) Megan Reynolds It is a startlingly prescient look at the anxieties of motherhood. EDIT
Posted Jan 25, 2019
Fyre (2019) Hazel Cills It's these scenes, of glib meetings with investors-and Ja Rule and McFarland cackling on boats about how everyone just lapped up their supermodel -that make the movie feel like a pressure cooker. EDIT
Posted Jan 14, 2019
Destroyer (2018) Rich Juzwiak I don't think Destroyer is a good movie, but it is never boring and often hilarious. EDIT
Posted Jan 3, 2019
Vox Lux (2018) Rich Juzwiak The last 12 or so minutes of Vox Lux undermine what preceded it like a cruel punchline. EDIT
Posted Dec 26, 2018
Bird Box (2018) Rich Juzwiak None of Bird Box makes a lick of sense. EDIT
Posted Dec 21, 2018
Widows (2018) Cate Young There's nothing here that won't make you glad you came. EDIT
Posted Dec 11, 2018
Creed II (2018) Cate Young But despite its own individual merits, this year's sequel, Creed II, fails to quite live up to the potential of its predecessor, and Coogler himself seems to be the essential missing ingredient. EDIT
Posted Dec 6, 2018
Life-Size 2: A Christmas Eve (2018) Maria Sherman For the most part, the sequel is nothing more than a barrage of allusions to the first film and various moments from Banks's pop culture repertoire. EDIT
Posted Dec 4, 2018
Amazing Grace (2018) Rich Juzwiak This film was ahead of its time, and arriving today, some 46 years later, feels right on time. EDIT
Posted Nov 29, 2018
The Favourite (2018) Hannah Gold The Favourite walks a taught, thrilling line between humor and suffering. EDIT
Posted Nov 28, 2018
I Used to Be Normal: A Boyband Fangirl Story (2018) Maria Sherman I Used to Be Normal is undeniably delightful, a rare exercise in pop culture's most nostalgic impulses that does not attempt to sell us back what we once adored. EDIT
Posted Nov 21, 2018
Green Book (2018) Cate Young With its insistence on the pretense of loving our way into racial harmony, the movie exists almost exclusively to allow white moviegoers to nod sagely about how far we've come. EDIT
Posted Nov 15, 2018
John Leguizamo's Latin History For Morons (2018) Ecleen Caraballo Leguizamo's history class is not an end all, be all-it leaves out pieces of Central American history I would have liked to see-but rather serves as a starting point, and he's the perfect educator for the task. EDIT
Posted Nov 13, 2018
Boy Erased (2018) Rich Juzwiak Boy Erased wants to be important, but more than that liked. It is dictionary-definition Oscar bait. EDIT
Posted Nov 1, 2018
Halloween (2018) Rich Juzwiak This Halloween wants to rewrite the canon and be the definitive sequel, but it is merely just another sequel. EDIT
Posted Oct 19, 2018