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Monsters: Dark Continent lacks the fresh approach and thought-provoking subtext of its predecessor, settling instead for tired war movie clichés.
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All Critics (35) | Top Critics (9) | Fresh (6) | Rotten (29)
There are some inventive moments along the way, but these are interspersed with lots of posturing, yelling and brawling. Apr 30, 2015 | Rating: 2/5 | Full Review…
There are some inventive moments along the way, but these are interspersed with lots of posturing, yelling and brawling.
Geoffrey Macnab
One to miss. Apr 30, 2015 | Rating: 1/5 | Full Review…
One to miss.
Peter Bradshaw
If the idea is to show that war makes monsters of us all, then writer-director Tom Green can't quite seem to bring his film to say it. Apr 30, 2015 | Rating: 1/5 | Full Review…
If the idea is to show that war makes monsters of us all, then writer-director Tom Green can't quite seem to bring his film to say it.
Robbie Collin
A desert-set men-on-a-mission movie complete with jabbering jihadis, macho hysteria and the occasional extraterrestrial waving its tentacles in the background as if to say: 'Isn't this supposed to be about me?' Apr 29, 2015 | Rating: 2/5 | Full Review…
A desert-set men-on-a-mission movie complete with jabbering jihadis, macho hysteria and the occasional extraterrestrial waving its tentacles in the background as if to say: 'Isn't this supposed to be about me?'
Tom Huddleston
Although Edwards is onboard for the new "Monsters: Dark Continent" as an executive producer, the sequel bears no resemblance to his original, thematically or stylistically. Apr 16, 2015 | Full Review…
Although Edwards is onboard for the new "Monsters: Dark Continent" as an executive producer, the sequel bears no resemblance to his original, thematically or stylistically.
Martin Tsai
Plays like a dorm-room answer to modern war films, complete with the constant profanity and masculine hysterics that pass for impact in an immature script. Apr 16, 2015 | Rating: D | Full Review…
Plays like a dorm-room answer to modern war films, complete with the constant profanity and masculine hysterics that pass for impact in an immature script.
Katie Rife
Deprived of sympathetic characters, thrills, and Edwards' skilled touch, the film makes for a disappointing follow-up to some impressive sci-fi cinema. Feb 23, 2016 | Rating: D+ | Full Review…
Deprived of sympathetic characters, thrills, and Edwards' skilled touch, the film makes for a disappointing follow-up to some impressive sci-fi cinema.
Amanda Waltz
Basically it's a war movie with four or five shots of giant monsters. The film would be exactly the same without them. And the characters are underwritten and unmemorable. Jan 1, 2016 | Rating: 2/5 | Full Review…
Basically it's a war movie with four or five shots of giant monsters. The film would be exactly the same without them. And the characters are underwritten and unmemorable.
Alex Zane
Monsters are few and far between, and Dark Continent was an offensive name given to Africa by 19th century Europeans, so why exactly this film is called "Monsters: Dark Continent" is anyone's guess. Oct 29, 2015 | Rating: 2/4 | Full Review…
Monsters are few and far between, and Dark Continent was an offensive name given to Africa by 19th century Europeans, so why exactly this film is called "Monsters: Dark Continent" is anyone's guess.
David N. Butterworth
The evidence suggests director Tom Green is more a fan of Kathryn Bigelow and Terrence Malick than of Ray Harryhausen; that's not a bad thing, unless your Bigelow-influenced monster movie is pretentious and dreary. May 15, 2015 | Rating: 2/4 | Full Review…
The evidence suggests director Tom Green is more a fan of Kathryn Bigelow and Terrence Malick than of Ray Harryhausen; that's not a bad thing, unless your Bigelow-influenced monster movie is pretentious and dreary.
John Beifuss
The sub-Apocalypse Now existential/colonial angst lacks any form of grounding, despite committed performances from the core cast who engage in much tooth-baring, breast-beating, and shouty soul-searching. May 4, 2015 | Rating: 2/5 | Full Review…
The sub-Apocalypse Now existential/colonial angst lacks any form of grounding, despite committed performances from the core cast who engage in much tooth-baring, breast-beating, and shouty soul-searching.
Mark Kermode
A glum, ear-splitting rehash of familiar elements from The Hurt Locker and Saving Private Ryan with the slippery aliens as a side dish rather than a great threat. May 1, 2015 | Rating: 2/5 | Full Review…
A glum, ear-splitting rehash of familiar elements from The Hurt Locker and Saving Private Ryan with the slippery aliens as a side dish rather than a great threat.
Allan Hunter
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