Topaz

1969

Topaz

Critics Consensus

No consensus yet.

69%

TOMATOMETER

Total Count: 29

36%

Audience Score

User Ratings: 6,294
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Movie Info

Filmed on locations ranging from Denmark to the Universal backlot, Alfred Hitchcock's Topaz is based on a novel by Leon Uris. Frederick Stafford, a veteran of European-filmed James Bond rip-offs of the 1960s, is cast as Andre Devereaux, a French secret agent assigned to snoop around Cuba in the months prior to the 1962 missile crisis. Someone is supplying Castro -- and, by extension, Moscow -- with NATO secrets; it is up to Devereaux to liquidate the "mole." Aiding Devereaux is CIA agent Nordstrom (John Forsythe) and aristocratic anti-Castro Cuban Juanita (Karin Dor), who happens to be the girlfriend of pro-Castroite Rico Parra (John Vernon). The director seems to be in awe of the fact-based storyline, and as a result, the film is more cut-and-dried than most Hitchcock efforts. Three different endings were filmed for Topaz; the Laserdisc version carries all three, as does the print available to the American Movie Classics cable service. According to the MPAA, the film was originally rated M but later changed to PG; however, a number of home-video issues of Topaz officially list it as "Not Rated."

Cast

Frederick Stafford
as Andre Devereaux
John Forsythe
as Michael Nordstrom
Dany Robin
as Nicole Devereaux
John Vernon
as Rico Parra
Karin Dor
as Juanita De Cordoba
Michel Piccoli
as Jacques Granville
Philippe Noiret
as Henri Jarre
Claude Jade
as Michele Picard
Michel Subor
as Francois Picard
Roscoe Lee Browne
as Philippe Dubois
Per-Axel Arosenius
as Boris Kusenov
Edmon Ryan
as McKittreck
Sonja Kolthoff
as Mrs. Kusenov
Tina Hedstrom
as Tamara Kusenov
John Van Dreelen
as Claude Martin
Donald Randolph
as Luis Uribe
Carlos Rivas
as Hernandez
Lewis Charles
as Mr. Mendoza
Anna Navarro
as Mrs. Mendoza
John Roper
as Thomas
George Skaff
as Rene d'Arcy
Sandor Szabo Sr.
as Emile Redon
Roger Til
as Jean Chabrier
Sandor Szabo Sr.
as Emile Redon
Alfred Hitchcock
as Man in Wheelchair
Lew Brown
as American Official
Don Randolph
as Luis Uribe
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Critic Reviews for Topaz

All Critics (29) | Top Critics (5) | Fresh (20) | Rotten (9)

Audience Reviews for Topaz

  • Jan 21, 2013
    Following his defection to the United States, a Russian General informs the C.I.A of his nation's plans to position nuclear missiles on the island of Cuba. The C.I.A seek the aid of a French secret agent (Stafford) who manages to steal documents, confirming the plans, from a Cuban official (Vernon) visiting the United Nations in New York. Stafford heads to Cuba to investigate further and also meet up with his mistress (Dor), a leader of the anti-Communist Cuban resistance. Meanwhile, the C.I.A have uncovered information regarding a Soviet spy-ring known as 'Topaz', working within the French intelligence network. Of all his films, 1969's 'Topaz' is arguably the least "Hitchcockian". With it's rambling plot and overly talky script, it resembles the work of a modern Hollywood hack rather than a master film-maker. Hitch had absolutely zero interest in adapting Leon Uris' novel but, following the commercial failures of 'Marnie' and 'Torn Curtain', Universal forced the best-selling book on him. The production was a troubled affair, with scenes being written as late as the night before they were due to be filmed. This infuriated the director, who had spent his career working in a strict, organized manner. He's often quoted as saying how his films were made long before the cameras began to roll, with every last detail worked out meticulously. This was far from the case with 'Topaz'. After a cheap, stock-footage utilizing, credits sequence, Hitch gives us an impressive opening. The defecting general and his family leave the Russian embassy in Copenhagen, planning to rendezvous with the C.I.A men who will aid their escape. Through a great crane shot, it's revealed that they have been seen leaving the building and are followed by two men and the creepiest female Russian agent since 'From Russia With Love''s Lotte Lenya. Hitch builds a suspenseful, dialogue free, set-piece as the family are followed through downtown Copenhagen by the villains. We're on familiar Hitchcock ground here but it's one of the few occasions in this film's lengthy running time. This opening sequence apart, there's about two minutes at best of classic Hitchcock on display in 'Topaz'. The film's most famous moment comes when Dor is discovered to be a traitor by Vernon, who holds her in his arms before shooting her. When he releases her lifeless body from his grip, she collapses to the floor, her purple gown spilling out like a pool of blood, all shown in a stunning overhead shot. (Spielberg paid homage to this moment in 'Munich', replacing the gown with a shattering milk bottle). Just as he used the roar of a jet engine to prevent us from hearing plot details in 'North by NorthWest', here Hitch has two characters hold a discussion behind a thick sound-proof door. We can see them but can't hear a word they say. For the most part, 'Topaz' is a humorless affair but there are a couple of moments of absurd comedy. They both feature Hitch's great love - food! In one scene, Vernon is searching for a document he seems to have misplaced. He finds it doubling as a napkin for a half-eaten burger, its text smeared with grease. (Once again America has meddled with Cuban affairs). The second comes courtesy of photographic equipment, hidden by spies inside baguettes. When seagulls fly off with the bread in their beaks, it alerts the villains as to the whereabouts of the spies. These brief sprinklings of note are rare and mostly only of interest to Hitch buffs. On the whole, the film is a terminal bore, like watching a Bond movie under the influence of heroin. The plot seems to ramble on for an age, eventually leading to an unsatisfying conclusion. Three endings were filmed as Hitch and his screenwriter Samuel Taylor struggled to wrap it all up. The final line of the movie comes from Stafford, "That's the end of Topaz". It's a relief to hear it.
    The Movie W Super Reviewer
  • Jan 07, 2012
    I had heard that, among the lesser films of Hitchcock's filmography, this was basically the bottom of the barrel, and you know what? That's not completely wrong. Now, it's not a terrible film per se, but it certainly doesn't have a lot going for it. The plot is the old Cold War spy intrigue/mole hunt sort of thing, with emphasis on a French operative diving into Soviet and Cuban dealings around the time of the Cuban Missle Crisis. The storyline is heavily fact based, and as a result, is pretty cut and dried, and not really as compelling as it should be. It doesn't help that Hitch made a lot of films like this already, most of them better, and ones I saw before this one. Even though it has ties to reality, the film is dull, not engaging, and kind of a bore. I really didn't care what was happening most of the time, and that's really not a good sign considering the film's long running time. The film's not all bad though. It has a lot of merit from a technical standpoint, with some good locations, sets, and camerawork. Maurice Jarre's score is also really good, and probably the film's highlight, aside from the film scene Karin Dor is in. Speaking of actors, this could probably have benefited from some serious star power. That wouldn't be a guarantee that it would've helped, but you never know. I do think the highlight as far as acting goes to John Vernon, and his portrayal of a Cuban revolutionary is both bewildering and awesome. I t probably wouldn't fly today, and, while I'm not sure why they got a Canadian to play a Cuban, I won't complain either, as I think Vernon was a solid character actor. All in all, the film is just kinda 'meh'. I mostly just think the film falls because it all feels very routine and phoned in. Of course, when you're Hitchcock, I guess it's okay to not be on the top of your game all the time...even though it happened to him a few times, especially during the latter years. See it if you want, but just know that its reputation is pretty true.
    Chris W Super Reviewer
  • Nov 13, 2011
    Hitchcock most European film is very interesting look at the Cold War.
    Graham J Super Reviewer
  • Dec 11, 2010
    For the most part this movie is incredibly dull, and deals with politics, war, and spies. Although Hitchcock has done spy movies before, none were ever as boring as this one. And where did he find his cast? I don't think I've heard of anyone in this cast list before. It was an interesting idea to not use the same stars he'd been using before, but none of them really stand out as great actors you'd like to see again. The story too is unknown, I mean we do find out what Topaz is, but then we don't get a very clear ending, and we wonder why everything we saw happen happened. Overall, not a good movie, but it could've been worse, at least there were a few action packed scenes.
    Aj V Super Reviewer

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