In the end, only the veteran actors playing Elsa and Fred make the movie watchable.
Elsa & Fred (2008)
Rated: PG [See Full Rating] for some mild thematic elements and language
Theatrical Release: Jun 27, 2008 Limited
Synopsis:
Elsa & Fred is a romantic comedy about the irresistible power and total madness of love when two people who, at the end of the road, discover that it’s never too late to love… or to dream.
Elsa has dreamt for the past 60 years of the moment that Fellini had already envisaged: the scene in La Dolce...
Elsa & Fred is a romantic comedy about the irresistible power and total madness of love when two people who, at the end of the road, discover that it’s never too late to love… or to dream.
Elsa has dreamt for the past 60 years of the moment that Fellini had already envisaged: the scene in La Dolce Vita. at the Fontana di Trevi. Her dream however is not of Anita Ekberg, but Elsa instead rising out of the fountain in all her glory, and without Marcello Mastroiani, but with her true love that took so long to arrive.
Alfredo is a bit younger than Elsa, a reserved meticulous man who becomes the object of Elsa’s desire. After losing his wife, he feels lonely and confused and his daughter decides that it would be best if he moved into a smaller apartment where he meets Elsa. From that moment on, everything changes. Elsa bursts into his life like a whirlwind, determined to teach him that the time he has left to live—be it more or less—is precious and that he should enjoy every minute of it. Fred surrenders to Elsa’s frenzy, to her youth, to her boldness, to her beautiful madness. And this is how Alfredo (or Fred, as Elsa calls him), learns how to live.--© Mitropoulos Pictures
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Genre: Foreign Films
Starring: China Zorrilla, Manuel Alexandre, Blanca Portillo, Robert Carnaghl, Jose Angel Egid
Reviews
Who would have guessed that, in this age of excess and one-upmanship, when bigger is always better, the year's most romantic screen kiss would last a mere two seconds.
The dream fulfillment seems more silly than romantic, and it brings the movie to an abrupt end that is wholly unsatisfying.
This starts to get interesting in the homestretch, as the woman's chronic deception begins to catch up with her, but for the most part it's an extended Geritol commercial.
Elsa & Fred feels not substantial enough to bear the weight of its themes. It dissolves like cotton candy, making proper digestion impossible.
For some, the movie will be an emotional paean to love at the twilight of life; to others, though, it's a contrived, manipulative film calculatedly sentimental and -- except for poor Alfredo -- totally false to life.
When one thinks of on-screen chemistry, rarely, if ever, do you think of characters in their seventies.
This little gem will have the mature moviegoer completely under its spell.
Elsa & Fred is worth seeing just to admire how Argentine writer-director Marcos Carnevale avoids so much as a whiff of condescension.
Elsa is obsessed with the "Fontana di Trevi" sequence from La Dolce Vita, but that's only a reminder that the aging Fellini once accomplished far more effective films about old age and second chances.
Love is said to be blind, but this sweet Spanish romance suggests it may also be ageless.
Convincingly proves even to teens (not likely to be in the audience, unfortunately), that you're never too old for romance.
Credit director Marcos Carnevale with beautifully pulling off this schmaltzy premise, as well as restaging the famous scene at Rome's Trevi Fountain from La Dolce Vita with his elderly lovers in place of Marcello Mastroianni and Anita Ekberg.
Marcos Carnevale’s patronizing take on the relationship between an elderly widow and widower in Madrid unspools like the vision of a middle-aged person intent on propagating stereotypes about youthfulness and the golden years.
The absence of bite prevents the movie from leaving any kind of impression.
Yes, it’s formulaic and shamelessly manipulative. But Zorrilla and Alexandre have chemistry to burn; only a hard heart could resist their bittersweet romance.
The transformation of a fear-based man by a Zorba-the-Greek-like woman with a zest for life, enthusiasm, and creative daring.
It's hard in good conscience to recommend a sappy flick with a heroine this shallow, her spunkiness in the face of a dire prognosis notwithstanding.
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