The Samaritan

2012

The Samaritan

Critics Consensus

The Samaritan is a ludicrous neo-noir starring a seemingly bored Samuel L. Jackson.

26%

TOMATOMETER

Total Count: 35

40%

Audience Score

User Ratings: 5,351
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Movie Info

After twenty‐five years in prison, Foley (Samuel L. Jackson) is finished with the grifter's life. When he meets an elusive young woman named Iris (Ruth Negga), the possibility of a new start looks real. But his past is proving to be a stubborn companion: Ethan (Luke Kirby), the son of his former partner, has an ingenious plan and he wants Foley in. The harder Foley tries to escape his past, the tighter he is ensnared in Ethan's web of secrets, until it becomes all too clear to Foley that some wrongs can never be made right. -- (C) IFC

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Critic Reviews for The Samaritan

All Critics (35) | Top Critics (18) | Fresh (9) | Rotten (26)

  • It's not honest with its people, or its plot. And the only ones it really cheats are audience members.

    May 18, 2012 | Rating: 2/4 | Full Review…
  • [Jackson's] doleful revenant is in almost every scene, and this hardworking actor seems to know that the film around him should be a light-footed caper instead of a grim noir with a side order of deviance.

    May 18, 2012 | Rating: 2/5
  • A scripted cliché: the ex-con who wants to go straight until the plot kicks in.

    May 18, 2012 | Rating: 2/4 | Full Review…
  • "The Samaritan" proves that even Samuel L. Jackson can be boring.

    May 18, 2012 | Rating: 0.5/4 | Full Review…
  • The haphazard feeling of the narrative deflates any real tension.

    May 17, 2012 | Rating: 1.5/5 | Full Review…
  • Way too much psychosexual melodrama, portrayed in performances that range from utterly bored (Jackson) to embarrassingly broad (Kirby).

    May 17, 2012 | Rating: 1/5 | Full Review…

Audience Reviews for The Samaritan

  • Mar 29, 2014
    The Samaritan is a film that had the potential of being a truly memorable thriller. Unfortunately, the film never really takes off, and ends up falling flat. I found that this film was pretty bad and it didn't do anything to grab my attention. I tried to get into the story, but it was just a poorly thought out plot with hints of good ideas hidden under disjointed writing, which I think is too bad because the film does have a few good actors here. I really wanted to enjoy the film, and by what the trailer suggested, this would be a standout picture. However, it isn't and it fails on so many levels. The film's biggest flaw is that it just doesn't grab your attention; it's too long and boring. I do enjoy films that take its time to unfold, but this one really took its time, and while trying to build up the tension, the film had bland characters were simply not interesting aside from the characters that Samuel L. Jackson and Tom Wilkinson. Don't expect anything good here, as there is nothing here of note, except for a tedious thriller that never pays off. You'll be left wanting more by the time the credits start to roll, and you'll ask yourself why you spent the time watching this train wreck. Jackson is a great actor, but here he simply has poor material to work with, and it's a shame, because like I said, if the film would have been reworked, then this would be a truly engrossing thriller that would have definitely have stood out. Unfortunately it never realizes its potential, and it ends up being a mess and ultimately it's a film not worth your time.
    Alex r Super Reviewer
  • Jan 15, 2013
    A gritty and crisp serving of a thriller that`s twisty, enthralling and very entertaining. It delivers up some solid suspense and great performances from its cast. It stays true to the tradition of the old-school drifter films of the day and serves it up again like its fresh and new. A slick, brutal and sharp piece of film noir. Director, David Weaver crafts an exceptional and hard-boiled film. Samuel L. Jackson delivers a compelling and rock solid performance, it turns to be one of his best film roles in years. It truly separates him from what we have been used to seeing him in the last few years and gladly welcome him back to genre films once again. Tom Wilkonson is terrific. Luke Kirby and Ruth Negga are excellent, A real slice of Pulp Fiction that echos with Oldboy.
    Al S Super Reviewer
  • Nov 04, 2012
    You've got to know a secret to tell a secret. Good movie! This film represents a dying breed of crime thriller in which character and plot take precedence over action and special effects. It could have drowned in a sea of car chases, shootouts, brutal fistfights, and even gore. Whatever we do see in those respects is used only when absolutely necessary. That's good when those moments finally happen, they will elicit authentic shock and excitement from the audience. No one will be numb from scene after scene of mindless violence and choreography. All in all, it was a thoroughly entertaining flick which is worth a watch. After twenty years in prison, Foley is finished with the grifter's life. When he meets an elusive young woman named Iris, the possibility of a new start looks real. But his past is proving to be a stubborn companion.
    Manu G Super Reviewer
  • Nov 03, 2012
    The Samaritan is just simply too derivative, too cliche, and too much in love with the style of a film noir rather than creating an honest portrayal of characters at crossroads. Samuel L Jackson plays Foley, an ex-grifter who has just got out of a 25-year sentence for murdering his best friend. Foley is simply trying to live his life, get a legit job, and spend his nights at a local bar feeling sorry for himself. That is until Ethan, the son of the man Foley killed, comes to him with a "one last job" offer. Despite pulling one major twist, the plot consistently treads familiar territory. The performances are restrained but not in a good way. Everybody here seems completely bored, as if they're looking forward to a nice tidy paycheck more so than a solid performance. Furthermore, the piano based soundtrack attempts to create a very sad, melancholic tone for the picture, but it quickly starts to feel very monotonous. Combined with an uninteresting visual style where everything seems filmed under gold filters, The Samaritan just treads along in a meandering fashion that never manages to engage. Its minor twists aren't enough to make up for a story that we've seen way too many times before.
    Edward B Super Reviewer

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