The Chronicles of Narnia: The Lion, The Witch and The Wardrobe


The Chronicles of Narnia: The Lion, The Witch and The Wardrobe

Critics Consensus

With first-rate special effects and compelling storytelling, this adaptation stays faithful to its source material and will please moviegoers of all ages.



Total Count: 216


Audience Score

User Ratings: 34,105,114
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Movie Info

C.S. Lewis' timeless adventure "The Chronicles of Narnia: The Lion, the Witch and the Wardrobe" follows the exploits of the four Pevensie siblings -- Lucy, Edmund, Susan and Peter -- in World War II England who enter the world of Narnia through a magical wardrobe while playing a game of 'hide-and-seek' in the rural country home of an elderly professor. Once there, the children discover a charming, peaceful land inhabited by talking beasts, dwarfs, fauns, centaurs and giants that has become a world cursed to eternal winter by the evil White Witch, Jadis. Under the guidance of a noble and mystical ruler, the lion Aslan, the children fight to overcome the White Witch's powerful hold over Narnia in a spectacular, climactic battle that will free Narnia from Jadis' icy spell forever.


Georgie Henley
as Lucy Pevensie
Skandar Keynes
as Edmund Pevensie
William Moseley
as Peter Pevensie
Anna Popplewell
as Susan Pevensie
Tilda Swinton
as Jadis, the White Witch
James McAvoy
as Mr. Tumnus
Jim Broadbent
as Professor Kirke
Kiran Shah
as Ginarrbrik
James Cosmo
as Father Christmas
Judy McIntosh
as Mrs. Pevensie
Elizabeth Hawthorne
as Mrs. MacReady
Shane Rangi
as General Otmin
Mark Wells
as Edmund (Older)
Noah Huntley
as Peter (Older)
Rachael Henley
as Lucy (Older)
Sophie Winkleman
as Susan (Older)
Terry Murdoch
as German Pilot
Alina Phelan
as Centaur Archer
Nikhom Nusungnern
as Red & Black Dwarf
M. Ramaswami
as Red & Black Dwarf
Prapraphorn Chansator
as Red & Black Dwarf
Bhoja Khannada
as Red & Black Dwarf
Doungdieo Sarangvong
as Red & Black Dwarf
Zakiuddin Mohd Farooque
as Red & Black Dwarf
Ajay Ratilal Navi
as Red & Black Dwarf
Brandon Cook
as Boy on Train
Lee Tuson
as Rumblebuffin the Giant
Cassie Cook
as Girl on Train
Morris Lupton
as Train Conductor
Shelley Edwards-Bishop
as Distraught Mother
Susan Haldane
as Distraught Mother
Margaret Bremner
as Distraught Mother
Jaxin Hall
as Soldier
Katrina Browne
as Green Dryad
Douglas Gresham
as Radio Announcer
Ray Winstone
as Mr. Beaver
Dawn French
as Mrs. Beaver
Philip Steuer
as Philip the Horse
Jim May
as Vardan
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Critic Reviews for The Chronicles of Narnia: The Lion, The Witch and The Wardrobe

All Critics (216) | Top Critics (47) | Fresh (164) | Rotten (52)

Audience Reviews for The Chronicles of Narnia: The Lion, The Witch and The Wardrobe

  • Jun 25, 2016
    The film was kind of better than the book
    Film C Super Reviewer
  • Dec 18, 2013
    Yeah, I've heard of having skeletons in the closet, but this is an awful lot of interesting junk to hide in a wardrobe, so I don't guess it would be the most convenient closet-type location in which to hide the pot stash that you might need for a film like this. Seriously though, that is one seriously overlong title, although it does sound like quite the acid trip. Man, it gets even trippier when you actually see the film and start finding all sorts of anthropomorphic critters, and James McAvoy as a goat man, and, most disturbing of all, Christian overtones. I wish I could find stuff this cool in a wardrobe, but that isn't ever going to happen, not so much because Christianity is far-fetched enough when it's not interpreted into something like this, but because it's not too much less likely to find any type of wardrobe anywhere in this day and age. Well, okay, maybe it hasn't become that hard to find a wardrobe after the 1940s, but people, if you have a wardrobe, about how often do you visit to pick out something other than a drug stash? Shoot, after this film, I'd imagine there were a lot of people who stopped doing that with their wardrobes, because, like I said earlier, this subject matter is bound to creep into the minds of some potheads when they're around a wardrobe. Oh well, at least that would be a good way to make wardrobes more interesting, because, make no mistake, people, this is a pretty fun fantasy flick, even though I have problems with it that extend beyond Christian overtones. Sure, the film rarely tries to get all that heavy, yet it still has a tendency to break a whole lot of tension for the sake of overly fluffy, maybe even cheesy moments of comic relief, in additional to a tendency to pump a generally light heart with a touch too much bite, however tight the limit on bite may be. About as loose as the control of tone is the control of pacing, whose unevenness is reflect in a runtime of about two-and-a-half hours, which writers Ann Peacock, Andrew Adamson, Christopher Markus and Stephen McFeely work to achieve through a sometimes aimless excessiveness to filler, all but balanced out by some shortcomings in the extensiveness of characterization. Meanderings and a lack of focus aren't too considerable in severity, but they are recurring enough to hamstring what is conceptually an epic as it works its way along an ostensibly intricate pat, settling a sense of scope and wearing down investment. Of course, investment in this subject matter is worn down enough by being so frequently practiced by other high fantasy films of this nature, until the final product comes out as not too much more than a formulaic family fantasy affair. Familiarity makes it somewhat easy to see natural shortcomings in this mini-epic, but what really holds this film back in simply its being too safe, for although this film is neither as cheesy nor as lazy as many other Disney dramas which work to appeal to both fun-loving youths and more hard-edged grown-ups, a sense of tension and wonderment is limited by both limitations in attention to consequence, and bloating to fluff. There are some audacious elements here, but on the whole, there's something kind of neutered about this family "epic", and such laziness makes it all but impossible to ignore other issues, which are limited in quantity, but keep consistent enough to wear down the final product, until it slips into underwhelmingness. There's a lot of potential here that is ultimately lost in the wake of questionable storytelling and censorship moves, although potential remains so prominent that underwhelmingness is just barely fallen to, at least when that potential is emphasized by many a strength in both storytelling and artistic value. There is the occasional lame original song soundtrack bit, but outside of that, the great Harry Gregson-Williams' score carries a rather formulaic heart that goes flavored up by some refreshing and dynamic touches, as well as a certain stylishly modernist whimsy that both proves to be lively by its own musical right and helps in capturing a sense of wonderment. Of course, while the score compliments a sense of whimsy, it's Jules Cook's, Ian Gracie's, Karen Murphy's and Jeffrey Thorp's art direction that truly establishes it with lavishly transportive tastes in location, enhanced by unique and intricate production designs, which are themselves enhanced by slightly dated, but then-amazing and still-strong digital effects. Undoubtedly, this film was a technical, maybe even stylistic triumph of the time, as its technical value remains remarkable almost ten years later, with outstanding aesthetic touches that compliment anything from strong action to the immersion value of a world whose convincingness drives the narrative of this high fantasy mini-epic. Whether it was original for its time or never totally unique, the subject matter that was conceived by C. S. Lewis has become too familiar for its own good since the 1950s, and it's not as though compellingness is as reinforced as it should be by this somewhat watered-down, relatively family friendly interpretation, but compellingness does still stand, at least to a certain degree on paper, as Lewis' mythology remains very intriguing, and is interpreted here into a mini-epic narrative whose scope falls comfortably between grandness and intimacy, anchored by well-rounded characters who go brought to life by some decent performances. On paper, Lewis' classic family fantasy novel has plenty to offer, though flare goes too limited by safeness and other shortcomings to escape underwhelmingness, let alone achieve strength, and yet, there's still a fair bit of inspiration to the telling of a worthy tale. As I've been saying time and again, Andrew Adamson undercuts much in the way of resonance by doing only so much to capture the bite of this drama, yet he still captures a sense of wonderment about as much as he can with all of the shortcomings, utilizing fine style and a hearty, well-paced atmosphere to entertain consistently, and sometimes incorporate moments in which an attention to genuine danger really does capture a sense of resonance and consequence. There's much to be desired here, but there is still enough here to latch onto, maybe not as rewarding enough to make a rousing final product, but certainly as engaging enough to be fun and, to a certain extent, compelling for the whole family. In closing, inconsistencies in tone and pacing shake the focus of this overlong and meandering epic, while conventions and an overt, somewhat family-friendly safeness to the interpretation of potential biting subject matter wear down the value of this narrative enough to make a somewhat underwhelming final product, yet there is still enough grandness to Harry Gregson-Williams' score, dazzle to art direction and visual effects, and inspiration to acting and the telling of a conceptually worthy story to make Andrew Adamson's "The Chronicles of Narnia: The Lion, the Witch and the Wardrobe" an entertaining and reasonably engaging, if held back mini-epic. 2.75/5 - Decent
    Cameron J Super Reviewer
  • Oct 31, 2012
    A great adaptation, doing what all good adaptations should do, "Wardrobe" brings family-friendly adventure and magic to the big screen in the most sincere of ways.
    Joshua H Super Reviewer
  • Jun 29, 2012
    The first cold half started off a little too slow, then the sunny second half brought up the emotion, tension, and epic action to my expectations for a family film.
    Max G Super Reviewer

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