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Knives Out
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All Critics (6) | Top Critics (1) | Fresh (3) | Rotten (3)
Lopez's first feature comes across as fragmented and overwrought, with characters and performances that seem to have been egged on by the score's achingly purposeful piano. Nov 24, 2016 | Full Review…
Lopez's first feature comes across as fragmented and overwrought, with characters and performances that seem to have been egged on by the score's achingly purposeful piano.
Michael Rechtshaffen
While Lopez's direction and structural approach are sound, the film flounders in other areas [and] it lacks the investment necessary to connect on an emotional level. Mar 19, 2019 | Rating: 5/10 | Full Review…
While Lopez's direction and structural approach are sound, the film flounders in other areas [and] it lacks the investment necessary to connect on an emotional level.
Matthew Turner
In some moments, "America Adrift" is too strident and overwrought. Smartly, it never reaches a point where it sounds preachy. Mar 16, 2019 | Rating: 2.5/4 | Full Review…
In some moments, "America Adrift" is too strident and overwrought. Smartly, it never reaches a point where it sounds preachy.
Bob Bloom
Despite some third-act mistakes, the majority of the film is powerful and thought-provoking. Mar 15, 2019 | Rating: 3/4 | Full Review…
Despite some third-act mistakes, the majority of the film is powerful and thought-provoking.
Matt Brunson
a familiar story infused with intelligence and directorial elan Mar 12, 2019 | Rating: 71/100 | Full Review…
a familiar story infused with intelligence and directorial elan
Dan Jardine
Ultimately, this is a film that has its heart in the right place, that wants to discuss the depths of the opioid crisis...But its superficiality stops it from finding a strong center of pathos, and a final act shift becomes unintentionally comical. Mar 8, 2019 | Full Review…
Ultimately, this is a film that has its heart in the right place, that wants to discuss the depths of the opioid crisis...But its superficiality stops it from finding a strong center of pathos, and a final act shift becomes unintentionally comical.
Lauren Humphries-Brooks
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